Dr Annebelle Smit
Position
Lecturer
Department
Drama and Theatre Arts
Address
Drama and Theatre
Scaena Complex
IB 26
UFS
Telephone
0514017733
Office
Scaena 46E
Information

Short CV

Annebelle Smit completed her BA degree Drama and Theater Arts in 2010 with majors in Afrikaans and Dutch Literature and Drama and Theater Arts at the University of the Free State (UFS) in Bloemfontein. Annebelle was appointed as a part-time lecturer at the UFS. In 2011 Annebelle completed her Honours degree with a distinction and in 2012 she completed her Master’s degree (cum laude) in Drama and Theater Arts within one year. Annebelle is currently a professional stage actor, designer, and director in addition to being a full-time lecturer at the Department of Drama and Theater Arts. In 2022 she obtained her Ph.D degree in Drama and Theater Arts focusing on ideologies in the Afrikaans drama (1948-1994).

 

Qualification(s)

 

Education and Qualifications

BACCALAUREUS ATRIUM [BA]

[Drama and Theater Arts]

2010

UFS

BACCALAUREAUS ATRIUM HONORES

2011

UFS

[Drama and Theater Arts]

 

 

MAGISTER ARTIUM [MA]                                                                                                                                                                                                   2012                                                                   UFS

[Drama and Theater Arts]

 PHD WITH SPECIALISATION IN DRAMA AND THEATRE ARTS 2023 UFS

 

  

 

 

Artistic Research Outputs

TITLE OF PRODUCTION

INVOLVEMENT

EXPOSURE

YEAR

 

 

 

 

Robin Hood

Actor

Local

2005

Wie se storie is die ergste?

Actor

Local

2006

Mis

Actor

Local (UFS)

2010

Wilder as die Wildtuin

Actor

Local (UFS)

2010

Heidi

Actor

Local (UFS)

2010

A Midsummer Night’s Dream

Actor

Local (UFS)

2011

Yerma

Props and Costume Manager

Local (UFS)

2011

Die Renosters

Stage Manager

Local (UFS) Free State Arts Festival

2011

Heidi

Actor

Local (UFS) Free State Arts Festival

2013

‘n Vlooi in Frankryk

Director / Writer

Local (UFS)

2016

Snow White and the Seven Dwarfs

Director / Writer

Local (UFS)

2017

The Princess and the Three Princes

Director / Writer

Local (UFS)

2018

 The Fantasticals

 Director / Writer

 Local (UFS)

 2019

 The Enormous Crocodile

 Director

 Local (UFS)

 2020

Maya and the Naugthy Star

 Director/Writer

 Local (UFS)

2022

 Everyman

 Director/Writer

 Local (UFS)

 2023

 

 

 

 

 

 

 

 

Artistic Research Outputs

Publications

INVOLVEMENT

EXPOSURE

YEAR

Pieter Fourie se komedies

Writer of chapter for the SAAWK

Suid-Afrikaanse Akademie vir Wetenskap en Kuns

2018/2019

 

 

Courses Presented

Undergraduate Program(s)

B.A. (Drama and Theater Arts)

1ST YEAR MODULES

DRAH1504 - History of the Performing Arts 1

 

 

Unit 1: Theater History & Event

The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity.    

Unit 2: Theater History & Spirituality

This unit will explore spirituality in a global theatre history context. Specific emphasis will be given to African, Asian, Western and other historical performance practices that developed up until the 19th Century.

Unit 3: Theater History & Physicality

While Physical Theater deals with the physicality within any theatre performance, it is important to recognise all the existing theatre styles that emphasize the physical aspect. Some of these styles, like Noh and Greek Chorus, are accompanied by ancient written text, but all styles include a physically improvised aspect. Visual images interpreted physically can vary greatly from one performance to another, according to factors such as what has happened onstage a moment before, the actor’s general health, the company’s mood, the audience’s reception, or the state of the stage and condition of the props.

The student will also explore the components of religious influences, aspect of oral African and Asian storytelling performances, the creative use of technical aspects such as costumes and masks, the impact of colonialism so as the aftermath of Eurocentric views of African and Asian theatre. 

Unit 4: Theater History, Gender & Sexuality

This unit will explore gender and sexuality in a global theatre history context. Specific emphasis will be given to African, Asian, Western and other historical performance practices that developed up until the 19th century.

Unit 5:  Theater History & The Performer

This unit will focus on the performer of African, Asian, Greek, Roman, Middle Ages and the Renaissance. Artists who participate in performing arts in front of an audience are called performers. Examples of these include actors, comedians, dancers, magicians, circus artists, musicians, and singers. Performing arts are also supported by workers in related fields, such as songwriting, choreography and stagecraft.

Unit 6: Theater History & Performance Space

Drama, whether it is a comedy or tragedy or a movement or dance piece, can be performed in many different types of theatres, as well as outdoors, and in warehouses, stairwells, in houses and other unusual places. Examples of formal theatre spaces include the amphitheatre, stationary and processional staging, thrust and open stages, proscenium theatre etc.

Unit 7:  The Restoration Theater

This unit focuses on the development of drama and theatre practice during the English Restoration period. The emphasis is placed on the playwrights, their influence on the development of drama and theatre, as well as various other aspects.

Unit 8: 18th Century Theater

This unit explores the development of drama and theatre practice during the 18th Century. The focus is predominantly on the playwrights of the time and the influence that the Age of Enlightenment and the Storm and Stress movement had on the theatre practitioners of this time period. Various other aspects will also be explored.

Unit 9:  Romantic Period Theater

The focus of this unit is on the development of drama and theatre practices during the Romantic Period.  The general history of this time period, as well as the influences that Darwin, Comte and Marx had on the theatre practitioners of the period, is explored, along with various other aspects.

 

 

 

 

 

THEP1505 - Performance Art 1

 

 

Unit 3: Speech practical (small groups)

 

 

 

 

2nd year modules

 

DRAH2606 - History of the Performing Arts 2

 

 

Unit 6: Southern African

 

 

 

 

DRAT2707 - Theories of the Performing Arts 2

 

 

Unit 6: Text analysis - Southern Africa

 

 

 

 

THEP2606 – Performance Art 2

 

Production - Children’s Theater

Unit 4: Realism - acting (small groups)

 

 

 

 

Postgraduate Program

 

B.A. Hons (Drama and Theater Arts)

 

DRHA6806 - Applied research in Performing Arts 1

 

 

Supervision

 

 

 

 

DRHB6806 - Applied research in Performing Arts 2

 

 

Supervision

 

 

 

 

DRHC6806 - Applied research in Performing Arts 3

 

 

Supervision

 

 

 

 

 

 

 

 

 

 

 

Postgraduate Program(s)

B.A. Hons (Drama and Theater Arts)

MODULES

DRHR6804 – Research Methodology and Ideologies

NQF Level:

8

Credits:

16

Unit – Performance Based Research

Unit - Ideologies

 

DRMT6802 – Advanced performance theories

NQF Level:

8

Credits:

8

Unit – Decolonisation

 

DRMP6808 – Research Report

NQF Level:

8

Credits:

32

Research Report

 

Postgraduate Program(s)

Postgraduate Program(s)

M.A. (Drama and Theater Arts)

MODULES

DRMM8900 – Dissertation Drama and Theater Arts

NQF Level:

9

Credits:

180

Supervision

 

 

Post-Graduate Supervision [M.A. & Ph.D.]

 

Post-graduate Supervision

YEAR

CANDIDATE

QUALIFICATION

ROLE

TITLE

STATUS

 

 

 

 

 

 

 

 

 

 

 

 

2020

Adriaan de Ridder

MA (Drama and Theater Arts)

Supervisor

Dieidentifiseringenklassifiseringvan die Afrikaansegotiesegenre in thespelteks: Plaston: DNS-kind (P.G. du Plessis) en Mirakel (Reza de Wet)

Complete

 2021 Barend Kriel MA (Drama and Theater Arts) Co-Supervisor  Ongoing

 

 

 

 

 


Publications


Publications (Short List)

Pieter Fourie: Teatermaker – ’n huldiging deur Fanie Olivier (redakteur)  

Research


Area(s) of Interest


Area(s) of Expertise

Courses Presented


 Undergraduate Program
 1st year modules
 DRAH1504 - History of the Performing Arts 1
 

Unit 1: Theatre History & Event

The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity.    

Unit 2: Theatre History & Spirituality

This unit will explore spirituality in a global theatre history context. Specific emphasis will be given to African, Asian, Western and other historical performance practices that developed up until the 19th Century.

Unit 3: Theatre History & Physicality

While Physical Theatre deals with the physicality within any theatre performance, it is important to recognise all the existing theatre styles that emphasize the physical aspect. Some of these styles, like Noh and Greek Chorus, are accompanied by ancient written text, but all styles include a physically improvised aspect. Visual images interpreted physically can vary greatly from one performance to another, according to factors such as what has happened onstage a moment before, the actor’s general health, the company’s mood, the audience’s reception, or the state of the stage and condition of the props.

The student will also explore the components of religious influences, aspect of oral African and Asian storytelling performances, the creative use of technical aspects such as costumes and masks, the impact of colonialism so as the aftermath of Eurocentric views of African and Asian theatre. 

Unit 4: Theatre History, Gender & Sexuality

This unit will explore gender and sexuality in a global theatre history context. Specific emphasis will be given to African, Asian, Western and other historical performance practices that developed up until the 19th century.

Unit 5:  Theatre History & The Performer

This unit will focus on the performer of African, Asian, Greek, Roman, Middle Ages and the Renaissance. Artists who participate in performing arts in front of an audience are called performers. Examples of these include actors, comedians, dancers, magicians, circus artists, musicians, and singers. Performing arts are also supported by workers in related fields, such as songwriting, choreography and stagecraft.

Unit 6: Theatre History & Performance Space

Drama, whether it is a comedy or tragedy or a movement or dance piece, can be performed in many different types of theatres, as well as outdoors, and in warehouses, stairwells, in houses and other unusual places. Examples of formal theatre spaces include the amphitheatre, stationary and processional staging, thrust and open stages, proscenium theatre etc.

Unit 7:  The Restoration Theatre

This unit focuses on the development of drama and theatre practice during the English Restoration period. The emphasis is placed on the playwrights, their influence on the development of drama and theatre, as well as various other aspects.

Unit 8: 18th Century Theatre

This unit explores the development of drama and theatre practice during the 18th Century. The focus is predominantly on the playwrights of the time and the influence that the Age of Enlightenment and the Storm and Stress movement had on the theatre practitioners of this time period. Various other aspects will also be explored.

Unit 9:  Romantic Period Theatre

The focus of this unit is on the development of drama and theatre practices during the Romantic Period.  The general history of this time period, as well as the influences that Darwin, Comte and Marx had on the theatre practitioners of the period, is explored, along with various other aspects.


   
 THEP1505 - Performance Art 1
   Unit 3: Speech practical (small groups)
   
 2nd year modules
 DRAH2606 - History of the Performing Arts 2 
   Unit 6: Southern African
   
 DRAT2707 - Theories of the Performing Arts 2  
   Unit 6: Text analysis - Southern Africa
   
 THEP2606 - Performance Art 2  
   Unit 4: Realism - acting (small groups)
   
 Postgraduate Program
 B.A. Hons (Drama and Theatre Arts)
 DRHA6806 - Applied research in Performing Arts 1 
   Supervision
   
 DRHB6806 - Applied research in Performing Arts 2 
   Supervision 
   
 DRHC6806 - Applied research in Performing Arts 3
   Supervision
   
   
 %3

Community Service

I am the coordinator of our Community Engagement and Service learning division at the Drama and Theater Department.

We are currently involved in a number of projects:

  • Puppet theatre
  • Seminars on Consent culture
  • Drama workshops 
  • Patient simulation in collaboration with the Department of Psychology
  • Medical Moulage for Pelonomi Academic Hosptial and the National Department of Health

Service Learning

Co-ordinator of the Community Service Learning Programme

 


FACULTY CONTACT

T: +27 51 401 2240 or humanities@ufs.ac.za

Postgraduate:
Marizanne Cloete: +27 51 401 2592

Undergraduate:
Neliswa Emeni-Tientcheu: +27 51 401 2536
Phyllis Masilo: +27 51 401 9683

Humanities photo next to contact block

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept