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22 February 2018 Photo Johan Roux
KovsieACT music festival lives up to the hype
Prof Francis Petersen, Rector and Vice-Chancellor of the UFS.

Description: Kovsie Act concert Tags: Kovsie Act concert

Shekhinah embraces students at the festival.
Photo: Monk Manyeloyi

A weekend that promised great excitement kicked off on Friday 16 February 2018 with the Kovsie ACT Eco-vehicle race. This event saw students teaming up in their respective colleges in high hopes of earning what was assured to be a gratifying reward. The overall winners of the race were North College who also won for team spirit, the slalom race, and the Formula-e lookalike.

Students at the race rumbled with excitement as they witnessed the Rector and Vice-Chancellor of the University of Free State Prof Francis Petersen get his hands dirty when he decided to test-drive one of the Eco-vehicles himself. “It was honestly an electrifying moment that proves that co-curricular activities have the power to indeed help shift education into the right direction,” said Dean of Student Affairs, Pura Mgolombane, who was seen alongside Prof Petersen.

The first official Kovsie ACT music festival was billed to rock Bloemfontein, and it did exactly that! With the gates opening at 4pm on 17 February 2018, the event saw people pouring in shortly afterwards. The community and student-centred celebration saw a turnout nothing short of amazing.

The evening included a laser show display that is always a crowd pleaser, with OFM radio-show host Shandor Potgieter as the official MC for the event. Festivalgoers were entertained by various musical acts that included Sam Ludidi and local DJ duo, C’jo-&-Cider.

The crowd rushed to the main arena as Jack Parow prepared to kick off with his piece, which undoubtedly revved them up. Shekhinah, of course, followed through with a thrilling performance that held fans at her mercy, with many shouting “Shekhinah!”, as she left the stage. 

Prince Kaybee’s electrifying set ended off the night on a high note. The audience wanted more but the celebrations for the evening had to come to an end. “The festival was too lit, and the artists brought the heat, exactly what I needed before classes start on Monday,” said #KovsieCyberSta and student Thuli Molebalwa.

Kovsie ACT music festival

News Archive

Anxiety about losing a loved one to death culminates in runner-up prize at Sasol New Signatures Art Competition
2014-09-15

 

Adelheid Camilla von Maltitz
Photo: Supplied

Adelheid Camilla von Maltitz – a lecturer at our Department of Fine Arts – has been awarded the runner-up prize at the Sasol New Signatures Art Competition. Her sculptural piece, ‘Bodies’, explores the process of mourning and loss and the grey areas between life and death.

The Sasol New Signatures Art Competition is recognised as the country’s longest running art competition. The competition has kick-started the careers of some of South Africa's most prominent artists. Last year, the competition was won by another Kovsie, Dot Vermeulen.

“Personally, I experienced an intense and consistent sense of anxiety towards death, specifically an anxiety towards losing a loved one due to a road accident. This led me to wonder how an individual copes with substantial loss. During my practical research it became obvious that there are many contrasts existing in the mourning process, contrasts related to anxiety and peace,” said Von Maltitz.

The piece encourages contemplation on three levels.

At the first level, two boxes lie on the floor covered in heaped earth and ash which suggests a buried body: closed, powerless and dark. Here, Von Maltitz invites the viewer to use this space to contemplate the process of mourning and loss.

The second level offers fragmented apparitions displayed in the light boxes, commenting on the ‘grey area’ between life and death.

At the third and final level, the viewer stands between the light boxes: open, alive and powerful.

Von Maltitz is currently reading for her PhD in Fine Arts at Kovsies. Commenting on her research, Von Maltitz said that she is “also interested in comparing the use of repetitive actions – such as revisiting a grave, which seem present in the mourning process – to the use of repetition in sculptural installation.” She is also interested in the relationship between these repetitions and anxiety and relieving anxiety, either permanently or temporarily.


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