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20 March 2018 Photo Johan Roux
Soon-to-be graduates warm up for Autumn graduations
Graduation is the beginning of a new journey

As the weather starts to cool and the trees begin to lose their leaves, the University of the Free State (UFS) commences with the Autumn graduation preparations, which will take place in the Callie Human Centre on the Bloemfontein Campus from 9-13 April 2018.
 
Students and their families can look forward to a fulfilling graduation ceremony that is bound to live up to the soon-to-be graduates’ dreams.

For information regarding the 2018 April graduations, please visit the UFS graduation ceremonies page, where students can also find the Graduation Guide Booklet. For enquiries please email graduations@ufs.ac.za

The graduation ceremonies for the different faculties will be taking place on the following dates:

 

Monday 9 April 2018

09:00: Faculties of Health Sciences and Theology and Religion

14:30: South Campus: University Access Programme

Tuesday 10 April 2018

09:00: Faculty of Law

14:30: Faculty of Education

Wednesday 11 April 2018

09:00: Faculty of Natural and Agricultural Sciences

14:30: Faculty of Natural and Agricultural Sciences

Thursday 12 April 2018

09:00: Faculty of Economic and Management Sciences (including Business School)

14:30: Faculty of Economic and Management Sciences

Friday 13 April 2018

09:00: Faculty of the Humanities

14:30: Faculty of the Humanities

The Graduation Ceremonies will be available on livestream: http://livestream.ufs.ac.za/

News Archive

Kotaro Fukuma - awe inspiring
2008-03-10

On Thursday, 28 February 2008, the Japanese pianist, Kotaro Fukuma, gave a piano recital in the Odeion.

Kotaro provided the audience with a rendition that showed complete technical and interpretative mastery, which Elretha Britz described as a “flawless performance” in the Volksblad.

The performance began with Haydn’s Piano Sonata, Op. 9. It was followed by Schumann’s “Carnival” and three compositions by Kotaro’s fellow countryman, Toru Takemitsu, who passed away in 1996. After a tour though an imaginative landscape of sound in Takemitsu’s compositions, he rounded off his programme with Scriabin’s Piano Sonata No. 3.

The audience not having had enough, were then treated to a Liszt transcription of Schumann’s Lied, Widmung, as an encore.

The concert was well supported by the people of Bloemfontein who went home more than satisfied. In fact, there were standing ovations at the end of almost every work.
 

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