Latest News Archive

Please select Category, Year, and then Month to display items
Previous Archive
06 February 2019 | Story Rulanzen Martin
Kovsie Advice Cover

Welcome to a brand-new year, Kovsies! The first edition of Kovsie Advice is out and there to help you make sense of this crazy, bustling jungle of university. With an array of opportunities at Kovsies, it is time to make your own way into your future. This magazine is aimed at helping you find your way through this maze, from FGG to Mabaleng, to making the best of your studies.

Follow our three simple steps to give you that academic edge and the support you need.

Time to tie your shoelaces and get reading! 

Kovsie Advice is compiled by the Advising team in the Centre for Teaching and Learning.

 Happy reading!

News Archive

"Boer Manie se melk word suur" no sour story
2010-02-17

Pictured, from the left, front, are the actors: Keogh (Boer Manie), Kotzé (Bella de Vries) and Strydom (Neelsie). Back: Fourie (Tersia Tandeheks) – Lize du Plessis
Photo: Lize du Plessis

The Department of Drama and Theatre Arts at the University of the Free State (UFS) recently presented a jam-packed Drama Festival. The festival gave actors, directors and script-writers on campus the opportunity to show what they are capable of.

Heinrich Keogh and Ilne Fourie combined forces to present a production suitable for young and old. “Boer Manie se melk word suur” tells the story of Farmer Manie, his son Neelsie, his cow Bella and the evil Tersia Tandeheks, a witch who tries to turn the entire world’s milk sour by using magic. Her conniving plans create chaos on Madeliefie Vlei, where all the characters live.

The four actors, Heinrich Keogh (Boer Manier), Ilne Fourie (Tersia Tandeheks), Mart Kotzé (Bella de Vries) and Walter Strydom (Neelsie) clearly have a passion for acting. They climb into the bodies of their characters – something they have to learn when studying at the Department of Drama and Theatre Arts.

According to Keogh, who also directed “Boer Manie se melk word suur”, the play receives positive feedback.

We use cookies to make interactions with our websites and services easy and meaningful. To better understand how they are used, read more about the UFS cookie policy. By continuing to use this site you are giving us your consent to do this.

Accept