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31 January 2019 | Story Leonie Bolleurs | Photo Earl Slipher
Mars
One of the first colour photographs of Mars, taken through the lens of the Lamont-Hussey telescope in 1939. The telescope was restored and is currently on display at the Naval Hill Planetarium.

In 2018 the University of the Free State (UFS) launched the historic 27-inch Lamont-Hussey Refractor telescope exhibit together with the completed observation platform and a garden in front of the Naval Hill Planetarium in Bloemfontein.

The re-installation of the telescope as a static outdoor exhibition at Naval Hill is now complete. The project started several years ago after the recovery of abandoned parts of the old telescope. What followed was a story of trial, patience, careful planning and a lot of hard work.

 

Taking it apart

According to Dawid van Jaarsveld from the UFS Department of Physics, the mounting and tube of the Lamont telescope has returned to its home, the Lamont-Hussey Observatory, for display. The telescope had 47 years of service and years of abandonment in the veld after it was taken apart in 1975.

Its former telescope dome now hosts the Naval Hill Planetarium, the first digital planetarium in Sub-Saharan Africa.

The telescope was taken apart after the observatory was closed in 1974. It was dismantled and the optics were sent back to the University of Michigan with the largest pieces “left for dead in the veld” on the grounds of the Ehrlichpark Fire Station.

According to Dr Hendrik van Heerden from the UFS Department of Physics, who assisted in the technical side of re-installing the telescope, the larger pieces were recovered by Braam van Zyl and subsequently moved into the museum hanger of the Bloemfontein Fire Brigade where they stayed for many years.

 

Contribution to science

The University of Michigan in the US built the Lamont-Hussey Observatory between 1926 and 1928 in Bloemfontein for the study of double stars. The telescope had great historic significance and was used by professional astronomer RA Rossiter from Michigan, who set the record for discovering and measuring more than 5 000 double stars. The planetarium also measured the most double stars in the world, more than 7 000.

Van Jaarsveld describes a double star – also known as a binary star system – as two stars orbiting around one another. Studies of double stars enable researchers to determine the mass of stars.

Earl Slipher used the telescope to take one of the very first colour photographs of Mars in 1939. Slipher took 60 000 photos of Mars in 1939, 1954 and 1956 with the telescope. He was the world expert on the planet at the time. The camera Slipher used is displayed in the Boyden Observatory museum just outside Bloemfontein.

 

Putting it together

Van Heerden continues: “In early 2017 the components [of the telescope] were relocated to Dukoc Manufacturing in Bloemfontein for cleaning, treatment and painting. It took a while, as the missing components had to be manufactured before the final painting could be completed. The missing pieces were made with the help of the original blueprints of the telescope, provided by Prof Patrick Seitzer of the University of Michigan.

“These blueprints, along with measurements taken from the cleaned parts at Dukoc Manufacturing were used by Barend Crous, UFS Head of Instrumentation, to develop and manufacture the missing parts. These include the polar axis (solid steel axle over 3 m long and weighing more than one ton), axis-bearing caps (cast-iron pieces weighing more than 100 kg and 200 kg respectively) and telescope position wheels and gear works. After the required components were manufactured and refurbished, they were relocated to the Naval Hill Planetarium for the launch ceremony which was held on 5 June 2018.

“Planning of the installation of the telescope thereafter started in earnest. The jigsaw had to be put together again. The sheer size of the parts required some heavy equipment during the installation. With hard work, good coordination and a bit of luck, a team consisting of myself as project coordinator and consultant, Barend Crous, site engineer; Innes Basson, supervisor; Denver de Koker, handyman; and Wikus Storm, welder, got the job done,” Dr Van Heerden said.

 

Information sessions

Astronomy enthusiasts, tourists, school groups and other members of the public can now visit the Lamont-Hussey telescope with it finally back home after many years of neglect and abandonment in the veld. It can again hold itself high, looking at the stars.

The official opening of the telescope will take place on 26 April 2019 and Prof Seitzer from the University of Michigan will attend the opening event.

The refurbishment of the old telescope and the establishment of the new garden and observing platform were made possible by a R1 million donation by ArcelorMittal.

News Archive

Free State Receives R7 Million Grant from the Mellon Foundation for Arts Innovation
2015-11-30


Man in the Green Blanket, Lesiba Mabitsela.
Photo: Karla Benade

Bloemfontein will experience a flood of new, experimental art over the next four years as a result of R7 million that has been received to develop experimental art projects in central South Africa. The Andrew W. Mellon Foundation recently awarded the grant to the University of the Free State (UFS) for the Programme for Innovation in Artform Development (PIAD). Initiated jointly by the UFS and the Vrystaat Arts Festival in 2014, PIAD was established as a programme to promote the exploration of the arts to advance interdisciplinary research and to impact on human development.

The Andrew W. Mellon Foundation is a New York-based, non-profit organisation which endeavours to strengthen, promote, and, where necessary, defend the contributions of the humanities and the arts to human flourishing, and to the well-being of diverse and democratic societies.

“The Innovation in Artform Development initiative will provide an important contribution to the ways in which the university hopes to broaden and deepen research and dialogue about the humanities in South African society. Using the arts as a vehicle to engage communities around issues of social significance, makes for an exciting endeavour, and we are happy to have Mellon’s financial and partnership investment in this initiative,” said Prof Jonathan Jansen, Vice-Chancellor of the UFS.

“This substantial support from the Foundation will play a pivotal role in facilitating collaborations with national and international artists to explore new, innovative modes of artistic practice and creative production in South Africa,” said Angela de Jesus, UFS Art Curator and Co-Director of PIAD.

“A series of First Nations projects, arts/science research and artist residencies, arts laboratories for creative practitioners, the production of exciting new work for Bloemfontein, and critical debates/forums is expected over the next few years,” she added.

PIAD focuses on supporting cross-cultural, experimental art programmes that can assist South African society creatively. For this process, PIAD is engaging the skills and expertise of South Africa artists in collaboration with several international partners, who are recognised as global leaders in this field, to develop a mutually- beneficial programme of engagement.  

Innovation, technology, and new forms of art will be explored and international collaborations that have the potential to attract benefits for the creative industries in Bloemfontein and beyond will be introduced.

“The artistic landscape of the Free State - in fact the whole South Africa - will be forever changed because of this extraordinarily generous grant. Rarely does a regional community get a chance to lead innovation on a national scale, and also impact on experimental art internationally. We are in for an incredible artistic journey,” said Dr Ricardo Peach, Director of the Vrystaat Arts Festival and Co-Director of PIAD.

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