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13 August 2019 | Story Rulanzen Martin | Photo Charl Devenish
Biennial lecture
Front, from the left; Prof Heidi Hudson, Dean of the Faculty of the Humanities, and Prof Jack Halberstam. Back, from the left; Dr Stephanie Cawood, Director of CGAS; Prof Puleng LenkaBula and Dr Nadine Lake; Gender Studies Programme Director.

It was an unconventional gender studies lecture where we had to imagine a changed world in which “we should rethink gender, sexuality and the body and how we must get rid of the world in which gendered and sexual embodiment operates in the way it does”. This is how Prof Jack Halberstam introduced his lecture with the topic Exit Routes: After Gender, After Feminism.

“Contrary to a whole tradition in queer studies of world-making, my project is about world unmaking, un-building and undoing.” Prof Halberstam said at the Biennial Humanities and Gendered Worlds lecture which was hosted by the Centre for Gender and Africa Studies (CGAS) on 7 August 2019. 

 “The title of the talk, exits routes, is a reference to the fact that I am going to argue that we literally have to imagine the end of the world we currently live in,” he said. One could engage in the speculation of a utopian world. We are far beyond this point of capitalism and right-wing populism, environmental decline. We cannot talk about utopianism until we get rid of this world.” 

Prof Halberstam is a leading scholar in gender studies 

Prof Halberstam is a professor of Gender and English at Columbia University in the US. “Prof Halberstam is known on the questions of gender and queer theory but also what it means to pursue the dignity in the diversity of humanity,” said Prof Puleng LenkaBula, Vice-Rector: Institutional Change. Student Affairs and Community Engagement. 
“We must understand the role of the Humanities in understanding, analysing and bringing about theories that enable the interrelationship with the cosmos, other humanity, and the idea that we must always be at the centre in the defining the systems.” 



News Archive

Art on Disasters to heal communities
2014-05-27

 
Fadzai Nyamusamba showing interest in the work: "Working on fire". This artwork was painted and donated by Mariette Pretorius, a professional artist from Bloemfontein. This art piece will be displayed at the South African National Disaster Management Centre in Pretoria.
Photo: Supplied
The Disaster Management Training and Education Centre for Africa (DiMTEC) at our university, recently launched its Art on Disasters initiative at the Gallery on Leviseur in Bloemfontein. 

Disasters have a devastating effect on societies and are accompanied by fear, uncertainties and often post-traumatic stress disorders. The creative arts have the ability to comfort survivors and those affected by tragedy. Amid disaster, art serves as a memorial, aids in the healing process and helps these communities to interpret their emotions. 

This is precisely the main focus of the Art on Disasters project. It aims to develop paintings, sculptures, dramas, theatre productions, poetry and music in collaboration with artists. These productions will then be presented to communities at risk of, or affected by, disasters, to create awareness and foster healing. 

Furthermore, the initiative will conduct research on art as a form of therapy and co-ordinate rehabilitation experts to assist the relevant communities. The artworks collected by the project, will be sold or auctioned to help raise funds. The proceeds will then be donated to a worthy cause as part of DiMTEC’s commitment to community service. 

The project will help console and heal communities and aspire to generate greater resilience to trauma. It will also give humanitarian workers the opportunity to advocate for disaster risk reduction and offer them an opportunity for psychological debriefing after attending to affected communities. 

“We will collect different categories of art related to all forms of disasters. These include paintings, photography, sculptures, poetry, music, theatre productions and short stories,” said Dr Andries Jordaan, Director of DiMTEC. “Stephanie Peters, Thomas Hart Benton, Tania Kovats and Medhi Naimi are just a few of the many artists that paint on man-made and natural disasters. They are artists that believe in art therapy as a form of self-expression, well-being and recovery,” he added. 

For more information about this initiative, or to possibly contribute as an artist, please contact Olivia Kunguma from DiMTEC on +27(0)51 401 9699 or kungumao@ufs.ac.za .

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