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28 November 2022 | Story Gerda-Marié van Rooyen | Photo Supplied
Antjie Krog
Prof Antjie Krog, author, UFS aumna, and Extraordinary Professor at the University of the Western Cape, discussed the complexities of narratives when it comes to reporting sexual abuse during an International Hybrid Conference hosted by the University of the Free State (UFS) and the War Museum.

During an International Hybrid Conference hosted by the University of the Free State (UFS) and the War Museum, representatives from various universities gathered in Bloemfontein to discuss the complexities of reporting sexual abuse. The conference, themed ‘The Unsung Heroines and Youth of South Africa – Violent Histories and Experiences of South African Women and Children during Wars, Conflicts and Pandemics’ – a collaboration between the UFS Centre for Gender and Africa Studies and the War Museum – gave voice to the urgent need to rewrite the current narrative relating to gender-based violence (GBV). 

Prof Antjie Krog, renowned author and a UFS alumna, delivered a keynote address on Thursday 24 November 2022. She linked the past, referring to the South African War, with the present rate of GBV – with South Africa having the highest rate of abuse against women and children in the world. Prof Krog was the first speaker and deliver an address titled Survival, Complicity and Race: (Im)possibilities of Narrating and Interpreting Rape in Havenga Affidavits.

Prof Krog referred to 24 affidavits relating to rape and sexual assault in the Kroonstad-Heilbron-Lindley-triangle in the Free State during the South African War (1899-1902). These affidavits formed part of the previously embargoed Havenga collection. 

Based on these documents, it is evident that fellow citizens – regardless of ethnicity – joined forces with the enemy. Boys were indoctrinated to believe that they would become men once they torched houses and scorned women. British officials allegedly told these boys: “Do with the women whatever you want.” 

Shaming and silence

Phrasing in the affidavits often differed because of incoherent vocabulary, Prof Krog said. Women would, for example, state: “not achieved his goal” or “applied all attempts”, masking the true events of sexual assault. Talking about abuse in front of male officials, and sometimes even in front of their husbands, as they had to sign their wives' statements to authenticate it, complicated things. 


“People today still struggle to talk about rape without it influencing their integrity.” She referred to the brief moments of decision-making before an assault that haunts victims forever, making them believe they had a choice and thus making them feel responsible for rape and preventing them from reporting sexual abuse. Furthermore, the possibility of abused females disgracing their husbands and families (as rape was not seen as an act against a woman’s body, but against the honour of her husband or father) and, as in the case of the South Africa War, the need for reconciliation outweighed justice, and acts of GBV were silenced. 

Other academics on GBV

Prof Heidi Hudson, Dean of the Faculty of the Humanities at the UFS, delivered her keynote address on Friday 25 November 2022. Prof Hudson, a specialist in feminist security studies, spoke on the theme of Disciplinary and other stories: From women’s peace movements to the Women, Peace, and Security ecosystem. 

On the same day, Dr Marietjie Oelofse, Senior Lecturer in the UFS Department of History, also referred to victims’ voices being muted during her presentation titled Silent and Silenced: Factors prohibiting women from having a choice after experiencing Human Rights Violations. 

Dr Mpho Maripane-Manaka, a Lecturer at Unisa, was the last speaker at the conference, sharing her research on The amnesia on the commemoration of black African woman in the South African war.

The conference came to an end with a visit to the art exhibition Unsung Heroes at the Oliewenhuis Art Museum on Friday, and a tour of Bloemfontein on Saturday 26 November 2022.

News Archive

Drama Department produces international stars
2011-05-20

 
Jefferson Dirks-Korkee en Mart Kotze
Photo: Leonie Bolleurs

Forbidden desires, secrets, lies and intrigue. Add a few well-known South African actors like Deon Lotz and Robin Smith for interpretation and you get the first Afrikaans South African film ever to be shown at the Cannes Film Festival from 11-22 May 2011.

It is all very well, but where does the University of the Free State (UFS) fit into the picture?

Jefferson Dirks-Korkee and Mart Kotze, two of our drama students – Jefferson being an Honours student and Mart a master’s student – each scored a small role in the film Skoonheid, when director Oliver Hermanus sent a team to Bloemfontein for auditions.

Skoonheid is the first Afrikaans South African film that has been nominated for a Cannes award. “Robert de Niro is the president of the panel of adjudicators,” says an excited Jefferson, who plays in a silent scene in the film. He and Mart, who plays a cashier, are very pleased with the opportunity to appear in this production.

Although it is the first time that Jefferson appears in front of the cameras, he has already participated in a few stage productions like Jonas and Boermanie. Mart also featured in Boermanie and Tailor Made.

They invite everyone to their performances at this year’s Vryfees in July. In Piet se tante Jefferson will debut as Windvoël and Mart will play as Lucia-Anne in Die kaskenades van Kees Kieswetter.
 

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