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26 April 2023 | Story Nonkululeko Nxumalo | Photo Supplied
Drama graduates
Theatre maestros Boitumelo Riet and Lelethu Tshangela. The two friends received their Bachelor of Arts Honours (Drama and Theatre Arts) degrees during the UFS April graduation ceremony.


Among the many exceptional students who received their qualifications during the University of the Free State’s (UFS) April 2023 graduation ceremonies, are theatre maestros Boitumelo Riet and Lelethu Tshangela. The two friends graduated with Bachelor of Arts Honours (Drama and Theatre Arts) degrees during the Faculty of the Humanities graduation ceremony on 22 April 2023. Overcoming considerable struggles, these two graduates’ remarkable talent and hard work have led them to become recognised and acclaimed theatre artists.


During their studies, Riet and Tshangela worked together on a production called Ziyakhala ke Manje, which won the Best New Young Artist Award at the Vrystaat Arts Festival.
 
"Winning the award was unbelievable, considering that rehearsals and scheduling didn't go as planned. We had to start afresh and get the play ready in two weeks," Tshangela said. 

"It was a beautiful surprise. The award felt like a deep acknowledgment, respect, and celebration of the entire cast's artistic investment," Riet added.

Riet and Tshangela were also part of the production team that toured with the Standard Bank Bronze Ovation award-winning SwaRingana to the National Arts Festival. Their work, developed as part of the coursework in the Theatre-Making programme, has been recognised nationally, and has been invited to perform on professional platforms.

Additionally, Riet shared the stage with fellow graduates in The Suit, a contemporary theatre adaptation of Can Themba’s iconic short story, which won the Fresh Vrynge Award at the Vrystaat Arts Festival in 2022.

Tshangela helmed Ukhetho, which won top honours at the Kovsies Multilingual Mokete, and was selected as one of the debut productions at the newly formed Mthonyama Arts Festival in the Eastern Cape. Both artists were recognised by the Department of Drama and Theatre Arts as the Best Theatre Making students at the end of their undergraduate studies.

Passion for performing

According to Riet, she inherited her artistic inclination from her mother. Together they engaged in various playful activities such as singing, dancing, and storytelling. These activities sparked her love for entertaining from a young age, and she always knew that she wanted a career that would allow her to express herself in impactful ways and positively influence her community.

For Tshangela, her passion for performing also started at a young age. She enjoyed singing, but despite initially not considering drama as a career, receiving an acceptance letter from the UFS to study Drama and Theatre Arts reminded her of the joy she had felt during a school play. “It felt natural. It was like I could do this every day, portraying different people and telling stories. That acceptance letter became a sign of my destiny,” she highlighted.

Both suffered the loss of a parent during this time and faced considerable financial challenges due to limited funding. However, these resilient women persevered, excelling, and coming into their own as phenomenal and now award-winning theatre artists and academics.

Plans for the future

Looking ahead, Riet plans to continue creating radical and relevant theatre, writing poetry, and performing on notable stages. Additionally, she aspires to establish a storytelling centre.

“I’m planning to direct, produce, and perform more professional theatre productions. I’m also looking to travel overseas, further my studies to PHD level, but most of all, I plan to open a theatre company where I can introduce the craft to my hometown in the Eastern Cape,” Tshangela said.


News Archive

Alcinda Honwana: Youth Protests Main Mechanism against Regime
2015-05-25

Prof Alcinda Honwana

"Enough is Enough!": Youth Protests and Political Change in Africa (speech) 

The Centre for Africa Studies at the UFS hosted an interdisciplinary project on the Bloemfontein Campus from 20-22 May 2015.

The project, entitled Contemporary Modes of Othering: Its Perpetuation and Resistance, looked at different perspectives, representations, and art forms of otherness, how it is perceived, and how it is resisted.

The annual Africa Day Memorial Lecture was held on Thursday evening 21 May 2015 at the CR Swart Auditorium. Guest speaker Prof Alcinda Honwana addressed the subject of ‘Youth Protests and Political Change in Africa’.

“Youth now seem able to display what they don’t want, rather than what they do want,” Honwana said in her opening remarks. “Thus, we see the young driven to the streets to protest against regimes.”
 
Honwana shed some light on recent examples of youth protests in Africa that have enjoyed global attention. Looking at the protests in Tunisia (2010), Egypt (2011), Senegal (2012), and Burkina Faso (2014), it is clear that these events in northern and western Africa have inspired others globally. Yet, Honwana stated that, despite these protests, no social economic change has been seen, and has left dissatisfaction with new governments as well.

“Once regimes fall… young activists find themselves more divided, it seems…

“Which leaves the question: Will street protests remain young people’s main mechanism to avert those in power?”

Background on Prof Alcinda Honwana:

Alcinda Honwana is currently Visiting Professor of Anthropology and International Development at the Open University (UK). She was chair in International Development at the Open University, and taught Anthropology at the University Eduardo Mondlane in Maputo, the University of Cape Town in South Africa, and the New School for Social Research in New York. She was programme director at the Social Science Research Council in New York, and worked for the United Nations Office for Children and Armed Conflict. Honwana has written extensively on the links between political conflict and culture, and on the impact of violent conflict on children and youth, conducting research in Mozambique, the Democratic Republic of the Congo, Angola, Colombia, and Sri Lanka. Her latest work has been on youth and social change in Africa, focusing on Mozambique, Senegal, South Africa, and Tunisia.

Honwana’s latest books include:

• Youth and Revolution in Tunisia (2013); 
• Time of Youth: Work, Social Change, and Politics in Africa (2012);
• Child Soldiers in Africa (2006);
• Makers and Breakers: Children and Youth in Postcolonial Africa (2005, co-edited).

Honwana was awarded the prestigious Prince Claus Chair for Development and Equity in the Netherlands in 2007.

 

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