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09 January 2023 | Story Gerda-Marié van Rooyen | Photo Supplied
Antoinette Louw
Well-known actress and UFS alumna Antoinette Louw won the ‘Best Actress’ award at the European International Film Festival for her role as Rachel in the locally produced film, The Fragile King. Louw graduated cum laude from the University of the Free State Department of Drama in 1996.

Renowned actress Antoinette Louw, an alumna of the University of the Free State (UFS) Department of Drama and Theatre Arts, was recently announced ‘Best Actress’ at the European International Film Festival. She achieved this award for her role as Rachel in the film The Fragile King. Louw is known – among many other characters – for portraying Sara in the 2019 film Die Storie van Racheltjie de Beer (The story of Racheltjie de Beer) and as Inge van Schalkwyk, owner of the boutique in the soap opera 7de Laan

Louw, one of seven nominees, says receiving this news six days before Christmas (in 2022) from the film’s producer, Cati Weinek, came as a huge surprise – especially since she was unaware that the film was being shown at the festival.
Although Louw feels ecstatic and humbled after receiving the prize, she says art and judgment thereof remains subjective. “Unlike sports, the arts don’t have winners or losers. Being awarded doesn’t make me better than any of the others (nominees), because the decision is based on the judges’ subjective opinions.”

Telling South African stories

Louw, who has several awards under her belt, did extensive research to portray Rachel, a character struggling with addiction. “The biggest challenge with any role is to honour the story and to remain truthful and in the moment.” The Fragile King – which was filmed over six weeks in parts of KwaZulu-Natal, Johannesburg, and North West – is about “lost dreams and people, broken relationships, and loss that reunites people against their will. Although I haven’t seen the film yet, the story is universal.”

She says that when comparing local talent to their international counterparts, South Africa has the same talent. "Financially, however, there is no comparison, as money buys time for better quality productions." Yet, she realises that the grass is not necessarily greener abroad. “I love my country. I am privileged to work here and to be part of our unique stories. Sure, actors get better paid (there) and receive more status, but that’s not what life is about.”

A proud UFS alumna

Replying to why she thinks several former drama students of the UFS are excelling in the arts, she says it is because “we are Free Staters. Our feet are firmly on the ground, and we work hard”. Louw, who received her acting degree cum laude in 1996, was awarded several accolades during her student years. Looking back on her student years, she will never forget the ‘legendary’ year-end parties in the Department of Drama and Theatre Arts. “En verder bly ek tjoepstil!” (Other than that, I won’t say a thing) she laughs.

News Archive

Game farming a lens to analyse challenges facing democratic SA – Dr Kamuti
2017-05-30

 Description: Dr Kamuti Tags: Dr Kamuti

Dr Tariro Kamuti, Postdoctoral Fellow at the Centre
for Africa Studies at the University of the Free State.
Photo: Rulanzen Martin

One of the challenges facing South Africa’s developing game farming policy is the fractured state in the governance of the private game farming sector, says Dr Tariro Kamuti.

Dr Kamuti, a Postdoctoral Research Fellow at the Centre for Africa Studies (CAS) at the University of the Free State (UFS), was presenting a seminar on Wednesday 17 May 2017 under the topic, Private Wildlife Governance in a Context of Radical Uncertainty: Challenges of South Africa’s Developing Game Farming Policy, which takes material from his PhD. He received his PhD from both the Vrije University in Amsterdam and the UFS in 2016.

His presentation explored how the private game industry positions itself in accordance with existing agricultural and environmental regulations. It also investigated the state’s response to the challenge of competing needs over land and wildlife resources which is posed by the gaming sector. “The transformation of the institutional processes mediating governance of the private game farming sector has been a long and enduring arrangement emerging organically over time,” Dr Kamuti said.

Game farming links wildlife and agricultural sectors
“I decided on this topic to highlight that game farming links the wildlife sector (associated with conservation and tourism) and the agricultural sector. Both make use of land whose resources need to be sustainably utilised to meet a broad spectrum of needs for the diverse South African population.

“The continuous skewed ownership of land post-1994 justifies questioning of the role of the state in confronting challenges of social justice and transformation within the economy.”

“Game farming can thus be viewed as a lens through which to study the broad challenges facing a democratic South Africa, and to interrogate the regulatory and policy framework in the agricultural and wildlife sectors at their interface,” Dr Kamuti said.

Challenges facing game farming policies

The state alone does not apply itself to the regulation of private gaming as a sector. “There is no clear direction on the position of private game farming at the interface of environmental and agricultural regulations, hence game farmers take advantage of loopholes in these institutional arrangements to forge ahead,” Dr Kamuti said.

He further went on to say that the state lacked a coherent plan for the South African countryside, “as shown by the outstanding land restitution and labour tenant claims on privately owned land earmarked for wildlife production”.

The South African government was confronted with a context in which the status quo of the prosperity of the middle classes under neoliberal policies was pitted against the urgent need to improve the material well-being of the majority poor.  Unless such issues were addressed, this necessarily undermined democracy as a participatory social force, Dr Kamuti said.

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