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26 August 2022 | Story Anthony Mthembu | Photo Sonia Small
Sing off
SingOff participants getting ready for the upcoming finals of the competition.

The SingOff competition, which is regarded as one of the biggest arts and culture experiences at the University of the Free State (UFS), has returned after a two-year hiatus. “Due to COVID-19, the competition has not happened in just over two years, and we are very excited to have it happen this year,” expressed Hlumelo Xaba: SRC Arts and Culture. 
The SingOff finals will be held in the Kopanong Auditorium on the Bloemfontein Campus of the University of the Free State on 27 August 2022 from 17:00.

What the UFS community can expect

From the rotations, which took place from 24 to 25 August 2022, leading up to the finals, the competition has generated a lot of excitement, specifically among the residences. “There’s a lot of competition this year, each and every person wants to make a name for themselves. So, the audience can expect a lot of competition, energy, and fun from the eight groups selected to be in the finals,’’ stated Xaba. 

Although the format of the competition has not changed much, some new elements have been introduced to make it more interesting. “What we decided to do this year, is to make it 80% music and 20% creativity. The creativity portion includes all the choreography, instruments, and costumes used by the participants,” explained Xaba. In addition, two new categories – best male and best female vocalist – have been added to the finals of the competition.

Collaboration

The excitement about the SingOff finals is not limited to the UFS community. In collaboration with the SRC: Arts and Culture, Standard Bank has jumped on board as the official sponsor of the SingOff finals. “This is something that has not happened in nearly four years, so we are very excited about Standard Bank being able to collaborate with us,” Xaba highlighted. In fact, Standard Bank has also been instrumental in building hype around the competition through the activations it has been hosting at the Thakaneng Bridge from 24 August 2022.


Furthermore, Standard Bank has contributed a cash prize of R10 000, which will be divided among the final top three, along with trophies to be awarded to the runners-up.

Xaba maintains that SingOff is an important aspect of student life at the UFS. “It allows people to gain exposure through the arts, and it also builds a sense of community and camaraderie among students,” he expressed. As such, with the final stage of the SingOff fast approaching, Xaba urges that, “all the participants and the UFS community at large should enjoy this moment, as it is about building memories”.

News Archive

Sites of memory. Sites of trauma. Sites of healing.
2015-04-01

Judge Albie Sachs – human rights activist and co-creator of South Africa’s constitution – presented the first Vice Chancellor’s Lecture on Trauma, Memory, and Representations of the Past on 26 March 2015 on the Bloemfontein Campus.

His lecture, ‘Sites of memory, sites of conscience’, forms part of a series of lectures that will focus on how the creative arts represent trauma and memory – and how these representations may ultimately pave the way to healing historical wounds. This series is incorporated into the five-year research project, led by Prof Pumla Gobodo-Madikizela, and funded by the Mellon Foundation.

Sites of memory and conscience – and healing

“Deep in solitary confinement, I read in the Bible: ‘the lion lay down with the lamb … swords will be beaten into ploughshares.’” And with these opening words, Judge Sachs took the audience on a wistful journey to the places in our country that ache from the past but are reaching for a better future at the same time.

Some of the sites of memory and conscience Judge Sachs discussed included the Apartheid Museum, Liliesleaf, District Six Museum, and the Red Location Museum. But perhaps most powerful of them all is Robben Island.

Robben Island

“The strength of Robben Island,” Judge Sachs said, “comes from its isolation. Its quietness speaks”. Former prisoners of the island now accompany visitors on their tours of the site, retelling their personal experiences. It was found that, the quieter the ex-prisoners imparted their stories, “the gentler and softer their memories; the more powerful the impact,” Judge Sachs remarked. Instead of anger and denouncement, this reverence provides a space for visitors’ own emotions to emerge. This intense and powerful site has become a living memory elevated into a place of healing.

After Judge Sachs visited the National Women’s Memorial in Bloemfontein some years ago, he came to an acute realisation as he read the stories, experienced the grief, and saw the small relics that imprisoned commandoes from Ceylon and St Helena sculpted. “It’s so like us,” he thought, “our people on Robben Island making a saxophone out of seaweed, our people carving little things. It was so like us. It was another form of inhumanity to human beings in another period.”

The Constitutional Court

The Constitutional Court next to the Old Fort Prison is also a profound site of trauma and healing. Bricks from the awaiting trial lock-up were built into the court chambers. “We don’t suppress it, we don’t say let’s move on. We acknowledge the pain of the past. We live in it, but we are not trapped in it. We South Africans are capable of transcending, of getting beyond it,” Judge Sachs said.

Transforming swords into ploughshares

Judge Sachs had great praise for Prof Gobodo-Madikizela’s research project on Trauma, Memory, and Representations of the Past. “You convert and transform the very swords, the very instruments, the very metal in our country. In a sense, you almost transform the very people and thoughts and dreams and fears and terrors into the ploughshares; into positivity.”

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