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26 April 2023 | Story Nonkululeko Nxumalo | Photo Supplied
Drama graduates
Theatre maestros Boitumelo Riet and Lelethu Tshangela. The two friends received their Bachelor of Arts Honours (Drama and Theatre Arts) degrees during the UFS April graduation ceremony.


Among the many exceptional students who received their qualifications during the University of the Free State’s (UFS) April 2023 graduation ceremonies, are theatre maestros Boitumelo Riet and Lelethu Tshangela. The two friends graduated with Bachelor of Arts Honours (Drama and Theatre Arts) degrees during the Faculty of the Humanities graduation ceremony on 22 April 2023. Overcoming considerable struggles, these two graduates’ remarkable talent and hard work have led them to become recognised and acclaimed theatre artists.


During their studies, Riet and Tshangela worked together on a production called Ziyakhala ke Manje, which won the Best New Young Artist Award at the Vrystaat Arts Festival.
 
"Winning the award was unbelievable, considering that rehearsals and scheduling didn't go as planned. We had to start afresh and get the play ready in two weeks," Tshangela said. 

"It was a beautiful surprise. The award felt like a deep acknowledgment, respect, and celebration of the entire cast's artistic investment," Riet added.

Riet and Tshangela were also part of the production team that toured with the Standard Bank Bronze Ovation award-winning SwaRingana to the National Arts Festival. Their work, developed as part of the coursework in the Theatre-Making programme, has been recognised nationally, and has been invited to perform on professional platforms.

Additionally, Riet shared the stage with fellow graduates in The Suit, a contemporary theatre adaptation of Can Themba’s iconic short story, which won the Fresh Vrynge Award at the Vrystaat Arts Festival in 2022.

Tshangela helmed Ukhetho, which won top honours at the Kovsies Multilingual Mokete, and was selected as one of the debut productions at the newly formed Mthonyama Arts Festival in the Eastern Cape. Both artists were recognised by the Department of Drama and Theatre Arts as the Best Theatre Making students at the end of their undergraduate studies.

Passion for performing

According to Riet, she inherited her artistic inclination from her mother. Together they engaged in various playful activities such as singing, dancing, and storytelling. These activities sparked her love for entertaining from a young age, and she always knew that she wanted a career that would allow her to express herself in impactful ways and positively influence her community.

For Tshangela, her passion for performing also started at a young age. She enjoyed singing, but despite initially not considering drama as a career, receiving an acceptance letter from the UFS to study Drama and Theatre Arts reminded her of the joy she had felt during a school play. “It felt natural. It was like I could do this every day, portraying different people and telling stories. That acceptance letter became a sign of my destiny,” she highlighted.

Both suffered the loss of a parent during this time and faced considerable financial challenges due to limited funding. However, these resilient women persevered, excelling, and coming into their own as phenomenal and now award-winning theatre artists and academics.

Plans for the future

Looking ahead, Riet plans to continue creating radical and relevant theatre, writing poetry, and performing on notable stages. Additionally, she aspires to establish a storytelling centre.

“I’m planning to direct, produce, and perform more professional theatre productions. I’m also looking to travel overseas, further my studies to PHD level, but most of all, I plan to open a theatre company where I can introduce the craft to my hometown in the Eastern Cape,” Tshangela said.


News Archive

DF Malherbe Memorial Lecture
2005-05-19

DF Malherbe Memorial Lecture: Language and language activism in a time of transformation (summary)
Proff Hennie van Coller and Jaap Steyn

Language activism necessary for multilingualism
The awareness is growing that language activism will be needed to bring about a truly democratic multi-lingual society. What is quite clear is that a firm resolve must continuously resist the concentrated pressure on Afrikaans-medium schools (and universities) to allow themselves to be anglicised through becoming first parallel medium, then dual medium, and finally English medium institutions.

Proff Hennie van Coller and Jaap Steyn said this last night (Wednesday night) in the 24th DF Malherbe Memorial Lecture at the University of the Free State. Prof van Coller is head of the Department Afrikaans, Dutch, German and French at the UFS. Both are widely honoured for their contributions to Afrikaans and the promotion of Afrikaans.

They discussed three periods of transformation since 1902, and said about the current phase, which started in 1994:  “Besides all institutions and councils having to be representative of South Africa’s racial composition, places of education were required to open their doors. Quite rapidly this policy has had the result that schools and universities may be solely English medium, but not solely Afrikaans medium. Afrikaans medium institutions — if they claim the right to remain Afrikaans — are quickly branded racist, even though their student body may include all races.

“Education departments are presently exerting great pressure on Afrikaans medium schools to become double or parallel medium schools.  Parallel medium education is an equitable solution provided it can be sustained. Established parallel medium schools, such as Grey College in Bloemfontein, have catered even-handedly for English and Afrikaans speakers for decades. But the situation is different in the parallel medium (and still worse in the double medium) schools that spring up usually at the behest of a department of education.

“Afrikaans schools are converted almost over-night into parallel or dual medium schools without any additional personnel being provided. Depending on the social environment, a parallel medium school becomes reconstituted as a dual medium school on average in five to eight years, and dual medium school becomes an English-only school in two to three years. Some Afrikaans medium schools have become English medium in just three years.

“Though the Constitution recognises mono-lingual schools, officials in the provinces insist that Afrikaans schools become dual or parallel medium; English medium schools are left undisturbed. One must conclude that the tacit aim of the state is English as the sole official language, despite the lip-service paid to multi-lingualism, and the optimistic references to post-apartheid South Africa as a ‘rainbow’ nation.”

They said a recent study has shown that the 1 396 Afrikaans schools in the six provinces in 1993 have dwindled to 844. The fall off in the Free State is from 153 to 97; in the Western Cape from 759 to 564; in Gauteng from 274 to 155; in Mapumalanga from 90 to 3; in the North West from 82 to 13; and in Limpopo Province from 38 to 12.

They said the changes at universities, too, have been severe, as university staffs well know. Ten years ago there were five Afrikaans universities. Today there are none. The government demanded that all universities be open to all, which has meant that all universities have had to become English medium. And no additional funding was forthcoming for the changes. The government policy amounts to a language “tax” imposed on the Afrikaans community for using Afrikaans.

“Only when all schools (and universities) are English will the clamor cease. Academics and educationists are beginning to speak openly of forming pressure groups to save Afrikaans schools, and of using litigation as one of their methods. 59% of Afrikaans parents have said they would support strong action if Afrikaans were no longer a medium of instruction at schools.”

 

 


 

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