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28 June 2023 | Story Nonsindiso Qwabe | Photo Sipplied
Dr Patricks Voua Otomo
Dr Patricks Voua Otomo says cholera is one of the most vicious threats to public health.

South Africa’s water challenges and dilapidating infrastructure could mean that cholera is here to stay. The recent cholera outbreaks in Gauteng and the Free State were a warning sign that the quality of the country’s water is questionable.

According to Dr Patricks Voua Otomo, Head of the Ecotoxicology Research Laboratory and Subject Head: Zoology and Entomology in the Faculty of Natural and Agricultural Sciences, we remain at risk of recurring and isolated outbreaks until the country’s failing water systems are addressed.

Systemic failure poses significant risks to public health

He warned that as long as the country’s wastewater treatment works are in a poor to critical state, they pose significant risks to public health and the environment.

“Our water systems are connected, and in South Africa one of our greatest challenges is poorly treated wastewater systems and highly polluted rivers. The current cholera outbreak isn’t happening in peculiar regions. It’s in areas where people consume questionable drinking water. The water we have is not of good quality, and people shouldn’t be consuming it,” he said.

Dr Otomo said that cholera is one of the most vicious threats to public health and an indicator of inequality, because bacteria may continue to thrive if the current conditions remain unchanged. “All it takes to get cholera is a drop of contaminated water in your system to fall sick or even die. In a country like ours, where many people experience water scarcity and rely on unsanitary water sources, they are vulnerable to being easily exposed to bacterial diseases such as cholera.”

Water treatment plants require urgent intervention

The current cholera outbreak could be subsiding, but he warns that it is only a matter of time before it resurfaces, or other waterborne diseases wreak havoc if things remain unchanged.

“We urgently need to address the failing infrastructure, improve the quality of our drinking water, and how water gets treated before being released into river streams – or we’ll remain at risk. Cholera is just one of many waterborne diseases. High E. coli levels were found on our beaches just recently, which is an indicator of other bacteria present in the water. We are really in trouble.”

News Archive

The universal power of music and song to convey the unspeakable
2015-05-07

Philip Miller
Photo: Johan Roux

Spotlight photo: John Hodgkiss

Philip Miller, award-winning composer and sound artist, recently delivered the second instalment of the Vice-Chancellor’s Lecture Series on Trauma, Memory, and Representations of the Past on the Bloemfontein Campus. This lecture series forms part of a five-year research project led by Prof Pumla Gobodo-Madikizela. The series focuses on how the creative arts represent trauma and memory, and how these representations may facilitate the healing of historical wounds.

Disrupting the Silence: The Past and Transnational Memory
In Miller’s lecture, ‘Disrupting the Silence: The Past and Transnational Memory’, he discussed the creative process – and the far-researching effects – of his composition: ‘REwind: A Cantata for Voice, Tape and Testimony’. The production consists of 4 soloists, an 80- to 100-member choir, a string octet, combined with gripping projected images and audio of victims testifying during the Truth and Reconciliation (TRC) hearings.

While listening to those raw recordings, Miller would rewind continually and listen again. In between the sounds of the tape stretching and spooling, sighs, gulps for air, and moments when the speakers lost their speech, a hidden sound world revealed itself. And within these silences lay an entrenched trauma far more profound than the actual words spoken.

Communal remembering
When Miller asked Nomonde Calata how she felt about his using the recording of her heart-rending cry during her TRC testimony, her reply was poignant. For Calata, her cries – taken over by the voice of Sibongile Khumalo during the cantata – were a living memorial to her loving husband. “And it almost felt like a soothing balm to her traumatic loss,” Miller said.

“I believe that a collective body of people singing is a unique symbolic act of communal remembering. But more than that, it is a deep form of identification of our humanity, and allows for some form of catharsis for those testifiers who have attended the live performances. Just as a parent sings a lullaby to calm a crying child, the choir singing reaches those of us who continue to mourn.

“Music and song – and the arts in general – can convey the powerful stories of our nation without fearing to engage with the subject matter,” Miller said. “This I believe is the universal power of music and song: to convey a spiritual dimension to what perhaps is sometimes too graphic and painful to comprehend fully.”

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