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Clarinet & Piano: OPUS
2018-08-30

with the Nöthling Strydom Duo - Danrè Strydom (clarinet) & Grethe Nöthling (piano) and David Griessel (visual artist David Griessel displaying the sketching process inspired by each composition performed)

30 August 2018
Odeion
19:30

Award-winning South African musicians, clarinetist Danrè Strydom and pianist Grethe Nöthling, started an exciting collaboration in 2016. Since recently returning to South Africa after several years abroad, these two musicians aim to provide global audiences with exhilarating performances of not only well-known and loved repertoire, but also of more unknown and interesting repertoire. The Duo performed at 2017 South African festivals and various national concert series. Both musicians (as part of Trio Intolerance) won the Free State Artists of the Year award at the Free State Arts Festival (2017). During 2018 the Duo was invited to perform at the International Clarinet Festival in Belgium. While in Europe, they recorded the first part of their CD of newly composed as well as underplayed South African compositions for clarinet and piano.

In this concert, titled Clarinet & Piano: Opus ZA, the Duo will be performing some of the lovely but demanding South African compositions which will appear on the CD. The selection includes works by well-established composers such as Clare Loveday, Noel Stockton, Hendrik Hofmeyr and Peter Klatzow, to mention a few. All the works are relatively short compositions, so the programme will include nine works in total. To emphasise the character of each of these compositions, South African visual artist, David Griessel, will do nine sketches that will be displayed on a screen behind the musicians. These videos made by Bloemfontein videographer, Zita, will include the complete drawing process, and the audience can follow each line and brush stroke during the performance of the music. After the concert, these original sketches, titled the same as the compositions, will be sold to interested audience members. These will be unique sketches, and the audience can look forward to this extraordinary collaboration of two musicians with a visual artist.

David Griessel graduated with a bachelor in Fine Arts from the University of the Free State. Earlier in 2018, he did an art residency, book launch and exhibition in Caylus and Saint Antonin (France). He currently works as an artist/writer/illustrator in Cape Town and is the art editor of the literary journal, New Contrast. He is part of the artist’s collective, Studio Clowder.

PROGRAMME:

  • Hendrik Hofmeyr: Notturno
  • Clare Loveday: Heatwave
  • Noel Stockton: Three Pieces
  • Peter Klatzow: Moments of Night
  • StephansGrove: Spieeltjie aan die wand
  • Isak Roux: Kleine Chronik
  • Surendran Reddy: Game I for Lîla
  • Alexander Johnson: Jazz Sonatine

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Jacki McInnes exhibition

DE MAGNETE

at the Johannes Stegmann Art Gallery from 23 August - 14 September.

Gallery hours: Mon - Fri 08:30 - 16:30.

The Earth's magnetic field strength was measured by Carl Friedrich Gauss in 1835 and has been repeatedly measured since then, showing a relative decay of about 10% over the last 150 years.

It is a supreme irony that we live in a contemporary scenario in which global culture, predicated on the notion of progress, is in fact, entirely based on the relentless destruction of nature. McInnes’ solo exhibition de Magnete interrogates the contradictions inherent in present-day human thought and behaviour, especially with respect to the disconnect between our material aspirations and their inevitable effect on our planet and ultimate future.

Key areas of interest relate to the forces of attraction and repulsion and, secondarily, to the speed at which we hurtle resolutely on our chosen trajectory into an uncertain future. McInnes explores the concept of ‘anomie’ – a term referring to the loss of personal or societal norms of behaviour. The word was popularised by French sociologist Emile Durkheim in his influential book Suicide (1897). Durkheim was of the opinion that anomie arises as a result of a mismatch between personal or group standards and wider social standards, or from a lack of a social ethic, which acts to produce moral deregulation and an absence of legitimate aspirations.

A leit motif of the effect exerted by the magnetic field runs through the work speaking to the concepts of the loss of our societal moral compass and to the binary opposing forces to which we are subjected: nature on nature; man on nature; man on man, and inevitably, nature on man.

 

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