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13 August 2019

 

“I have a voice.” | “Ke na le lentsoe.” | “Ek het ‘n stem.” | “Nginezwi."

The inaugural Kovsies Multilingual Mokete (Festival) is an initiative of the University of the Free State (UFS) to promote multilingualism.  

The Mokete will include and celebrate different cultural expressions - in visual art, poetry, storytelling, drama, music and song - by different language groups and in the different languages dominant at the UFS (i.e. English, Afrikaans, Sesotho, isiZulu, and Sign Language). Students and staff from various faculties and departments on our three campuses will participate in showcasing the multicultural strengths of Kovsies on the Bloemfontein Campus on 18 and 19 September 2019. 

Join us and celebrate the university’s aim to promote multicultural communication and artistic expression in English, Afrikaans, Sesotho, isiZulu and Sign Language.

Categories:
A. Singing  
B. Dancing
C. Short stories  
D. Poems
E. Short drama item  
F. Fine arts

Your item must be unique, “fresh from the block” and it must speak “volumes” of multilingualism and multiculturalism. It should celebrate the fusion of our different cultures and languages and the merging of our traditions to create a unique UFS culture. There is a prize for the best artist/performer in each category. #SayItLouderForThePeopleAtTheBack 

Criteria for each category:

A. Singing
a. You can either enter a group or solo singing item 
b. Song should not be longer than 4 min
c. Song should be in any one of the four languages mentioned above, ideally incorporating more than one language  
d. Only backtracks or acoustic accompaniment can be used

B. Dancing
a. You can either enter a group or solo dance item 
b. Dance item should not be longer than 4 min
c. Music should be appropriate to the festival tagline

C. Short stories 
 
a. Your short story should be in any one of the four languages mentioned above, ideally incorporating more than one language 
b. Short story should not be longer than 5 min when read out loud
c. If your short story is selected, you will then have a choice to either perform your own story, or have someone else perform it for you. Auditions will be held to select performers for short stories.  

D. Poems
a. Your poem should be in any one of the four languages mentioned above, ideally incorporating more than one language 
b. Your poem should be no more than 20-25 lines 
c. If your poem is selected, you will then have a choice to either perform your own poem, or have someone else perform it for you. Auditions will be held to select performers for poems. 

E. Short drama item  
a. You can either enter a group or solo drama item.  
b. Your item should not be longer than 10 min
c. Item should speak to the celebration of our different cultures and languages
d. Your drama item should be in any one of the four languages mentioned above, ideally incorporating more than one language 
e. You first submit a script. 
i. If your drama (script) is selected, you will be then be invited to an audition for final selection. 
 
F. Fine arts
a. Only hostel entries
i. Hostels will each receive a packet which includes a canvas, photographic reference material, paint and brushes
ii. Each hostel will then copy that reference material as best they can on their canvas
iii. Art work will be displayed in the Scaena theatre foyer 16 – 20 September. 


General information
A. Submission of material: 
a. Submissions must be emailed to ufsmokete@ufs.ac.za
i. Singing and Dance submissions must be submitted in mp4 format via Google drive/One drive/Dropbox link to above email address 
ii. Scripts for poems, short stories, short drama items to be submitted in pdf format 
iii. Each submission must be accompanied by a submission form 
b. Submission of hardcopies can be handed in at the Department of Drama and Theatre Arts, Scaena Theatre, Room 46 (next to the Callie Human Centre). 


B. Dates:  
a. Tuesday 20 August: Final submission date. You will receive an automated confirmation that your submission has been received.   
b. Monday 26 August: Selected items announced for audition via email  
c. Wednesday 28 – Friday 30 August: Auditions. Times and dates to be confirmed
i. Students/staff who wants to perform their own poems, short stories or short drama items
ii. All selected singing and dance items
d. Monday 2 September: Final programme participants/items announced via email
e. Tuesday 17 September: Dry-run of programme with artists

  
Enquiries:
Contact ufsmokete@ufs.ac.za for more information.

Mokete wa pele wa Pokanyo ya Dipuo (Kovsies Multilingual Mokete) ke morero o thehilweng ke Yunivesithi ya Foreistata (UFS) ho kgothaletsa tshebediso ya dipuo tse ngata.

Mokete o tla kenyeletsa boitlhaloso ba botjhaba bo fapafapaneng – ka bonono ba ditshwantsho, dithothokiso, dipale, diterama, mmino le dipina – ho tswa dihlopheng tse fapaneng le ka dipuo tse fapaneng tse kgolo tse buuwang haholo UFS (k.h.r. Senyesemane, Afrikanse, Sesotho, Sezulu, le Puo ya Matshwao). Baithuti le basebetsi ho tswa mafapheng ka ho fapafapana dikhamphaseng tse tharo tsa rona ba tla nka karolo pontshong ya matla a botjhaba bo fapafapaneng ba Kovsies Khamphaseng ya Bloemfontein ka la 18 le 19 Loetse 2019. 

Eba le rona ho keteka sepheo sa yunivesithi sa ho kgothaletsa kgokahano ya botjhaba bo fapafapaneng le boitlhaloso ba bonono ka dipuo tsa Senyesemane, Afrikanse, Sesotho, Sezulu le Puo ya Matshwao.

Mekgahlelo:
A. Ho bina  
B. Ho tantsha
C. Dipale tse kgutshwane  
D. Dithothokiso
E. Dikotwana tse kgutshwane tsa terama
F. Bonono ba botaki

Tlatsetso ya hao e tlameha ho ba e kgetholohileng, “e ntjhantjha” mme e tlameha ho bua “tse ngata” mabapi le tshebediso ya dipuo tse ngata le botjhaba bo fapafapaneng. E tlameha ho keteka matahanyo ya botjhaba ba rona bo fapafapaneng le dipuo le ho kopanngwa ha meetlo ya rona ho theha botjhaba bo kgetholohileng ba UFS. Moputso bakeng sa sebapadi/moetsi ya hlwahlwa ka ho fetisisa mokgahlelong ka mong.
#SayItLouderForThePeopleAtTheBack 

Mokgwatlhahlobo bakeng sa mokgahlelo ka mong:
A. Ho bina
a. O ka kenya pontsho ya sehlopha kapa ya motho a le mong ya ho bina 
b. Pina e tlameha ho se fete metsotso e 4
c. Pina e tlameha ho ba ka efe kapa efe ya dipuo tse boletsweng ka hodimo mona, e ka ba hantle le ho feta haeba e kenyeletsa dipuo tse fetang e le nngwe  
d. Ke dikgatiso tsa pina kapa diletswa tse bapalwang mmoho le ho bina tse ka sebediswang

B. Ho tantsha
a. O ka kenya ketso ya tantshi ya sehlopha kapa motho a le mong 
b. Ketso ya tantshi e tlameha ho se be telele ho feta metsotso e 4 
c. Mmino o tlameha ho tshwaneleha bakeng sa sehlooho sa mokete

C. Dipale tse kgutshwane  
a. Pale ya hao e kgutshwane e tlameha ho ba ka efe kapa efe ya dipuo tse nne tse boletsweng ka hodimo mona, eo e ka bang hantle ha e ka kenyeletsa ho feta puo e le nngwe 
b. Pale e kgutshwane e tlameha ho se fete metsotso e 5 ha e balwa ka lentswe le phahameng
c. Haeba pale ya hao e kgutshwane e kgethwa, o tla ba le kgetho ya ho bontsha pale ya hao ka bowena, kapa hore motho e mong a o bapalle yona. Diteko tsa lentswe di tla etswa ho kgetha bapheti ba dipale tse kgutshwane.
  
D. Dithothokiso
a. Thothokiso ya hao e tlameha ho ba ka e nngwe ya dipuo tse boletsweng ka hodimo mona, ekaba hantle haeba e na le dipuo tse fetang e le nngwe 
b. Thothokiso ya hao e tlameha ho se fete mela e 20-25 
c. Haeba thothokiso ya hao e kgethilwe, jwale o tla ba le kgetho ya ho pheta thothokiso ya hao, kapa motho e mong a e phete. Diteko tsa pheto ya dithothokiso di tla tshwarwa ho kgetha batho ba tla pheta dithothokiso.
 
E. Terama e kgutshwane  
a. O ka kenya terama ya sehlopha kapa ya motho a le mong.  
b. Terama ya hao ha e a lokela ho feta metsotso e 10
c. Terama ena e tlameha ho ba mabapi le keteko ya botjhaba le dipuo tse fapafapaneng tsa rona
d. Terama ya hao e tlameha ho ba ka efe kapa efe ya dipuo tse nne tse boletsweng ka hodimo mona, ekaba hantle ha e ka kenyeletsa dipuo tse fetang e le nngwe 
e. O tla nehelana ka sengolwa sa hao e sa le pele. 
i. Haeba terama ya hao (sengolwa) e kgethwa, jwale o tla memelwa ho tla fana ka pontsho ya yona bakeng sa ho kgethelwa makgaolakgang.
  
F. Botaki
a. Keno ya dihostele feela
i. Dihostele di tla fumana pakana e le nngwe hostele ka nngwe e kenyeletsang canvas, matheriale ya referense ya difoto , pente le maborashe
ii. Hostele ka nngwe jwale e tla kopiletsa matheriale eo ya referense ka bohlwahlwa boo ba ka bo kgonang ho canvas
iii. Mesebetsi ya botaki e tla tla bontshwa foyareng ya Scaena theatre ka la 16 – 20 Lwetse. 

Tlhahisoleseding e akaretsang
A. Thomelo ya matheriale: 
a. Dithomelo  di tlameha ho romelwa ka imeili ho ufsmokete@ufs.ac.za
i. Dithomelo tsa mmino di tlameha ho romelwa ka sebopeho sa mp4 ka lehokela la Google drive/One drive/Dropbox atereseng e boletsweng ka hodimo mona 
ii. Dingolwa bakeng sa dithothokiso, dipale tse kgutshwane, diterama tse kgutshwane di lokela ho romelwa ka sebopeho sa pdf 
iii. Thomelo ka nngwe e tlameha ho tsamaya le thomelo ya foromo ya yona.
b. Dithomelo tse etswang ka kotloloho di lokela ho nehelanwa Lefapheng la Diterama le Bonono ba Kalaneng, le mane Scaena theatre complex (pela Callie Human), phapusi ya 46. 

B. Matsatsi:  
a. Labobedi la 20 Phato: Letsatsi la dithomello la bofelo. O tla fumana nnetefatso e iketsahallang ya hore thomello ya hao e amohetswe.   
b. Mantaha wa 26 Phato: Mesebetsi e kgethilweng e tla phatlalatswa ka imeili bakeng sa memo ya diteko tsa ho tla mamelwa   
c. Laboraro la 28 – Labohlano la 30 Phato: Diteko tsa ho mamelwa. Dinako le matsatsi di tla phatlalatswa. 
i. Baithuti/basebetsi ba batlang ho pheta dithothokiso tsa bona, dipale tse kgutshwane kapa diterama tse kgutshwane
ii. Dipina le ditantshi tsohle tse kgethilweng
d. Mantaha wa 2 Lwetse: Bankakarolo/mesebetsi e fihlileng lenaneong la makgaolakgang e tla  phatlalatswa ka imeili
e. Labobedi la 17 Lwetse: Boitokisetso ba lenaneo mmoho le dibapadi

Dipotso:
Ikopanye le ufsmokete@ufs.ac.za bakeng sa tlhahisoleseding e eketsehileng. 

Die eerste Kovsies Veeltalige Mokete (Fees) is ’n inisiatief van die Universiteit van die Vrystaat (UV) om veeltaligheid te bevorder.

Die Fees sal verskillende tipes kulturele uitdrukking insluit en vier – deur middel van visuele kuns, digkuns, storievertel, drama, musiek en sang – deur verskillende taalgroepe en in die verskillende dominante tale aan die UV (bv. Engels, Afrikaans, Sesotho, isiZulu en Gebaretaal). Studente en personeel van verskillende fakulteite en departemente op ons drie kampusse sal op 18 en 19 September 2019 op die Bloemfontein-kampus die multikulturele karakter van Kovies uitbeeld.
Kom sluit by ons aan en vier die universiteit se oogmerk om multikulturele kommunikasie en artistieke uitdrukking in Engels, Afrikaans, Sesotho, isiZulu en Gebaretaal te bevorder.

Kategorieë:
A. Sang
B. Dans
C. Kort verhale
D. Gedigte
E. Kort drama-item
F. Skone kunste

Jou item moet uniek en “kraakvars” wees, en dit moet “boekdele” spreek oor veeltaligheid en multikulturaliteit. Dit moet die vermenging van ons verskillende kulture en tale, asook die saamsmelt van ons tradisies wees om ’n unieke UV-kultuur te skep. Daar is ’n prys vir die beste kunstenaar/uitvoerende kunstenaar in elke kategorie. #SayItLouderForThePeopleAtTheBack

Kriteria vir elke kategorie:
A. Sang
a. Jy kan ’n groep- of solo-item inskryf. 
b. Lied moenie langer as 4 minute wees nie.
c. Lied moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer.
d. Slegs opgeneemde of akoestiese begeleiding kan gebruik word.

B. Dans
a. Jy kan as ’n groep- of solo-item inskryf.
b. Dans-item moenie langer as 4 minute wees nie.
c. Musiek moet geskik wees vir die fees se slagspreuk wees.

C. Kortverhale
a. Jou kortverhaal moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer.
b. Die kortverhaal moenie langer as 5 minute wees wanneer hardop voorgelees word nie.
c. Indien jou kortverhaal gekies word, sal jy dan ’n keuse hê om óf self jou verhaal voor te dra, óf om iemand anders dit vir jou te laat voordra. Oudisies sal gehou word om voordraers van kortverhale te kies.
 
D. Gedigte
a. Jou gedig moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer.
b. Jou gedig moenie langes as 20-25 reëls wees nie.
c. Indien jou gedig gekies word, sal jy dan ’n keuse hê om óf self jou gedig voor te dra, óf om iemand anders dit vir jou te laat voordra. Oudisies sal gehou word om voordraers van gedigte te kies.

E. Kort drama-item
a. Jy kan as ’n groep of solo-item inskryf.
b. Jou item moenie langer as 10 minute wees nie.
c. Item moet die viering van ons verskillende kulture en tale uitbeeld.
d. Jou drama-item moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer. 
e. Jy moet eers ’n teks indien. 
i. Indien jou dramateks gekies word, sal jy uitgenooi word vir ’n oudisie vir finale seleksie. 

F. Skone kunste
a. Slegs koshuisinskrywings
i. Koshuise sal elkeen ’n pakket ontvang wat ’n skilderdoek, fotografiese verwysingsmateriaal, verf en kwaste bevat
ii. Elke koshuis sal dan daardie verwysingsmateriaal so goed as wat hulle kan op hulle skilderdoek uitbeeld.
iii. Kunswerke sal van 16 – 20 September in die Scaena-teater se voorportaal uitgestal word.

Algemene inligting
A. Indiening van materiaal:
a. Inskrywings  moet per e-pos na ufsmokete@ufs.ac.za gestuur word
i. Sang- en dansinskrywings moet in mp4-formaat via ’n Google drive/One drive/Dropbox-skakel na bogenoemde adres gestuur word. 
ii. Tekste van gedigte, kortverhale en kort drama-items moet in pdf-formaat ingegee word. 
iii. Elke inskrywing moet vergesel wees van ’n inskrywingsvorm.
b. Hardekopie-inskrywings kan by Kamer 46 by die Departement Drama en Teaterkuns, Scaena-teaterkompleks (langs die Callie Human-sentrum) ingegee word. 

B. Datums: 
a. Dinsdag 20 Augustus: Finale sluitingsdatum Jy sal ’n outomatiese bevestiging ontvang dat jou inskrywing ontvang is. 
b. Maandag 26 Augustus: Gekeurde items vir oudisies sal per e-pos aangekondig word. 
c. Woensdag 28 – Vrydag 30 Augustus: Oudisies. Tye en datums sal nog aangekondig word. 
i. Studente/personeel wat hulle eie gedigte, kortverhale of kort drama-items wil voordra.
ii. Alle gekeurde sang- en dans-items
d. Maandag 2 September: Finale programdeelnemers/items sal per e-pos aangekondig word.
e. Dinsdag 17 September: Oefenlopie van program met kunstenaars

Navrae:
Kontak ufsmokete@ufs.ac.za vir meer inligting. 

Umcimbi wokuqala weKovsies Multilingual Mokete (iFestivali) iwuhlelo lweNyuvesi yaseFree State (UFS) lokukhuthaza ukusetshenziswa kwezilimi eziningi.  

IMokete izohlanganisa nokugujwa kwezinye izinhlobo zamasiko - ubuciko bezandla, izinkondlo, ukuxoxwa kwezindaba, imidlalo, umculo nemicwi - okuzokwenziwa ngamaqoqo ezilimi ezahlukene ezandile e-UFS (njengesiNgisi, isiBhunu, IsiZulu, noLimi Lwezandla). Abafundi nabasebenzi abavela ngaphansi kweminyango nezinhlaka ezahlukene ezikhungweni zethu ezintathu bazobamba iqhaza ekukhangiseni ngamakhono abo amasiko ehlukene kwiKovsies kwiKhampasi yaseBloemfontein mhla ka 18 no-19 kuMandulo (Septemba) 2019.

Hlanganyela kanye nathi ukubungaza igxathu lenyuvesi eliya phambili lokugqugquzela nokukhuthaza amasiko ehlukene kanye nobuciko ngolimi lwesiNgisi, lwesiBhunu lwesiZulu nolweZandla.

Imikhakha:

A. Ukucula  
B. Ukudansa
C. Izindatshana ezimfushane  
D. Izinkondlo
E. Imidlalo emifushane  
F. Ubuciko

Kumele uqhamuke nento ehlukile, “engakaze ibonakale kwenye indawo” futhi kumele “isho lukhulu” ngokukhuthazwa kwezilimi namasiko ehlukahlukene. Kumele iqhakambise ukubumbana kwamasiko ethu ehlukahlukene nezilimi ezahlukahlukene kanye nokuhlanganiswa ndawonye kwamasiko ethu ukuze kwakheke isiko eliyingqayizivele le-UFS. Kuyoba nemiklomelo yamaciko enze kahle emkhakheni ngamunye. #SayItLouderForThePeopleAtTheBack 


Okuzokwenzeka emkhakheni ngamunye:

A. Ukucula
a. Ningacula nibe yiqembu noma ucule wedwa 
b. Iculo akumele libe lide ngaphezu kwemizuzu emine
c. Iculo lingaba yinoma yiluphi ulimi kulezi ezibalwe ngenhla, okungaba kuhle uma lihlanganisa izilimi ezimbili kuya phezulu  
d.Kungaculwa ngokusebenzisa okomsindo noma ngokuhlabelela kuphela

B. Ukudansa
a. Ungajoyina iqembu noma udanse wedwa 
 b. Umdanso akumele ube ngaphezu kwemizuzu emine
 c. Umculo kumele uhambisane nendikimba yefestivali

C. Izindaba ezimfushane  
a. Indaba yakho emfushane ingaba yinoma ngaluphi ulimi kulezi ezine ezishiw ngenhla, okungaba kuhle uma kuyizilimi ezimbili kuya phezulu   
b. Indaba emfushane akumele ibe yinde ngaphezu kwemizuzu emihlanu uma ifundwa kakhulu
c. Uma indatshana yakho ikhethiwe, uyobe usukhetha ukuthi ufuna ukuzifundela indatshana yakho noma kube khona ozokufundela yona. Kuyokwenziwa inhlolokhono ukukhetha abazofunda izindatshana ezimfushane. 

D. Izinkondlo
a. nkondlo yakho ingaba nganoma yiluphi ulimi kulezi ezine ezingasenhla, okungaba akuhle kube ezimbili kuya phezulu 
b. Inkondlo yakho akumele ibe nemigqa engaphez  u kuka-20 kuya ku-25  
c. Uma inkondlo yakho ikhethiwe, uyokhetha ukuthi uyifunda wena noma uthola umuntu ozokufundela yona. Kuyokwenziwa inhlolokhono ukukhetha abazokwethula izinkondlo. 

E. Imidlalo emifushane  
a. Ungajoyina iqembu noma wenze umdlalo wakho uwedwa. 
b. Umdlalo wakho akumele weqe emizuzwini engu-10. 
c. Umdlalo kumele ukhulume ngokugujwa kwamasiko nezilimi ezahlukahlukene. 
d. Umdlalo wakho kumele ube yinganoma iluphi ulimi kulezi ezine ezingenhla,okungaba kuhle kube ezimbili kuya phezulu.  
e. Uyacelwa ukuba ulethe umbalo womdlalo kuqala.
 i. Uma umdlalo wakho (umbhalo) ukhethwa, uyomenywa ukuba uzovivinywa ukuze ukhethwe nabokugcina. 
 
F. Ubuciko
a. Kwemukelwa amahostela kuphela 
 i. Amahostela ayothola isikhwama esinezinto ezifana neshidi lokudweba, izithombezokubukela, upende namabhrashi
 ii. Ihostela ngalinye liyokopisha lezo zithombe zokubukela eshidini lokudweba ngekhono lonke
 iii. Imisebenzi yobuciko iyokhangiswa emhibheni waseScaena Theatre mhla ka-16 – 20 uMandulo. 

Ulwazi olwejwayelekile

A. 
Ukulethwa kwemingenelo:
a. Umngenelo kumele uthunyelwe nge-email ku: ufsmokete@ufs.ac.za
i. Imingenelo ephathelene nokucula nokudansa kumele ithunyelwe nge-mp4 kusetshenziswa iGoogle drive/One drive/Dropbox exhumene ne-email engenhla 
ii. Imibhalo yezinkondlo, izindaba ezimfushane, imibhalo yemidlalo emifushane kumele kulethwe ngohlobo lwe-pdf. 
 iii. Umngenelo ngamunye kumele uhambisane nefomu lokungenela.

b. Imingenelo engamaphepha ingahanjiswa eMnyangweni wakwaDrama and Theatre Arts, ezakhiweni sazeScaena Theatre (eduze kweCallie Human), e-room 46. 

B. Izinsuku:  
a. ULwesibili 20 kuNcwaba: Usuku lokugcina lokungenela. Uzothola isiqinisekiso esiziphendulayo sokuthi umngenelo wakho utholakele.    
 b. UMsombuluko 26 kuNcwaba: Izihloko ezikhethelwe ukungenela inhlolokhono nge-email 
c. ULwesithathu 28 kuya kuLwesihlanu 30 kuNcwaba: Inhlolokhono. Isikhathi nosuku kusazoqinisekiswa 
i. Abafundi/abasebenzi abafuna ukuhaya izinkondlo zabo, izindaba ezimfushane noma imidlalo emifushane 
ii. Imingenelo ekhethelwe ukucula nokudansa
 d. UMsombuluko 2 kuMandulo: Uhlu lokugcina lwemingenelo luyokwethulwa nge-email. 
e. ULwesibili 17 kuMandulo: Ukuzivivinyela uhlelo namaciko

Imibuzo:
Ngolunye ulwazi xhumana ne: ufsmokete@ufs.ac.za

 

News Archive

Inaugural speech of the 13th Rector and Vice-Chancellor of the UFS
2009-10-17

Inaugural speech of the 13th Rector and Vice-Chancellor of the University of the Free State (UFS)

For such a time as this


Jonathan D Jansen
In Honour of Adv. Bram Fischer

Preliminaries

Welcome, welcome, welcome. I thought this would never happen. In fact, many of you told me it could never happen because of my refusal to snuggle up to power. Yet here you are, some from foreign lands like Chris and Lynette Abels from the United Kingdom, Joel Samoff from Stanford University (California), Josephine Allen from Cornell University (New York), and half of you from the Western Cape. All foreign protocols observed. To my South African friends of Indian descent, welcome to you too; you may stay overnight.

Thank you so much for honouring the University of the Free State this evening.

I am accompanied tonight by two high school leaders. Foster Lubbe was the first Free Stater to write to me, while I was still working in Durban, to welcome me to the province; he is the next head boy of Sentraal Secondary School in Bloemfontein. Portia Lehasa is the first black head girl in 134 years of the famed Eunice Girls Secondary School also here in Bloemfontein. Foster and Portia represent our future as a country; they remind me of my first love, school teaching. And when I sit down and talk with these two youth leaders, I become profoundly optimistic about the future of our country.

I dedicate this Inaugural Lecture to arguably the greatest son of the University of the Free State (a law student here when it was still called Grey University College), the man who led the defence of Nelson Mandela, the patriot who laid down his life for black and white South Africans, so that we could all be free today. I am so delighted that his daughters Ruth and Ilse could be here this evening.

To the children of Bram Fischer, I now hand over a specially prepared version of the Inaugural Lecture.

A place like this

You are in the centre of South Africa. In a small city with a big heart. In a place that gave rise to the two most important nationalist movements of the past century, and possibly a third (we’re not sure yet). This is a place of contrasts, for the city of roses (Bloemfontein) is also the home of the Cheetahs (Mangaung). It is a place that has given birth to the full spectrum of humanity, from JRR Tolkien the creator of the Hobbit all the way across to Steve Hofmeyr the creator of, well, many things.

Significantly, it is to the city of Bloemfontein that the condemned criminal comes with his last and desperate plea, the Supreme Court of Appeal. And so we also come together this evening with a plea for our university, a plea for our country, a plea for Africa.

A time like this

One hundred and ten years ago a terrible tragedy played out in this city and changed the course of South African history. The President of the Orange Free State, MT Steyn, convened the so-called Bloemfontein Conference to settle differences between the British High Commissioner, Alfred Milner, and the Transvaal President, Paul Kruger, on matters that included voting rights for Uitlanders and the use of English in the Transvaal Volksraad. For President Steyn this was a last-ditch effort at reconciliation between what was called “two races”.

The reconciliation talks failed, and a few months later the Second Boer War broke out leaving more than 26 000 people dead: white and black, adults and children. The failure to reconcile at such a crucial time as that left scars on the South African political psyche to this day. And I have no doubt that the single most important reason for the breakdown in the Bloemfontein Conference was, profoundly, a failure of leadership.

We stand at another crucial time in our history this evening. Who would have thought that barely a decade after the miracle of our transition we would be talking about “minorities” in a democracy founded on the principles of non-racialism? Who could have imagined that in Mandela’s country human appointments to jobs would be instructed by that calculating phrase, “the demographics of the country”? And who could have predicted the bare-knuckled violence that kills white farmers on their lands and foreign nationals on our streets, or that the poorest of black citizens would be felled by the racial anger of an 18-year old white boy barely out of high school?

South Africa faces today what John Samuels calls “our unfinished business.” Our university, too, faces unfinished business, so let me get right to it.

The University of the Free State is 105 years old. In its long and proud history this institution has produced some of the finest jurists (including our Chair of Council, Judge Faan Hancke), teachers, medical scientists, architects, agricultural economists, poets, musicians, authors and nurses. The university has also produced some of our leading sportspersons, including the unbelievably talented Springbok flanker Heinrich Brüssow and  Boy Soke, our athletics sensation with his national colours in track and field, cross country and road running.

Closing the book on Reitz

But this history, as is the case with all South African universities, is not unblemished.

About 100 metres to the left of where I stand, is the famous Abraham Fischer Residence (affectionately called Vishuis), named after the father of the younger Fischer. This century-old student residence is living testimony to a proud history of the University of the Free State.

About 100 metres directly behind me is the Reitz student residence, a place of infamy that brought great shame to our university and unprecedented outrage to our country as the world saw four young white men racially humiliate five black workers.

In the past few months I have visited the grounds of Reitz often in an attempt to understand how such an atrocity could have been committed on the grounds of an institution of higher learning. I believe I now have part of the answer, and that answer has important implications for how we move towards healing, forgiveness and social justice on our campus and in our country.

You see, the biggest mistake made in the analysis of Reitz is to explain the incident in terms of individual pathology. Yet to dismiss the video as a product of four bad apples is too easy an explanation. This video recording was preceded by a long series of racial incidents protesting racial integration especially in the residences of the university. Not all of these racially charged incidents made the press; in fact, had it not been for the public release of the video recording, no-one outside the university would have known about it. And few outside the campus realise that what is now regarded as an offensive video production in fact won an award from the residence for its content.

The question facing us, therefore, is a disturbing one, and it is this: What was it within the institution that made it possible for such an atrocity to be committed in the first place?

And there are other questions. Why is it that one after another parent and colleague have come to tell me that the incident was, and I quote, “blown out of proportion?” Why is it that so many adults came to tell me that it was Oros, and not urine, as if it mattered in the simulated act of boys urinating into food? What must I make of the many representations to my office to inform me that the boys, I quote again, “loved the squeezas and brought them food from their parents’ farms?”

When the focus of analysis shifts from that of individual pathology to one of institutional culture, then it becomes clear that the problem of Reitz is not simply a problem of four racially troubled students. It is, without question, a problem of institutional complicity.

For this reason it is also clear that the deeper issues of racism and bigotry that conflict our university – and many others - will not be resolved in the courts. Whoever wins and loses in the Reitz case, I will still wake up on Monday morning dealing with the same social, cultural and ideological complexities that stand in the way of transformation – unless we do something differently (more about that in a minute).

Acknowledgement

I am inextricably part of the University of the Free State, and tonight I ask your forgiveness for what we have done. I apologize to every black person on this campus and in this province for our long history of exclusion and marginalization of black people within this institution. I have spent many nights in tears regretting what we (yes, we) did to the five black workers of the University of the Free State. This institution begs your forgiveness.

I apologize to every decent white citizen of our university that you were shamed by the Reitz incident. I know too many of you have felt private guilt and racial remorse, as well, that we as an institution failed you. And I know that you took what the four students did, personally, and that the relentless criticism of whites in the wake of Reitz, you absorbed as a commentary on the group.

Tonight, as the head of this institution, I apologise to you.

I apologize to the memory of Bram Fischer, the patriot who warned us that separate living would bring collective trauma. I apologize to Sheila Aronstam and Kalie Strydom, who long before it was fashionable, pushed the Council of the university to transform this treasured institution when it was simply not ready to do so. I apologize to my predecessors, Professors François Retief, Stef Coetzee, and Frederick Fourie – for in your own ways you asked for the transformation of Kovsies sometimes at great personal cost to you, and to your families.

I also feel compelled to say this to you tonight. Those four students who committed that heinous act, are my students. If I may borrow from another leader, I cannot deny them, anymore than I cannot deny my own children. The four Reitz students are children of this country, they are youth of the province, and they are students of our university. They are, I repeat, my students.

And so I have made some decisions.
 

  1. 1. In a gesture of racial reconciliation, and the need for healing, the University of the Free State will withdraw its own charges against the four students. The University will therefore not pursue any further action against the four young men implicated in the Reitz incident. In this spirit of toenadering, the University will go further, and invite those four students to continue their studies here.
  2. In recognition of our institutional complicity in the Reitz saga, and the need for social justice, the University of the Free State will not only pursue forgiveness but will also pay reparations to the workers concerned for damages to their dignity and their self-esteem.
     
  3. And,

    In a determined commitment to the urgent task of reconstruction, the University of the Free State will re-open the Reitz residence and transform it into a model of racial reconciliation and social justice for all students.

Opening the book on the future

As we seek to close the book on Reitz, we are determined to open the book on a new and reconstructed future for the University of the Free State. In this, we will be driven by two goals.

Firstly, the university will become a place that exemplifies the scholarship and the practice of reconciliation, forgiveness and social justice. Scholars and students from around the world will descend on the institution to study and understand the theory and practice of building community across the divides of race but also religion, gender, dis/ability, national origins and, thanks to Athletics South Africa, sexual identity.

In this respect the University will soon launch what we hope to call The Reitz Institute for Studies in Race, Reconciliation and Social Justice.

Secondly, the university will move very quickly to become a national and indeed international centre for academic excellence. While the UFS has great programmes in fields like chemistry, agriculture and medicine, we are acutely aware of the need to dramatically scale-up the academic standards of a promising institution.

In this respect let me be clear that the UFS will be unashamedly elitist in its drive to become an African university instantly recognized for excellence in research, teaching and what my predecessor so beautifully called “engaged scholarship” in relation to the communities around us.

A university is not a welfare organization. It is not a FET College. It is not a giant compensatory programme for students who crawled over the matric finishing line demanding to study for a degree.

A university is an institution of higher learning serving the best available talent in the nation and beyond. With this purpose in mind, we will recruit only the best white and the best black students and academics to the University of the Free State.

Learning to serve

However, no South African university can afford to wait for students to show-up at the end of Grade 12 and then tell them that they’re not good enough; that would be cruel and unjust to children failed by the school system. Because of our history, the university has a responsibility to work with the most disadvantaged schools in our country in the earlier grades to prepare especially first-generation students to be successful in their application to and their passage through university.

In this respect the UFS will be working with disadvantaged high schools starting in rural provinces such as the Free State and the Northern Cape to prepare young people for university through summer and winter schools on our three campuses where they will learn in libraries, laboratories and lecture-rooms about how to prepare for success in university studies. The major thrust of our community engagement as a university will therefore be through a large-scale university-school partnership in poor communities. 

Staff equity

The University remains, however, in its cast of scholars, largely white and male especially in the professoriate. This will change quickly, not only as a matter of equity but also as a matter of excellence. We cannot and will not become a university with academic standing in the world if we draw on such a limited pool of available scholarly talent.

Starting next week, therefore, we will advertise on open billet 25 senior professorial positions that will attract only the smartest and most diverse pool of scholars to this institution. The UFS will transform the face of its academic staff at pace, and we will do this without being forced to make the false choice between excellence and equity.

Troubled knowledge

The real problem for transformation, however, is not simply the number of black faces in the staff and student bodies of a former white university. The most important challenge is the problem of knowledge. The often troubled knowledge the student comes to university with—the knowledge of the past, the knowledge of black and white and, especially, the knowledge of the future. The university curriculum, here and elsewhere, has not yet confronted the crucial question of what a student needs to know in a dangerous and divided world.

And so I will propose to the Senate of the University of the Free State that we do a fundamental curriculum overhaul and that no student graduates from this university without engaging basic human questions such as who we are and where we come from; without learning how to live and learn together in ways that prepare our youth for leadership in the workplace;

Too many of our universities produce young people who specialize too early in their disciplines and do not have that broader base of education that prepares them to be compassionate humans, critical citizens and ethical leaders in their disciplines and professions. A degree is not enough, and the University of the Free State will design an innovative and distinctive undergraduate curriculum that deals with the knowledge problem in South African higher education.

Part of what we will teach our students is not only how to give of their skills, but how to give of themselves in service to communities. I will ask my staff to lead by example, and I am pleased to have taken the first step by returning my salary to the university and asking that they take back a percentage to fund a poor white student and a poor black student; the only thing the two students must have in common is financial need.

Sub-cultures of derision

There are still, however, damaging cultural legacies that lie deep within the institutional fabric of our university, and that I have discovered in the 12 weeks on the job. There is the problem of small-mindedness among undergraduates who see the university as an uninterrupted extension of high school with authoritarian rituals learnt elsewhere. There is the problem of alcohol abuse in especially male residences, a practice that invariably spawns the racism and sexism that afflict fellow students. There is the problem of ontgroening (initiation) in which seniors routinely humiliate first-year students inspired through a militarism that belongs in another time and place.

Together these residence practices constitute a powerful sub-culture in the university that produces the explosive violence that every now and again breaks out into public view.

As a student of institutional cultures, I know that such embedded practices do not change easily. But as a student of educational change, I also know that through decisive action, these negative cultural practices can be steadily eroded. In this respect, the following decisions:
 

  1. The practice of ontgroening is illegal. Any senior student who lays his hand on a first-year student will not only be brought before a disciplinary committee of the university, but will face criminal prosecution in the courts under the charge of aanranding.
  2. The practice of drinking alcohol in the residences comes to an end with the start of the new academic year. The university is not a kroeg; it is a place of higher learning. We are not in the business of producing alcoholics; we are in the business of preparing leaders for the 21st century.
  3. The mindless rituals that treat first-year students as children and seniors as parents will be replaced by gradually building a new institutional and residential culture. We have already started intensive training with the new student leadership of the SRC and of the 23 residences. In 2010 we will take the first group of first-year students into a study-abroad programme. And we will connect all new first-years to electronic networks that deepen and enrich their learning.  

Our students will be prepared to learn and live together. Our residences will therefore be integrated on a 50/50 basis in January 2010, starting with the first-year students and the residence student leadership. Neither black nor white will dominate until such time that social and physical integration happens as naturally as possible. But I am under no illusion that, left to themselves, students will regroup by tribe and that is unacceptable 15 years into our non-racial democracy.

 What do you stand for?

At a university with more than 27 000 students, three campuses and 105 years of history, there is much to do, and so let me simply list five other key commitments.
  1. I am deeply committed to closing the social, intellectual, resource and cultural distance between our Main Campus and the Qwaqwa and South Campuses. The Qwaqwa Campus especially must not become a place marked by constant disgruntlement and ritual complaint, but an academically vibrant university campus that produces well-trained students who can address the poverty of that region of the Free State.
  2. I am deeply committed to the promotion of Afrikaans and Sesotho at the University of the Free State. Many of you have asked me to do away with Afrikaans in the name of pragmatism. Let me be clear: that will not happen on my watch. We will respect the history of this institution and its founding language. Rather than do away with languages, we should embrace more languages. In 2010 I will open discussion on ways in which we can get every white student to learn Sesotho or Setswana and every black student to learn Afrikaans, and all our students to learn to write and speak English competently.
  3. I am deeply committed to staff and students with disabilities, and will do everything possible to advance access to buildings and facilities but also to teaching and learning. The measure of our humanity as a university must be the ways in which we embrace and promote blind, deaf and physically challenged staff and students.
  4. I am deeply committed to the internationalization of our campus, and that we treble the number of visiting staff and students from all continents at UFS. A university worthy of the name thrives on the universality of ideas and people that comes with the cross-currents of international scholars and students on its campuses.
  5. I am deeply committed to leading the fight against HIV and AIDS on our campuses, and offering compassion and care to all staff and students infected and affected by the virus.

Closing

I come before you tonight as leader of this great university as one who is weak, vulnerable and aware of my own brokenness.  I am not unscarred by the long shadow of our divided history. And yet I declare boldly tonight that I am able to lead because I am being led. I can forgive because I have been forgiven.  And I am daily conscious of the fact that whatever I have achieved, or will achieve, is a consequence of grace.

Speaking of Grace, I would not be here tonight if it were not for my wife by that beautiful name. Despite her own professional life in the hospitality industry, she has kept the family together during my long absences as consultant, administrator and now as Vice-Chancellor. She is my best critic and companion, and I thank Grace tonight.

I am inspired by my two wonderful and decent children. My smart son Mikhail doing his postgraduate studies in psychology at the University of Pretoria, and my smart daughter Sara-Jane who will be starting her undergraduate studies in social work here at the University of the Free State. While they were both born in another country, they are deeply committed to South Africa and not to lead selfish lives but to serve those in need. Thank you both for your support.

I know where I come from

I miss my late parents on this grand evening. They would have been proud. My mother would, typically, have said little on such an occasion but her eyes would have welled up with tears of joy. My father would have smiled, too, and then added quickly: “There’s room for improvement.”

To all of you, thank you so very, very much for your support.

Those who supported me financially as an undergraduate student; those who encouraged me not to drop out after I had failed my first year at university; those who took the risk of hiring a Vice-Chancellor with a streak for independent thinking; and those who commissioned me to national service when lesser politicians squirmed at the notion of bringing in a public critic. Thank you.

I know I am not alone

Soon after my appointment, I received an e-mail from my friend Chris Abels. It contained a verse of Christian scripture, from the book of Esther 4:14. I ignored it, at first, but since then those words have become very meaningful to me. “Is it possible that you have come into the kingdom for such a time as this?”

I know I must be here,

for such a critical time in the history of our university, and our country. For if we are able to succeed here, in the heart of the country, then as South Africans we might just be able to finally lay our ghosts to rest (Ramphele).

Finally,

many of you have asked me in recent months why I would come to the Free State, of all places.

Well, one week ago a first-year medical student of ours went to the corner of a Bloemfontein street raising money for charity. With her little tin at the red robots, she stood at a car window with her Rag mates. A drunk driver came rushing over the red lights and took off her leg. I stood at her bedside this week, and her joy, her optimism and her humanity were unbelievable. As I turned to leave, Hanjé Pistorius grabbed my hand and said this, “Professor, I am sorry I cannot stand to greet you.”

That is why I am here.

And so I accept the challenge you offer me with humility and with determination.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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