Latest News Archive

Please select Category, Year, and then Month to display items
Previous Archive
13 August 2019

 

“I have a voice.” | “Ke na le lentsoe.” | “Ek het ‘n stem.” | “Nginezwi."

The inaugural Kovsies Multilingual Mokete (Festival) is an initiative of the University of the Free State (UFS) to promote multilingualism.  

The Mokete will include and celebrate different cultural expressions - in visual art, poetry, storytelling, drama, music and song - by different language groups and in the different languages dominant at the UFS (i.e. English, Afrikaans, Sesotho, isiZulu, and Sign Language). Students and staff from various faculties and departments on our three campuses will participate in showcasing the multicultural strengths of Kovsies on the Bloemfontein Campus on 18 and 19 September 2019. 

Join us and celebrate the university’s aim to promote multicultural communication and artistic expression in English, Afrikaans, Sesotho, isiZulu and Sign Language.

Categories:
A. Singing  
B. Dancing
C. Short stories  
D. Poems
E. Short drama item  
F. Fine arts

Your item must be unique, “fresh from the block” and it must speak “volumes” of multilingualism and multiculturalism. It should celebrate the fusion of our different cultures and languages and the merging of our traditions to create a unique UFS culture. There is a prize for the best artist/performer in each category. #SayItLouderForThePeopleAtTheBack 

Criteria for each category:

A. Singing
a. You can either enter a group or solo singing item 
b. Song should not be longer than 4 min
c. Song should be in any one of the four languages mentioned above, ideally incorporating more than one language  
d. Only backtracks or acoustic accompaniment can be used

B. Dancing
a. You can either enter a group or solo dance item 
b. Dance item should not be longer than 4 min
c. Music should be appropriate to the festival tagline

C. Short stories 
 
a. Your short story should be in any one of the four languages mentioned above, ideally incorporating more than one language 
b. Short story should not be longer than 5 min when read out loud
c. If your short story is selected, you will then have a choice to either perform your own story, or have someone else perform it for you. Auditions will be held to select performers for short stories.  

D. Poems
a. Your poem should be in any one of the four languages mentioned above, ideally incorporating more than one language 
b. Your poem should be no more than 20-25 lines 
c. If your poem is selected, you will then have a choice to either perform your own poem, or have someone else perform it for you. Auditions will be held to select performers for poems. 

E. Short drama item  
a. You can either enter a group or solo drama item.  
b. Your item should not be longer than 10 min
c. Item should speak to the celebration of our different cultures and languages
d. Your drama item should be in any one of the four languages mentioned above, ideally incorporating more than one language 
e. You first submit a script. 
i. If your drama (script) is selected, you will be then be invited to an audition for final selection. 
 
F. Fine arts
a. Only hostel entries
i. Hostels will each receive a packet which includes a canvas, photographic reference material, paint and brushes
ii. Each hostel will then copy that reference material as best they can on their canvas
iii. Art work will be displayed in the Scaena theatre foyer 16 – 20 September. 


General information
A. Submission of material: 
a. Submissions must be emailed to ufsmokete@ufs.ac.za
i. Singing and Dance submissions must be submitted in mp4 format via Google drive/One drive/Dropbox link to above email address 
ii. Scripts for poems, short stories, short drama items to be submitted in pdf format 
iii. Each submission must be accompanied by a submission form 
b. Submission of hardcopies can be handed in at the Department of Drama and Theatre Arts, Scaena Theatre, Room 46 (next to the Callie Human Centre). 


B. Dates:  
a. Tuesday 20 August: Final submission date. You will receive an automated confirmation that your submission has been received.   
b. Monday 26 August: Selected items announced for audition via email  
c. Wednesday 28 – Friday 30 August: Auditions. Times and dates to be confirmed
i. Students/staff who wants to perform their own poems, short stories or short drama items
ii. All selected singing and dance items
d. Monday 2 September: Final programme participants/items announced via email
e. Tuesday 17 September: Dry-run of programme with artists

  
Enquiries:
Contact ufsmokete@ufs.ac.za for more information.

Mokete wa pele wa Pokanyo ya Dipuo (Kovsies Multilingual Mokete) ke morero o thehilweng ke Yunivesithi ya Foreistata (UFS) ho kgothaletsa tshebediso ya dipuo tse ngata.

Mokete o tla kenyeletsa boitlhaloso ba botjhaba bo fapafapaneng – ka bonono ba ditshwantsho, dithothokiso, dipale, diterama, mmino le dipina – ho tswa dihlopheng tse fapaneng le ka dipuo tse fapaneng tse kgolo tse buuwang haholo UFS (k.h.r. Senyesemane, Afrikanse, Sesotho, Sezulu, le Puo ya Matshwao). Baithuti le basebetsi ho tswa mafapheng ka ho fapafapana dikhamphaseng tse tharo tsa rona ba tla nka karolo pontshong ya matla a botjhaba bo fapafapaneng ba Kovsies Khamphaseng ya Bloemfontein ka la 18 le 19 Loetse 2019. 

Eba le rona ho keteka sepheo sa yunivesithi sa ho kgothaletsa kgokahano ya botjhaba bo fapafapaneng le boitlhaloso ba bonono ka dipuo tsa Senyesemane, Afrikanse, Sesotho, Sezulu le Puo ya Matshwao.

Mekgahlelo:
A. Ho bina  
B. Ho tantsha
C. Dipale tse kgutshwane  
D. Dithothokiso
E. Dikotwana tse kgutshwane tsa terama
F. Bonono ba botaki

Tlatsetso ya hao e tlameha ho ba e kgetholohileng, “e ntjhantjha” mme e tlameha ho bua “tse ngata” mabapi le tshebediso ya dipuo tse ngata le botjhaba bo fapafapaneng. E tlameha ho keteka matahanyo ya botjhaba ba rona bo fapafapaneng le dipuo le ho kopanngwa ha meetlo ya rona ho theha botjhaba bo kgetholohileng ba UFS. Moputso bakeng sa sebapadi/moetsi ya hlwahlwa ka ho fetisisa mokgahlelong ka mong.
#SayItLouderForThePeopleAtTheBack 

Mokgwatlhahlobo bakeng sa mokgahlelo ka mong:
A. Ho bina
a. O ka kenya pontsho ya sehlopha kapa ya motho a le mong ya ho bina 
b. Pina e tlameha ho se fete metsotso e 4
c. Pina e tlameha ho ba ka efe kapa efe ya dipuo tse boletsweng ka hodimo mona, e ka ba hantle le ho feta haeba e kenyeletsa dipuo tse fetang e le nngwe  
d. Ke dikgatiso tsa pina kapa diletswa tse bapalwang mmoho le ho bina tse ka sebediswang

B. Ho tantsha
a. O ka kenya ketso ya tantshi ya sehlopha kapa motho a le mong 
b. Ketso ya tantshi e tlameha ho se be telele ho feta metsotso e 4 
c. Mmino o tlameha ho tshwaneleha bakeng sa sehlooho sa mokete

C. Dipale tse kgutshwane  
a. Pale ya hao e kgutshwane e tlameha ho ba ka efe kapa efe ya dipuo tse nne tse boletsweng ka hodimo mona, eo e ka bang hantle ha e ka kenyeletsa ho feta puo e le nngwe 
b. Pale e kgutshwane e tlameha ho se fete metsotso e 5 ha e balwa ka lentswe le phahameng
c. Haeba pale ya hao e kgutshwane e kgethwa, o tla ba le kgetho ya ho bontsha pale ya hao ka bowena, kapa hore motho e mong a o bapalle yona. Diteko tsa lentswe di tla etswa ho kgetha bapheti ba dipale tse kgutshwane.
  
D. Dithothokiso
a. Thothokiso ya hao e tlameha ho ba ka e nngwe ya dipuo tse boletsweng ka hodimo mona, ekaba hantle haeba e na le dipuo tse fetang e le nngwe 
b. Thothokiso ya hao e tlameha ho se fete mela e 20-25 
c. Haeba thothokiso ya hao e kgethilwe, jwale o tla ba le kgetho ya ho pheta thothokiso ya hao, kapa motho e mong a e phete. Diteko tsa pheto ya dithothokiso di tla tshwarwa ho kgetha batho ba tla pheta dithothokiso.
 
E. Terama e kgutshwane  
a. O ka kenya terama ya sehlopha kapa ya motho a le mong.  
b. Terama ya hao ha e a lokela ho feta metsotso e 10
c. Terama ena e tlameha ho ba mabapi le keteko ya botjhaba le dipuo tse fapafapaneng tsa rona
d. Terama ya hao e tlameha ho ba ka efe kapa efe ya dipuo tse nne tse boletsweng ka hodimo mona, ekaba hantle ha e ka kenyeletsa dipuo tse fetang e le nngwe 
e. O tla nehelana ka sengolwa sa hao e sa le pele. 
i. Haeba terama ya hao (sengolwa) e kgethwa, jwale o tla memelwa ho tla fana ka pontsho ya yona bakeng sa ho kgethelwa makgaolakgang.
  
F. Botaki
a. Keno ya dihostele feela
i. Dihostele di tla fumana pakana e le nngwe hostele ka nngwe e kenyeletsang canvas, matheriale ya referense ya difoto , pente le maborashe
ii. Hostele ka nngwe jwale e tla kopiletsa matheriale eo ya referense ka bohlwahlwa boo ba ka bo kgonang ho canvas
iii. Mesebetsi ya botaki e tla tla bontshwa foyareng ya Scaena theatre ka la 16 – 20 Lwetse. 

Tlhahisoleseding e akaretsang
A. Thomelo ya matheriale: 
a. Dithomelo  di tlameha ho romelwa ka imeili ho ufsmokete@ufs.ac.za
i. Dithomelo tsa mmino di tlameha ho romelwa ka sebopeho sa mp4 ka lehokela la Google drive/One drive/Dropbox atereseng e boletsweng ka hodimo mona 
ii. Dingolwa bakeng sa dithothokiso, dipale tse kgutshwane, diterama tse kgutshwane di lokela ho romelwa ka sebopeho sa pdf 
iii. Thomelo ka nngwe e tlameha ho tsamaya le thomelo ya foromo ya yona.
b. Dithomelo tse etswang ka kotloloho di lokela ho nehelanwa Lefapheng la Diterama le Bonono ba Kalaneng, le mane Scaena theatre complex (pela Callie Human), phapusi ya 46. 

B. Matsatsi:  
a. Labobedi la 20 Phato: Letsatsi la dithomello la bofelo. O tla fumana nnetefatso e iketsahallang ya hore thomello ya hao e amohetswe.   
b. Mantaha wa 26 Phato: Mesebetsi e kgethilweng e tla phatlalatswa ka imeili bakeng sa memo ya diteko tsa ho tla mamelwa   
c. Laboraro la 28 – Labohlano la 30 Phato: Diteko tsa ho mamelwa. Dinako le matsatsi di tla phatlalatswa. 
i. Baithuti/basebetsi ba batlang ho pheta dithothokiso tsa bona, dipale tse kgutshwane kapa diterama tse kgutshwane
ii. Dipina le ditantshi tsohle tse kgethilweng
d. Mantaha wa 2 Lwetse: Bankakarolo/mesebetsi e fihlileng lenaneong la makgaolakgang e tla  phatlalatswa ka imeili
e. Labobedi la 17 Lwetse: Boitokisetso ba lenaneo mmoho le dibapadi

Dipotso:
Ikopanye le ufsmokete@ufs.ac.za bakeng sa tlhahisoleseding e eketsehileng. 

Die eerste Kovsies Veeltalige Mokete (Fees) is ’n inisiatief van die Universiteit van die Vrystaat (UV) om veeltaligheid te bevorder.

Die Fees sal verskillende tipes kulturele uitdrukking insluit en vier – deur middel van visuele kuns, digkuns, storievertel, drama, musiek en sang – deur verskillende taalgroepe en in die verskillende dominante tale aan die UV (bv. Engels, Afrikaans, Sesotho, isiZulu en Gebaretaal). Studente en personeel van verskillende fakulteite en departemente op ons drie kampusse sal op 18 en 19 September 2019 op die Bloemfontein-kampus die multikulturele karakter van Kovies uitbeeld.
Kom sluit by ons aan en vier die universiteit se oogmerk om multikulturele kommunikasie en artistieke uitdrukking in Engels, Afrikaans, Sesotho, isiZulu en Gebaretaal te bevorder.

Kategorieë:
A. Sang
B. Dans
C. Kort verhale
D. Gedigte
E. Kort drama-item
F. Skone kunste

Jou item moet uniek en “kraakvars” wees, en dit moet “boekdele” spreek oor veeltaligheid en multikulturaliteit. Dit moet die vermenging van ons verskillende kulture en tale, asook die saamsmelt van ons tradisies wees om ’n unieke UV-kultuur te skep. Daar is ’n prys vir die beste kunstenaar/uitvoerende kunstenaar in elke kategorie. #SayItLouderForThePeopleAtTheBack

Kriteria vir elke kategorie:
A. Sang
a. Jy kan ’n groep- of solo-item inskryf. 
b. Lied moenie langer as 4 minute wees nie.
c. Lied moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer.
d. Slegs opgeneemde of akoestiese begeleiding kan gebruik word.

B. Dans
a. Jy kan as ’n groep- of solo-item inskryf.
b. Dans-item moenie langer as 4 minute wees nie.
c. Musiek moet geskik wees vir die fees se slagspreuk wees.

C. Kortverhale
a. Jou kortverhaal moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer.
b. Die kortverhaal moenie langer as 5 minute wees wanneer hardop voorgelees word nie.
c. Indien jou kortverhaal gekies word, sal jy dan ’n keuse hê om óf self jou verhaal voor te dra, óf om iemand anders dit vir jou te laat voordra. Oudisies sal gehou word om voordraers van kortverhale te kies.
 
D. Gedigte
a. Jou gedig moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer.
b. Jou gedig moenie langes as 20-25 reëls wees nie.
c. Indien jou gedig gekies word, sal jy dan ’n keuse hê om óf self jou gedig voor te dra, óf om iemand anders dit vir jou te laat voordra. Oudisies sal gehou word om voordraers van gedigte te kies.

E. Kort drama-item
a. Jy kan as ’n groep of solo-item inskryf.
b. Jou item moenie langer as 10 minute wees nie.
c. Item moet die viering van ons verskillende kulture en tale uitbeeld.
d. Jou drama-item moet in enige van die vier bogenoemde tale wees, verkieslik deur meer as een taal te inkorporeer. 
e. Jy moet eers ’n teks indien. 
i. Indien jou dramateks gekies word, sal jy uitgenooi word vir ’n oudisie vir finale seleksie. 

F. Skone kunste
a. Slegs koshuisinskrywings
i. Koshuise sal elkeen ’n pakket ontvang wat ’n skilderdoek, fotografiese verwysingsmateriaal, verf en kwaste bevat
ii. Elke koshuis sal dan daardie verwysingsmateriaal so goed as wat hulle kan op hulle skilderdoek uitbeeld.
iii. Kunswerke sal van 16 – 20 September in die Scaena-teater se voorportaal uitgestal word.

Algemene inligting
A. Indiening van materiaal:
a. Inskrywings  moet per e-pos na ufsmokete@ufs.ac.za gestuur word
i. Sang- en dansinskrywings moet in mp4-formaat via ’n Google drive/One drive/Dropbox-skakel na bogenoemde adres gestuur word. 
ii. Tekste van gedigte, kortverhale en kort drama-items moet in pdf-formaat ingegee word. 
iii. Elke inskrywing moet vergesel wees van ’n inskrywingsvorm.
b. Hardekopie-inskrywings kan by Kamer 46 by die Departement Drama en Teaterkuns, Scaena-teaterkompleks (langs die Callie Human-sentrum) ingegee word. 

B. Datums: 
a. Dinsdag 20 Augustus: Finale sluitingsdatum Jy sal ’n outomatiese bevestiging ontvang dat jou inskrywing ontvang is. 
b. Maandag 26 Augustus: Gekeurde items vir oudisies sal per e-pos aangekondig word. 
c. Woensdag 28 – Vrydag 30 Augustus: Oudisies. Tye en datums sal nog aangekondig word. 
i. Studente/personeel wat hulle eie gedigte, kortverhale of kort drama-items wil voordra.
ii. Alle gekeurde sang- en dans-items
d. Maandag 2 September: Finale programdeelnemers/items sal per e-pos aangekondig word.
e. Dinsdag 17 September: Oefenlopie van program met kunstenaars

Navrae:
Kontak ufsmokete@ufs.ac.za vir meer inligting. 

Umcimbi wokuqala weKovsies Multilingual Mokete (iFestivali) iwuhlelo lweNyuvesi yaseFree State (UFS) lokukhuthaza ukusetshenziswa kwezilimi eziningi.  

IMokete izohlanganisa nokugujwa kwezinye izinhlobo zamasiko - ubuciko bezandla, izinkondlo, ukuxoxwa kwezindaba, imidlalo, umculo nemicwi - okuzokwenziwa ngamaqoqo ezilimi ezahlukene ezandile e-UFS (njengesiNgisi, isiBhunu, IsiZulu, noLimi Lwezandla). Abafundi nabasebenzi abavela ngaphansi kweminyango nezinhlaka ezahlukene ezikhungweni zethu ezintathu bazobamba iqhaza ekukhangiseni ngamakhono abo amasiko ehlukene kwiKovsies kwiKhampasi yaseBloemfontein mhla ka 18 no-19 kuMandulo (Septemba) 2019.

Hlanganyela kanye nathi ukubungaza igxathu lenyuvesi eliya phambili lokugqugquzela nokukhuthaza amasiko ehlukene kanye nobuciko ngolimi lwesiNgisi, lwesiBhunu lwesiZulu nolweZandla.

Imikhakha:

A. Ukucula  
B. Ukudansa
C. Izindatshana ezimfushane  
D. Izinkondlo
E. Imidlalo emifushane  
F. Ubuciko

Kumele uqhamuke nento ehlukile, “engakaze ibonakale kwenye indawo” futhi kumele “isho lukhulu” ngokukhuthazwa kwezilimi namasiko ehlukahlukene. Kumele iqhakambise ukubumbana kwamasiko ethu ehlukahlukene nezilimi ezahlukahlukene kanye nokuhlanganiswa ndawonye kwamasiko ethu ukuze kwakheke isiko eliyingqayizivele le-UFS. Kuyoba nemiklomelo yamaciko enze kahle emkhakheni ngamunye. #SayItLouderForThePeopleAtTheBack 


Okuzokwenzeka emkhakheni ngamunye:

A. Ukucula
a. Ningacula nibe yiqembu noma ucule wedwa 
b. Iculo akumele libe lide ngaphezu kwemizuzu emine
c. Iculo lingaba yinoma yiluphi ulimi kulezi ezibalwe ngenhla, okungaba kuhle uma lihlanganisa izilimi ezimbili kuya phezulu  
d.Kungaculwa ngokusebenzisa okomsindo noma ngokuhlabelela kuphela

B. Ukudansa
a. Ungajoyina iqembu noma udanse wedwa 
 b. Umdanso akumele ube ngaphezu kwemizuzu emine
 c. Umculo kumele uhambisane nendikimba yefestivali

C. Izindaba ezimfushane  
a. Indaba yakho emfushane ingaba yinoma ngaluphi ulimi kulezi ezine ezishiw ngenhla, okungaba kuhle uma kuyizilimi ezimbili kuya phezulu   
b. Indaba emfushane akumele ibe yinde ngaphezu kwemizuzu emihlanu uma ifundwa kakhulu
c. Uma indatshana yakho ikhethiwe, uyobe usukhetha ukuthi ufuna ukuzifundela indatshana yakho noma kube khona ozokufundela yona. Kuyokwenziwa inhlolokhono ukukhetha abazofunda izindatshana ezimfushane. 

D. Izinkondlo
a. nkondlo yakho ingaba nganoma yiluphi ulimi kulezi ezine ezingasenhla, okungaba akuhle kube ezimbili kuya phezulu 
b. Inkondlo yakho akumele ibe nemigqa engaphez  u kuka-20 kuya ku-25  
c. Uma inkondlo yakho ikhethiwe, uyokhetha ukuthi uyifunda wena noma uthola umuntu ozokufundela yona. Kuyokwenziwa inhlolokhono ukukhetha abazokwethula izinkondlo. 

E. Imidlalo emifushane  
a. Ungajoyina iqembu noma wenze umdlalo wakho uwedwa. 
b. Umdlalo wakho akumele weqe emizuzwini engu-10. 
c. Umdlalo kumele ukhulume ngokugujwa kwamasiko nezilimi ezahlukahlukene. 
d. Umdlalo wakho kumele ube yinganoma iluphi ulimi kulezi ezine ezingenhla,okungaba kuhle kube ezimbili kuya phezulu.  
e. Uyacelwa ukuba ulethe umbalo womdlalo kuqala.
 i. Uma umdlalo wakho (umbhalo) ukhethwa, uyomenywa ukuba uzovivinywa ukuze ukhethwe nabokugcina. 
 
F. Ubuciko
a. Kwemukelwa amahostela kuphela 
 i. Amahostela ayothola isikhwama esinezinto ezifana neshidi lokudweba, izithombezokubukela, upende namabhrashi
 ii. Ihostela ngalinye liyokopisha lezo zithombe zokubukela eshidini lokudweba ngekhono lonke
 iii. Imisebenzi yobuciko iyokhangiswa emhibheni waseScaena Theatre mhla ka-16 – 20 uMandulo. 

Ulwazi olwejwayelekile

A. 
Ukulethwa kwemingenelo:
a. Umngenelo kumele uthunyelwe nge-email ku: ufsmokete@ufs.ac.za
i. Imingenelo ephathelene nokucula nokudansa kumele ithunyelwe nge-mp4 kusetshenziswa iGoogle drive/One drive/Dropbox exhumene ne-email engenhla 
ii. Imibhalo yezinkondlo, izindaba ezimfushane, imibhalo yemidlalo emifushane kumele kulethwe ngohlobo lwe-pdf. 
 iii. Umngenelo ngamunye kumele uhambisane nefomu lokungenela.

b. Imingenelo engamaphepha ingahanjiswa eMnyangweni wakwaDrama and Theatre Arts, ezakhiweni sazeScaena Theatre (eduze kweCallie Human), e-room 46. 

B. Izinsuku:  
a. ULwesibili 20 kuNcwaba: Usuku lokugcina lokungenela. Uzothola isiqinisekiso esiziphendulayo sokuthi umngenelo wakho utholakele.    
 b. UMsombuluko 26 kuNcwaba: Izihloko ezikhethelwe ukungenela inhlolokhono nge-email 
c. ULwesithathu 28 kuya kuLwesihlanu 30 kuNcwaba: Inhlolokhono. Isikhathi nosuku kusazoqinisekiswa 
i. Abafundi/abasebenzi abafuna ukuhaya izinkondlo zabo, izindaba ezimfushane noma imidlalo emifushane 
ii. Imingenelo ekhethelwe ukucula nokudansa
 d. UMsombuluko 2 kuMandulo: Uhlu lokugcina lwemingenelo luyokwethulwa nge-email. 
e. ULwesibili 17 kuMandulo: Ukuzivivinyela uhlelo namaciko

Imibuzo:
Ngolunye ulwazi xhumana ne: ufsmokete@ufs.ac.za

 

News Archive

Former top politician talks at UFS School of Management
2007-04-25

Dr Matthews Phosa, the non-executive chairman of EOH and former politician, presented a guest lecture to a group of MBA students at the University of the Free State's (UFS) School of Management. At the lecture were from the left: Mr Tate Makgoe (Free State MEC for Finance), Ms Nontobeko Scheppers (MBA student), Dr Phosa, Prof. Helena van Zyl (Director: UFS School of Management) and Mr Setjhaba Tlhatlogi (MBA student).
Photo: Stephen Collett

Exploring some of the myths and opportunities cyber space offers

Mathews Phosa

Introduction

It is no longer business as usual. Globalisation poses new challenges as well as opportunities to business, education and society in general. Many of these new opportunities are alive with paradoxes and tensions between local sustainability and global market opportunities. The growth in new communication technologies challenges us to critically explore some popular myths, opportunities and define possible responses.

Cyberspace is often described as the new frontier – not only in the race for newer and faster technologies, but also in education. Any user or provider of services who does not explore this new frontier will soon be considered using “outdated” and will be accused of using obsolete methodologies. Cyberspace, like the spaces embodied in continents, is something that should be claimed and conquered.

Cyberspace and specifically access to information, including online education is hailed as the great equaliser. It is now claimed that everyone will have equal access to “Knowledge”. Cyber education  for example is celebrated as “education-without-borders”, but as Bauman states, while it does change borders and access, it creates new “haves” and “have-nots”.

 

To put it in a nutshell:  rather than homogenizing the human     condition, the technological annulment of temporal/spatial distance tends to polarize it.  It emancipates certain humans from territorial constraints and renders certain community-generating meanings     exterritorial – while denuding the territory, to which other people go on being confined, of its meaning and its identity-endowing capacity.
(Bauman 1989:18; emphasis mine).

Virtual environments and the possibilities offered by the World Wide Web are new spaces that are being colonised and occupied by those who have capital (whether economic or academic) and who are looking for new labour or markets.  While the new mediums include and conquer new spaces, it also excludes and “otherises” communities and segments of society (Prinsloo 2005).  Cyberspace provides institutions and corporations with a space to operate without the responsibilities and obligations of locality – as long as you can afford the privilege of operating in cyberspace.

Cyberspace is therefore not neutral.  Spaces are occupied, reoccupied, abandoned, claimed, fortified, secured – contested.  Those with mobility define and map spaces continuously according to their claims.  Those without capital and the mobility it brings, contest these claims, contest the spaces and hack into the space.  Reclaim it.  Recolonise it.

 

Re-Appropriating Cyberspace

A number of authors explores such a re-appropriation of cyberspace.  Instead of seeing the Internet and related functions like online teaching as just accessing and transferring information, cyberspace is explored as political, social, personal and economic space.  Institutions across the spectrum including higher education institutions venturing into cyberspace often think that it offers them a space without the usual socio-cultural complexities. Gunn, McSporran, Macleod and French (2003:14) however indicate that online “interactions that take place through electronic channels lose none of the socio-cultural complexity or gender imbalance that exists within society”.

Instead of cyberspace being a new space where the differences and disparities of non-virtual life on earth cease to exist, “cyberspace is an imagined network layer sitting on top of the physical infrastructure of cities. Cyberspace is an imagined, continuous, worldwide, networked city; the global city that never sleeps, always experienced in real time” (Irvine 1999, Online). Cyberspace therefore not only sits on top of the physical infrastructure, but is also a mirror image of the power structures and disparities of non-virtual life on earth.

Cyberspace is also much more than just a replication of non-virtual reality. New subcultures and new self-defined communities are coming into existence (Irvine 1999, Online).  These new communities in cyberspace resemble communities in non-virtual format, but they are also vastly different.  For example, Grierson (Online) explores the similarities between cemeteries and the communities in cyberspace.  She finds that, although both “communities” are constituted in space, it is a “placeless place” which “links and mirrors society, with all its alter-egos and hidden desires … a virtual site holding up a mirror to physical reality where subjective presence is delineated in imaginary absence”.

The Internet as “sites for power and knowledge” is further explored by a number of authors, amongst othersNewman and Johnson (1999), Usher (2002), Walmsley (2000) and Borer (Online). Jordan (1999, Online) investigates culture and politics in cyberspace.  He explores three “intertwined levels”, namely cyberspace as “playground of the individual”, as “social space, a place where communities exist” and as “being a society or even a digital nation”.  In each of these three levels, power is played out and claimed in a “sociological, cultural, economic and political battle between the individual and a technopower elite”.

The so-called impact of the Internet on society is discounted by Bennet (2001:197).  He suggests rather that the Internet “should be regarded as a “form of life – whose evolving structure becomes embedded in human consciousness and social practice, and whose architecture embodies an inherent valence that is gradually shifting away from the assumptions of anonymity upon which the Internet was originally designed” (2001:197).

We started by stating that it is no longer business as usual. We can no longer afford epistemologies of ignorance and politeness. Cyberspace and the opportunities it offers for business, society and education in particular need to be interrogated using a hermeneutics of suspicion, confronting certain myths, exploring opportunities and defining appropriate responses.

It is evident that the impact of the cyberspace stretches across the total spectrum of the human experience and condition.  Due to the complexity of discussing the total spectrum of options this discussion focuses on Higher Education as one entity to demonstrate the implications and level of reflection required.
To come to terms with some of theses realities it is necessary to address some of the typical myths. The following aspects provide an indication of some of the myths:

  • Myth 1 - Access. The Internet and online education is not the great equaliser. Access to the Internet on a sustainable and affordable basis is still for the rich and the privileged. There is good reason to celebrate the widening access citizens have to the Internet. In the last number of years the so-called “digital-divide” has indeed decreased. It is however still disputable that having access to the World Wide Web changes lives for the better. For the World Wide Web to deliver on its promise of changing society into more just and compassionate communities, the other divides in society have to be addressed as well.
  • Myth 2 - Quality of information available. Even when/if sustainable and affordable access to the Internet would be available to all; the overwhelming quantity of information on the Internet would require participants to have critical information literacies. Such literacies will be crucial in allowing the “having access to more information” to really allow participants to live differently. Bauman (1989) and others warn of the increasing commodification and consumerisation of knowledge; the immense amounts of information available on the Web, results in information and knowledge becoming “cheap”, and un-validated.  
  • Myth 3 – The role of race and gender. Current research indicates that the unequal socio-economic gender relations are perpetuated in cyberspace. Females have less access and often less frequent access due to prescribed and patriarchally perpetuated life-roles. Research also indicates that males frequently dominate online discussions, often relegating female participants to roles of quiet observer. In this “neutrality” of cyberspace the assumption often is that gender should not matter in a space where identity is often just a name and a short introduction. There is however enough research to validate the role identity and specifically race and gender play in online learning environments.
  • Myth 4 – Guaranteed success as learning platform. International research indicates that very few students opt for fully online learning. Even in countries where access to online environments are either state-sponsored or very cheap, learners do not prefer online learning to more face-to-face learning environments. Students seem to prefer a range of blended learning experiences, rather than fully online. This has impacted on several world-class universities forcing them to cancel fully online offerings. Fully online learning and interaction require specific literacies and personality traits of participants. Online learning is not a “one size fits all”.

 

Research in South Africa indicates that many learners use computers at work to access their learning environments. Not only does this impact on productivity, but learners therefore do not have access to their online learning environments over weekends and when they prepare for the examination. Employers also increasingly block mass-generated electronic correspondence from universities and limit learners’ access to the Internet. This results in learners experiencing growing frustrations with “fire-walls” that do not allow an effective learning environment.

Very few learners are sufficiently prepared to engage and sustain their own learning in a fully online environment. Institutions offering online learning are often inundated with requests for more support, often face-to-face.

  • Myth 5 - Quality in an online learning environment. At present there are no quality indicators specifically focused on online learning environments in higher education. The quality of the current offerings  range from “drop-off and go” experiences where students carry the cost of printing materials with very little continued support and interaction from the side of the institution, to very intensive online teaching which overestimates the time and resources that students have for such learning.
  • Myth 6 - Accountability.  Many overseas institutions offer online qualifications in other countries without any guarantee that the qualifications will be accredited by local institutions of learning or employers. Many students wrongfully belief that because it is offered by an international provider using online, that the learning experience will be of a high quality and that it will be accredited by local education institutions and employers.
  • Myth 7 - Global is better. Though there is a legitimate trend to ensure internationalisation in education, the need for contextual, local and authentic learning remains equally important. The challenges learners face are often context-specific and international tutors in online environments often have very little understanding for the cultural and socio-economic specificities of local contexts. Some metaphors and examples often used in online environments exclude participants from non –western cultures to fully comprehend and apply the learning to their own contexts.
  • Myth 8 - Online teaching and learning is ideologically neutral. All curricula arise from context specific ideological and socio-economic relations and epistemologies. Very few institutions foreground their specific beliefs and assumptions about knowledge and learning. This is even more so applicable in online learning environments where the “designers” of the learning are often even more hidden than in face-to-face contexts.

Opportunities

The Internet does however offer scores of opportunities for institutions of higher learning to seriously consider. The following is but a few of the opportunities that await careful and critical consideration.

  • Opportunity 1 - Reaching the un-reached. Yes, online teaching and learning bring opportunities to many learners who have been previously excluded from training, development and higher education. The reach of higher education does not only entail those who were previously excluded, but also brings into reach qualifications at internationally renowned institutions.
  • Opportunity 2 - Access to information. With the Internet, students have access to the most recent, cutting-edge information. Students will increasingly be able to compile their own curricula and have it validated by institutions of higher learning. Students now have access to the international discourses in the different disciplines at the click of a mouse. While there is a real danger that not all students have (yet) the critical literacies required by the Information age and secondly that they may be overwhelmed and become lost in cyberspace.
  • Opportunity 3 - Communication. With the Internet and other mobile communication technologies, learners can increasingly be in touch with institutions of learning and educators and peers. Learning experiences can be enriched by synchronous and asynchronous communication, between the institution and tutors, tutors among themselves, between tutors and learners and among learners themselves. Online learning really open up a Habermasian “public sphere” for “communicative action”.
  • Opportunity 4 - Mode 3 knowledge-production. Traditionally knowledge production in higher education focused on discipline specific transfer of knowledge, called mode 1 knowledge production. Paulo Freire called this “banking education” (1989). Recent years saw the development of Mode 2 knowledge production where knowledge was applied and arose from practical application to appropriate problem-spaces. Online learning environments make it increasingly possible to move to Mode 3 knowledge production where learners address problem-space from the foundations of a specific discipline but then continue to explore contributions from a range of other disciplines Knowledge production has moved form “knowing-how” to “knowing-in-the-world”. Barnett refers to this change as an “ontological turn” (2005).

The changing role of higher education

It will be naïve and irresponsible for higher education not to interrogate popular notions and epistemologies of online education and the role of the Internet. We have explored a number of myths and (hopefully) created sufficient suspicion to invite further discourse. We have also explored a number of opportunities an online environment offers to business, higher education and society in general.

Higher education has to indeed decrease the “digital divide” not only in the form of broadening access, but also by seriously interrogating the accompanying epistemologies. From the above it would seem as if a responsible and robust response would entail the following:

  • Response 1 - Empower learners with critical literacies for the information age. having access to the information the Internet offers will challenge higher education institutions and learners alike to be able to critically evaluate information and its sources. While addressing access may in fact decrease the digital divide but it is worthless if the decrease in the digital divide does not and cannot result in students’ critical engagement with information and with one-another.
  • Response 2 - Increase access to the Internet through collaborative agreements. Higher education institutions have much more bargaining power than individual learners. It is almost unbelievable that with the “captive audiences” higher education institutions have, that they have not been successful to negotiate more affordable and sustainable access to online environments.
  • Response 3 – Develop quality online learning. Higher education should be very clear about the minimum standards for learning platforms, opportunities for peer and tutor interaction and the sustaining of a teacher presence in Virtual Learning Environments (VLEs).
  • Response 4 – Maintain scholarly online teaching. Higher education should encourage research, individual and collaborative projects to determine the indicators of success of online learning in specific contexts for specific audiences.
  • Response 5 – Higher education as critical praxis.  Higher education traditionally has validated all claims to knowledge and expertise. As Barnett (2000, 2005) has indicated, higher education is no longer the only “producers of knowledge”. However, higher education still has the mandate to validate knowledge, whether claimed or made available in cyberspace. Higher education has the unique opportunity to rise to the occasion and to interrogate knowledge claims. The opportunities should be considered in the context of the realities of cyberspace as discussed.  Fundamental to this is the fact that it requires higher education to increase the capacity of students for critical and compassionate action to assist in the formation and utilisation of the challenges and new opportunities.  Essentially the challenge is to create opportunities and empower students and the broader society to utilise the potential cyberspace towards a more just and equitable society.

In Conclusion

There are a number of myths surrounding online education and the impact of the Internet on business, education and development. Only once cyber space has been demythologised, it is then that our eyes open to the opportunities that it offers. Higher education is therefore called upon to reflexively exploit the opportunities online learning and the Internet offer to engaging one another in learning experiences. Higher education will do well to take both the myths and the opportunities seriously and courageously.

Cyberspace is a new frontier. As previously done with colonial frontiers, this frontier can be exploited ruthlessly. There is however also an opportunity for business and higher education to engage with cyberspace – and use cyberspace to create hospitable, nourishing environments for active learning and a more just and equitable society for all.

References

  • Barnett, R. 2000. University knowledge in an age of supercomplexity. Higher Education 40:409-422.
  • Barnett, R. 2005. Recapturing the universal in the university. Educational Philosophy and Theory, 37(6):785-797.
  • Bauman, Z.1998. Globalization. The human consequences. Cambridge: Polity Press.
  • Bennet, CJ. 2001. Cookies, web bugs, webcams and cue cats: patterns of surveillance on the World Wide Web. Ethics and Information Technology 3:197-210.
  • Borer, MI. The Cyborgian self: toward a critical social theory of cyberspace. Available URL:
  • http://reconstruction.eserver.org/023/borer.htm (accessed on 10/04/2007).
  • Freire, P. 1989. Learning to question: a pedagogy of liberation. Geneva: World Council of Churches.
  • Gunn, C, McSporran, M, Macleod, H & French, S. 2003. Dominant or different? Gender issues in computer support learning. JALN 7(1):14-30.
  • Grierson, EM. From cemeteries to cyberspace: identity and a globally technologised age. Available URL: Click here!
  • (accessed on 10/04/2007).
  • Irvine, M. 1999. Global cyber culture reconsidered: cyberspace, identity and the global informational city. Available URL: http://www.georgetown.edu/faculty/irvinem/articles/globalculture.html
  • (accessed on 10/04/2007).
  • Jordan, T. 1999. Cyberpower: the culture and politics of cyberspace. Available URL:
  • http://www.isoc.org/inet99/proceedings/3i/3i_1.htm (accessed on 10/04/2007).
  • Newman, R & Johnson, F. 1999. Sites of power and knowledge? Towards a critique of the virtual university. British Journal of Sociology of Education 20(1):79-88.
  • Prinsloo, P. 2005. Don Quixote in cyberspace – charging at the invisible. Open and Distance learning in Africa Number 1, 2006: 78-94.
  • Usher, R. 2002. Putting space back on the map: globalisation, place and identity. Educational Philosophy and Theory 43(1):2002.
  • Walmsley, DJ. 2000. Community, place and cyberspace. Australian Geographer 31(1):5-19.

 

 

We use cookies to make interactions with our websites and services easy and meaningful. To better understand how they are used, read more about the UFS cookie policy. By continuing to use this site you are giving us your consent to do this.

Accept