Latest News Archive

Please select Category, Year, and then Month to display items
Previous Archive
29 May 2019 | Story Rulanzen Martin | Photo Rulanzen Martin
Judge Musi
Judge President Cagney Musi from the Free State Division of the High Court.

If you live in a rural town the chances of getting equal access to the court system as your urban counterparts is very slim and therefore the trust in the judiciary has taken a nosedive. This is the “urban bias” of the judiciary, according to Judge President Cagney Musi of the Free State Division of the High Court.

Afrobarometer conducted a countrywide survey on, Trust in Judiciary and access to justice in South Africa. Judge Musi, Matthias Krönke from the Department of Political Studies at the University of Cape Town and Chris Oxtoby from Democratic Governance and Rights Unit at UCT, engaged in a panel discussion on the findings of the report.

The data of the survey was released at an event which was hosted by the Department of Political Transformation and Governance at the University of the Free State (UFS) on Tuesday 16 May 2019. 

“The fact that we in South Africa and can say ‘I will take you to court’ is evidence of the trust there is in the judiciary,” said Judge President Musi. However, this trust in the courts ultimately lies in the operations of the court system. Cases that get postponed just becomes part of the backlog. The trust can be maintained through constant communication from the courts. Judge Musi asked whether social media could be used to maintain the trust in the judiciary by sharing court rulings on social media. 

“It is also time the courts moved along with the changing times.” Judge Musi was referencing the Fourth Industrial Revolution and how courts can move away from conventional paper-based systems to a process whereby a claimant can submit summonses online.

The data findings of the Afrobarometer survey focused on three broad themes namely; trust in the judiciary and access to justice and judicial autonomy. It aims to contextualise South Africa on the continent and see to what extent people trust the judiciary in South Africa and how that compares to other parts of Africa. South Africa’s performance is very average compared to other countries.

News Archive

Odeion: Public examination recitals
2006-11-09

The Department of Music presents a series of Public Examination Recitals by three B.Mus.Hons. candidates and a M.Mus. candidate. 
 
These exams will be presented as concerts from 13 to 15 November in the Odeion.  
 
Herewith a friendly invitation to attend the following concerts for free.
 
Monday, 13 November (19:30)
Kobie Liebenberg (B.Mus.Hons. - organ)
Programme:
Franck - Chorale No. 3 in A minor
Bruhns - Praeludium in E minor (No. 1)
Bach - Partita op “Sei gegrüsset, Jesu gütig”, BWV 768
Hindemith - Sonata No. 1 (1937)
Liszt - Prelude and Fugue on B-A-C-H
 
Tuesday, 14 November (18:00)
Mianda Erasmus (B.Mus.Hons. - flute)
Programme:
Taffanel - “Andante pastoral et Scherzettino”
Godard - “Suite de trois morceaux”
Dutilleux - Sonatine for flute and piano
Vivaldi - Concerto III “Il Gardellino”
Martinù - Sonata for flute and piano
 
Tuesday, 14 November (19:30)
Ulrich Cronjé (B.Mus.Hons. - flute)
Bach - Sonata in E minor for flute and continuo, BWV 1034
Jolivet - “Cinq Incantations” for solo flute
Mozart - Quartet in D major for flute, violin, viola and cello, K.285
Piston - Sonata for flute and piano
Morlacchi - “Il Pastore Svizzero” (The Swiss Shepherd)
 
 Wednesday, 15 November (17:00)
The last exam in the series is a concert with Tilla Henkins (M.Mus. - cello) as member of the Henkins Cilliers Trio. Admission is R40 (adults), R20 (pensioners) and R10 (students and scholars). The Trio in G minor, Op. 15 (Smetana) the Trio No. 1 in D minor, Op. 12 (Arensky) and the Trio No. 1 in F major, Op. 18 (Saint-Saëns) are on the programme.
 
Information
Ninette Pretorius at tel. 051 - 401 2504.

We use cookies to make interactions with our websites and services easy and meaningful. To better understand how they are used, read more about the UFS cookie policy. By continuing to use this site you are giving us your consent to do this.

Accept