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19 August 2020 | Story Rulanzen Martin | Photo Supplied

 

Art in itself is a journey of self-exploration; with a global pandemic raging, art lovers can now explore this journey virtually. The Johannes Stegmann Gallery at the University of the Free State (UFS) is happy to announce the (second) virtual exhibition of Leeto: a Sam Nhlengethwa Print Retrospective until 4 September 2020. 

 


Sam Nhlengethwa, Tribute to Lemmy 'Special' Mabaso, 2002, Seven colour lithograph, 76 x 106 cm, 
Artwork courtesy of the artist and the Goodman Gallery. 


The exhibition features a collection of Sam Nhlengethwa’s print work to be interrogated, his artistic evolution to be mapped out, and his personal aesthetics to be interpreted, while surveying this renowned artist’s print work from 1978 to 2018.  The underlying theme of the exhibition is jazz, an early influence in Nhlengethwa’s works from the underground jazz community of the townships. His brother was a jazz musician and he started collecting jazz records from the early age of 17.

Leeto is a Setswana/Sesotho word for ‘journey’ and, as the word suggests, the exhibition explores the ongoing artistic footsteps of the artist. The collection was curated by Boitumelo Tlhoaele, a doctoral fellow in the Africa Open Institute for Music, Research, and Innovation at Stellenbosch University.

 Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm

 
Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm
Artwork courtesy of the artist and the Goodman Gallery.




About the artist: 

Nhlengethwa began his career in 1976 during one of South Africa’s most tumultuous socio-political eras. In 1978, he completed a two-year diploma at the Evangelical Lutheran Church Art and Craft Centre, Rorke’s Drift, KwaZulu-Natal, where printmaking was a prominent feature of the centre’s activities. Nhlengethwa’s work spans a variety of mediums, from painting, drawing to collage, and some of his works have been translated into tapestries. One of his big cityscape works was translated into a mosaic. In addition to all the afore-mentioned mediums, Nhlengethwa also produced an impressive and sizeable body of printmaking works. 

He has collaborated with several South African printmaking studios, such as The Artists’ Press, Artist Proof Studio, David Krut Print Workshop, LL Editions Fine Art Lithography Studio, MK and Artist Print Workshop, Mo Editions Printmaking Studio, and Sguzu Printmaker’s Workshop. Since 1994, he has produced 163 prints in collaboration with The Artists’ Press, making it his longest and most productive affiliation. 


 

News Archive

Kovsie Rugby best in town
2009-06-24

 
Photo: Volksblad 

 

The Shimlas and the Irawas, the first and second rugby teams of the University of the Free State (UFS), recently played in the final of the Bloemfontein city cup. According to Mr Dougie Heymans, Kovsie Rugby Manager and assistant couch of the Shimlas, it was a tough match and the Shimlas won 42-17. The last time that the Shimlas and Irawas played against each other was in 2004. On this day, against all expectations, the Irawas won the “Stadsbeker”.

The UFS’s U/21 team also played against the UFS third team, the Ritsims, in the final of the second league and won 22-14. It was the first time in history that the Ritsems played in the final of the Second League in the City League, and that against the UFS’s U/21 team.

All four the teams who competed in the final for the “Stadsbeker” and Second League of the “Stadsbeker”, are from the UFS’s Rugby Club.

The UFS will also for the first time since 2006 have a team in the national club championships.

The Shimlas are participating at the Universities Sport South Africa (USSA) rugby tournament that is currently being presented at the University of Johannesburg.

“We at Kovsie Rugby are proud of our teams, our couches and support staff,” said Mr Heymans.
 

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