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19 August 2020 | Story Rulanzen Martin | Photo Supplied

 

Art in itself is a journey of self-exploration; with a global pandemic raging, art lovers can now explore this journey virtually. The Johannes Stegmann Gallery at the University of the Free State (UFS) is happy to announce the (second) virtual exhibition of Leeto: a Sam Nhlengethwa Print Retrospective until 4 September 2020. 

 


Sam Nhlengethwa, Tribute to Lemmy 'Special' Mabaso, 2002, Seven colour lithograph, 76 x 106 cm, 
Artwork courtesy of the artist and the Goodman Gallery. 


The exhibition features a collection of Sam Nhlengethwa’s print work to be interrogated, his artistic evolution to be mapped out, and his personal aesthetics to be interpreted, while surveying this renowned artist’s print work from 1978 to 2018.  The underlying theme of the exhibition is jazz, an early influence in Nhlengethwa’s works from the underground jazz community of the townships. His brother was a jazz musician and he started collecting jazz records from the early age of 17.

Leeto is a Setswana/Sesotho word for ‘journey’ and, as the word suggests, the exhibition explores the ongoing artistic footsteps of the artist. The collection was curated by Boitumelo Tlhoaele, a doctoral fellow in the Africa Open Institute for Music, Research, and Innovation at Stellenbosch University.

 Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm

 
Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm
Artwork courtesy of the artist and the Goodman Gallery.




About the artist: 

Nhlengethwa began his career in 1976 during one of South Africa’s most tumultuous socio-political eras. In 1978, he completed a two-year diploma at the Evangelical Lutheran Church Art and Craft Centre, Rorke’s Drift, KwaZulu-Natal, where printmaking was a prominent feature of the centre’s activities. Nhlengethwa’s work spans a variety of mediums, from painting, drawing to collage, and some of his works have been translated into tapestries. One of his big cityscape works was translated into a mosaic. In addition to all the afore-mentioned mediums, Nhlengethwa also produced an impressive and sizeable body of printmaking works. 

He has collaborated with several South African printmaking studios, such as The Artists’ Press, Artist Proof Studio, David Krut Print Workshop, LL Editions Fine Art Lithography Studio, MK and Artist Print Workshop, Mo Editions Printmaking Studio, and Sguzu Printmaker’s Workshop. Since 1994, he has produced 163 prints in collaboration with The Artists’ Press, making it his longest and most productive affiliation. 


 

News Archive

Colloquium on legal ethics
2006-03-22

The Department of Constitutional Law and Philosophy of Law at the University of the Free State (UFS) presented a colloquium on legal ethics.  The topic was The churches and the legality of abortion in South Africa.
 

 

 

 Some of the speakers at the colloquium were front from the left Cardinal Wilfrid Napier (Head:  Roman Catholic Church in South Africa), Mr Jeffery Ventrella Esq (guest speaker and Deputy Director, Alliance Defence Fund, United States of America) and Mrs Miranda Pillay (representative of the Anglican Church of South Africa and from the  Faculty of Theology at the University of the Western Cape). In the middle from the left were Dr Michiel du Rand (General Surgeon,  School of Medicine, University of Pretoria), Ms Jeanine McGill (Abortion Activist and Secretary of the ACDP, Western Cape), Prof Etienne de Villiers (representative of the Dutch Reformed Church and from the Faculty of Theology at the University of Pretoria) and Prof Jakobus Vorster (Dean: Faculty of Theology, University of the North West). Back from the left were  Mr Shaun de Freitas (organiser of the colloquium and senior lecturer at the UFS Department of Constitutional Law and Philosophy of Law) and Mr John Smyth QC (legal representative of 'Doctors for Life', South Africa). 
Photo: Stephen Collett

 

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