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19 August 2020 | Story Rulanzen Martin | Photo Supplied

 

Art in itself is a journey of self-exploration; with a global pandemic raging, art lovers can now explore this journey virtually. The Johannes Stegmann Gallery at the University of the Free State (UFS) is happy to announce the (second) virtual exhibition of Leeto: a Sam Nhlengethwa Print Retrospective until 4 September 2020. 

 


Sam Nhlengethwa, Tribute to Lemmy 'Special' Mabaso, 2002, Seven colour lithograph, 76 x 106 cm, 
Artwork courtesy of the artist and the Goodman Gallery. 


The exhibition features a collection of Sam Nhlengethwa’s print work to be interrogated, his artistic evolution to be mapped out, and his personal aesthetics to be interpreted, while surveying this renowned artist’s print work from 1978 to 2018.  The underlying theme of the exhibition is jazz, an early influence in Nhlengethwa’s works from the underground jazz community of the townships. His brother was a jazz musician and he started collecting jazz records from the early age of 17.

Leeto is a Setswana/Sesotho word for ‘journey’ and, as the word suggests, the exhibition explores the ongoing artistic footsteps of the artist. The collection was curated by Boitumelo Tlhoaele, a doctoral fellow in the Africa Open Institute for Music, Research, and Innovation at Stellenbosch University.

 Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm

 
Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm
Artwork courtesy of the artist and the Goodman Gallery.




About the artist: 

Nhlengethwa began his career in 1976 during one of South Africa’s most tumultuous socio-political eras. In 1978, he completed a two-year diploma at the Evangelical Lutheran Church Art and Craft Centre, Rorke’s Drift, KwaZulu-Natal, where printmaking was a prominent feature of the centre’s activities. Nhlengethwa’s work spans a variety of mediums, from painting, drawing to collage, and some of his works have been translated into tapestries. One of his big cityscape works was translated into a mosaic. In addition to all the afore-mentioned mediums, Nhlengethwa also produced an impressive and sizeable body of printmaking works. 

He has collaborated with several South African printmaking studios, such as The Artists’ Press, Artist Proof Studio, David Krut Print Workshop, LL Editions Fine Art Lithography Studio, MK and Artist Print Workshop, Mo Editions Printmaking Studio, and Sguzu Printmaker’s Workshop. Since 1994, he has produced 163 prints in collaboration with The Artists’ Press, making it his longest and most productive affiliation. 


 

News Archive

2014 Sêr champions: Soetdoring and Veritas
2014-08-12


Photo Gallery
Video:
- Announcement of the winners:

 

Kovsies know the feeling. And Sêr is the one event where that feeling runs like an electrical current across the Bloemfontein Campus. The 2014 Kovsie Sêr finals on 9 August was no exception.

The voices of seven ladies’ and six men’s residence serenade groups resounded through the icy evening air. With each rotation round, the tension built at a staggering rate. The three designated venues – Kovsiekerk, Albert Wessels Auditorium and Scholtz Hall – nearly burst at the seams with supporters packing in to cheer on their favourites.

A group from our Qwaqwa Campus, called Unspoken, allowed everyone to breathe a bit easier as they performed a variety of music pieces during the evening.

The suspense reached fever pitch, though, as the time arrived for the finalists to be announced.

The top three spots for the ladies’ residences:
• Marjolein (3rd),
• Vergeet My Nie (2nd) and
• Soetdoring (1st)

The top three spots for the men’s residences:
• Armentum (3rd),
• Vishuis (2nd) and
• Veritas (1st)

When Veritas took to the stage as newly-crowned victors, the crowd could hardly contain their enthusiasm and roared their approval. Amplifying the spirit of the evening even further, Soetdoring’s closing act ensured everyone went home feeling giddy with joy.

Veritas and Soetdoring will now proceed to compete at the nationals, hosted by the University of Johannesburg (UJ) on 30 August 2014.

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