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19 August 2020 | Story Rulanzen Martin | Photo Supplied

 

Art in itself is a journey of self-exploration; with a global pandemic raging, art lovers can now explore this journey virtually. The Johannes Stegmann Gallery at the University of the Free State (UFS) is happy to announce the (second) virtual exhibition of Leeto: a Sam Nhlengethwa Print Retrospective until 4 September 2020. 

 


Sam Nhlengethwa, Tribute to Lemmy 'Special' Mabaso, 2002, Seven colour lithograph, 76 x 106 cm, 
Artwork courtesy of the artist and the Goodman Gallery. 


The exhibition features a collection of Sam Nhlengethwa’s print work to be interrogated, his artistic evolution to be mapped out, and his personal aesthetics to be interpreted, while surveying this renowned artist’s print work from 1978 to 2018.  The underlying theme of the exhibition is jazz, an early influence in Nhlengethwa’s works from the underground jazz community of the townships. His brother was a jazz musician and he started collecting jazz records from the early age of 17.

Leeto is a Setswana/Sesotho word for ‘journey’ and, as the word suggests, the exhibition explores the ongoing artistic footsteps of the artist. The collection was curated by Boitumelo Tlhoaele, a doctoral fellow in the Africa Open Institute for Music, Research, and Innovation at Stellenbosch University.

 Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm

 
Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm
Artwork courtesy of the artist and the Goodman Gallery.




About the artist: 

Nhlengethwa began his career in 1976 during one of South Africa’s most tumultuous socio-political eras. In 1978, he completed a two-year diploma at the Evangelical Lutheran Church Art and Craft Centre, Rorke’s Drift, KwaZulu-Natal, where printmaking was a prominent feature of the centre’s activities. Nhlengethwa’s work spans a variety of mediums, from painting, drawing to collage, and some of his works have been translated into tapestries. One of his big cityscape works was translated into a mosaic. In addition to all the afore-mentioned mediums, Nhlengethwa also produced an impressive and sizeable body of printmaking works. 

He has collaborated with several South African printmaking studios, such as The Artists’ Press, Artist Proof Studio, David Krut Print Workshop, LL Editions Fine Art Lithography Studio, MK and Artist Print Workshop, Mo Editions Printmaking Studio, and Sguzu Printmaker’s Workshop. Since 1994, he has produced 163 prints in collaboration with The Artists’ Press, making it his longest and most productive affiliation. 


 

News Archive

Odeion: Brahms song cycle
2006-10-10

 

Brad Liebl (baritone) with Hanna van Niekerk (narrator) and Albie van Schalkwyk (piano)

Sunday, 22 October
Odeion
20:00

Dr. Brad Liebl was awarded a Doctorate in Musical Performance from the University of Cincinnati College-Conservatory of Music and has for more than 10 years been Associate Professor of Classical Voice and the co-coordinator of that division at UCT.   He has become well-known throughout South Africa as an interpreter of operatic leading roles, art songs and oratorios.  In Germany he has sung operettas and Lieder and in the USA he continues to feature as a principal performer in oratorios and operas.  During the previous two years Liebl sang the male leads in the world premières of two new operas: The Lost Dauphin and Amarantha.   His new CD’s include the recording of the latter and songs by Rajna, Hely-Hutchinson and Chisholm.  In 2003 Liebl received one of only four Distinguished Teacher Awards from the University of Cape Town. 

Liebl will be accompanied by the pianist Albie van Schalkwyk, while the story of the beautiful Magelone will be narrated by Hanna van Niekerk.

Programme
Die schöne Magelone (Brahms)

Admission
R60 (adults)
R40 (pensioners)
R40 (students and learners)

Bookings
Ninette Pretorius at the Department of Music, tel. 051 401 2504.  
Tickets are also available at Izami Florist in Baysvillage and Fascination Books in Mimosa Mall.

 

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