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19 August 2020 | Story Rulanzen Martin | Photo Supplied

 

Art in itself is a journey of self-exploration; with a global pandemic raging, art lovers can now explore this journey virtually. The Johannes Stegmann Gallery at the University of the Free State (UFS) is happy to announce the (second) virtual exhibition of Leeto: a Sam Nhlengethwa Print Retrospective until 4 September 2020. 

 


Sam Nhlengethwa, Tribute to Lemmy 'Special' Mabaso, 2002, Seven colour lithograph, 76 x 106 cm, 
Artwork courtesy of the artist and the Goodman Gallery. 


The exhibition features a collection of Sam Nhlengethwa’s print work to be interrogated, his artistic evolution to be mapped out, and his personal aesthetics to be interpreted, while surveying this renowned artist’s print work from 1978 to 2018.  The underlying theme of the exhibition is jazz, an early influence in Nhlengethwa’s works from the underground jazz community of the townships. His brother was a jazz musician and he started collecting jazz records from the early age of 17.

Leeto is a Setswana/Sesotho word for ‘journey’ and, as the word suggests, the exhibition explores the ongoing artistic footsteps of the artist. The collection was curated by Boitumelo Tlhoaele, a doctoral fellow in the Africa Open Institute for Music, Research, and Innovation at Stellenbosch University.

 Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm

 
Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm
Artwork courtesy of the artist and the Goodman Gallery.




About the artist: 

Nhlengethwa began his career in 1976 during one of South Africa’s most tumultuous socio-political eras. In 1978, he completed a two-year diploma at the Evangelical Lutheran Church Art and Craft Centre, Rorke’s Drift, KwaZulu-Natal, where printmaking was a prominent feature of the centre’s activities. Nhlengethwa’s work spans a variety of mediums, from painting, drawing to collage, and some of his works have been translated into tapestries. One of his big cityscape works was translated into a mosaic. In addition to all the afore-mentioned mediums, Nhlengethwa also produced an impressive and sizeable body of printmaking works. 

He has collaborated with several South African printmaking studios, such as The Artists’ Press, Artist Proof Studio, David Krut Print Workshop, LL Editions Fine Art Lithography Studio, MK and Artist Print Workshop, Mo Editions Printmaking Studio, and Sguzu Printmaker’s Workshop. Since 1994, he has produced 163 prints in collaboration with The Artists’ Press, making it his longest and most productive affiliation. 


 

News Archive

Protecting women and children - top on the agenda for women in law
2015-02-24

Judge Soma Naidoo
Photo: Hanno Otto

The Faculty of Law in collaboration with the International Association of Women Judges (IAWJ) hosted a gala dinner with the theme: ‘Protect a woman, protect a child’ on 14 February 2015 at the UFS Centenary Complex.

In attendance were leading South African women judges and members of the IAWJ’s Justices: Halima Sulduker of the Supreme Court of Appeal, Connie Mocumi of the Free State High Court, and Soma Naidoo of the Free State High Court . The UFS was represented by the Dean of the Faculty of Law, Prof Caroline Nicholson and other senior faculty members. The keynote address was presented by Prof Beatri Kruger.

The title of the keynote speech, ’Killing human trafficking in South Africa: chaos, challenges and celebrations’, was inspired by the extensive research which Prof Kruger has been doing over recent years on human trafficking. “Human trafficking is not just another crime; it is complex, multi-layered and extends over international borders and continents. It is often disguised and has many faces –from trafficking for labour to sexual exploitation; mutilation of body parts, forced marriages, drug couriering; the list is endless. New forms of human trafficking are revealed continuously,” she said.

‘Protect a woman, protect a child’ (read the full story)

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