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19 August 2020 | Story Rulanzen Martin | Photo Supplied

 

Art in itself is a journey of self-exploration; with a global pandemic raging, art lovers can now explore this journey virtually. The Johannes Stegmann Gallery at the University of the Free State (UFS) is happy to announce the (second) virtual exhibition of Leeto: a Sam Nhlengethwa Print Retrospective until 4 September 2020. 

 


Sam Nhlengethwa, Tribute to Lemmy 'Special' Mabaso, 2002, Seven colour lithograph, 76 x 106 cm, 
Artwork courtesy of the artist and the Goodman Gallery. 


The exhibition features a collection of Sam Nhlengethwa’s print work to be interrogated, his artistic evolution to be mapped out, and his personal aesthetics to be interpreted, while surveying this renowned artist’s print work from 1978 to 2018.  The underlying theme of the exhibition is jazz, an early influence in Nhlengethwa’s works from the underground jazz community of the townships. His brother was a jazz musician and he started collecting jazz records from the early age of 17.

Leeto is a Setswana/Sesotho word for ‘journey’ and, as the word suggests, the exhibition explores the ongoing artistic footsteps of the artist. The collection was curated by Boitumelo Tlhoaele, a doctoral fellow in the Africa Open Institute for Music, Research, and Innovation at Stellenbosch University.

 Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm

 
Dedicated to Victor Ndlazilwana, 1994, Colour lithograph, 40 x 60 cm
Artwork courtesy of the artist and the Goodman Gallery.




About the artist: 

Nhlengethwa began his career in 1976 during one of South Africa’s most tumultuous socio-political eras. In 1978, he completed a two-year diploma at the Evangelical Lutheran Church Art and Craft Centre, Rorke’s Drift, KwaZulu-Natal, where printmaking was a prominent feature of the centre’s activities. Nhlengethwa’s work spans a variety of mediums, from painting, drawing to collage, and some of his works have been translated into tapestries. One of his big cityscape works was translated into a mosaic. In addition to all the afore-mentioned mediums, Nhlengethwa also produced an impressive and sizeable body of printmaking works. 

He has collaborated with several South African printmaking studios, such as The Artists’ Press, Artist Proof Studio, David Krut Print Workshop, LL Editions Fine Art Lithography Studio, MK and Artist Print Workshop, Mo Editions Printmaking Studio, and Sguzu Printmaker’s Workshop. Since 1994, he has produced 163 prints in collaboration with The Artists’ Press, making it his longest and most productive affiliation. 


 

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Shimlas now the log leaders - Undefeated Kovsies beat Maties 21-16
2015-03-04

Photo: Johan Roux

Being the only unbeaten team in the 2015 Varsity Cup rugby tournament, it comes as no surprise that our Shimlas are on top of the log.

Shimlas beat the Stellenbosch University Maties side 21-16 at Shimla Park in Bloemfontein on Monday night, 2 March 2015. As yet, Maties have no wins, while the Shimlas have no losses. Shimlas now top the 2015 Varsity Cup log, with Tuks – the only side to have managed not to lose against Shimlas – trailing by one point in the second position.

Niel Marais, Shimlas flyhalf, touched down and converted his try to give the home side an early start. Maties fired back shortly after, scoring their first try of the night, and leaving the teams tied into the first strategy break at 8-8.

Shimlas took the lead back just after the break when skipper, AJ Coertzen, scored a try in the corner, and Marais again succeeded in the touchline conversion, putting them in a 16-8 lead. Yet again, it was not long after this that Maties leveled the score to 16-16 before the half-time break.

The second half was a bit quieter on the scoreboard. The only point scoring action was Shimlas replacement, Daniel Maartens, who crossed the try line to give his side the necessary five-point lead.

The Shimlas point scorers:
Tries: Marais, Coertzen, Maartens
Cons: Marais 2

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