Latest News Archive

Please select Category, Year, and then Month to display items
Previous Archive
30 July 2020 | Story Valentino Ndaba | Photo Anja Aucamp
Dr Fumane Khanare opted to integrate poetry into her teaching practice, using innovative ways to keep the curriculum afloat and interesting at the same time.

The Coronavirus (COVID-19) lockdown has severely affected teaching and learning. Lecturers and students alike have been challenged to explore innovative ways to keep the curriculum afloat and interesting at the same time. Dr Fumane Khanare, Senior Lecturer in the Faculty of Education, has opted to integrate poetry into her teaching practice. Her Community Psychology students have shifted over the past few months from merely interacting with the course material to generating their own content.

Learning in the times of lockdown

According to Dr Khanare, the psycho-social impact of COVID-19 remains unknown as the world grapples with a backlog of information, accompanied by loss and grief. However, collaborative strides are being made in the right direction, considering that this is unchartered territory. “Recommendations advocating for online teaching and learning, bidding for free data, and laptops for the majority of students, especially those at the peripheries of a mainstream economy – and of course physical distancing-adhering wellness programmes – may enable effective teaching and learning.” 

Why poetry?

“Lurched in at the deep end and taking into account the students who are not well-equipped with the integration of information and communications technology in learning, is significant. This realisation led me to seek ways to help my students develop a deeper understanding and critical-thinking skills, as well as becoming self-motivated students amid COVID-19,” explained Dr Khanare.

Students were first tasked with analysing the poetry of Butler-Kisber (2002). Thereafter, they were required to write poems about COVID-19, underpinned by the Community Psychology in Education module. “The activity provided students with an opportunity to use and reinforce concepts learnt prior to the lockdown, monitor their own understanding and progress, plus motivate them to come to the lecture prepared – a function known as co-creators of knowledge,” she said.

The artistic creations of these students were circulated among peers for review, allowing them to move from the peripheries to the centre of knowledge production amid a pandemic. 

Digitising the education space

Beyond the classroom, Dr Khanare will attend the 2020 Women Academics in Higher Education Virtual Symposium. As the co-convener of the World Education Research Association-International Research Network, she continues to ensure that research-related activities continue, despite a ban on international travel.

News Archive

ABSA L'Atelier finalists announced at the UFS
2009-03-18

 
 The 24th Annual ABSA L'Atelier Art Awards winners of the central region were recently announced at the Johannes Stegman Gallery at the University of the Free State (UFS). Tax-C, an earthenware sculpture by Helena de Waal, ceramic lecturer at Motheo College in Bloemfontein, was selected as the best artwork for the central region. Other winning artworks were Memorial of Memories by Pauline Gertruida Gutter, The Disciple by Itumeleng Benette Moloto and Possession Walkway Interior by Marguerite Elizabeth Visser. The ABSA L'Atelier Art Awards Competition is South Africas most prestigious art competition. The competition is held annually for artists between the ages of 21 and 35 and it aims to recognise South Africa's young and upcoming artists and to afford them the opportunity to develop their skills abroad. Eleven prizes are awarded and the overall winner receives R100 000 in total from ABSA as well as a return air ticket to Paris, France. Pictured is Ms Helena de Waal with the winning artwork, Tax-C.
Photo: Emmie van Wyk

We use cookies to make interactions with our websites and services easy and meaningful. To better understand how they are used, read more about the UFS cookie policy. By continuing to use this site you are giving us your consent to do this.

Accept