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Come to the 2020 Human Rights Week.

16 March 2020 | Story Xolisa Mnukwa

The Free State Centre for Human Rights in the UFS Faculty of Law invites you to the 2020 Human Rights Week from 17 to 20 March 2020. The programme features a panel discussion, poetry and artistic showcase, an art walkabout, a public lecture, and film screenings. Please see the attached poster. For more information, contact +27 51 401 7216 or FSCHR@ufs.ac.za

Panel discussion: Africa / Human rights / Transformation
Judge J Froneman, Judge D Pillay, and Prof T Falola
Date: Tuesday 17 March 2020
Time: 14:00
Venue: FGG 202, Bloemfontein Campus

Poetry and artistic showcase
Date: Tuesday 17 March 2020
Time: 16:00
Venue: House Karee basement, Bloemfontein Campus

Images of Human Rights – Art walkabout
Date: Wednesday 18 March 2020
Time: 12:00
Venue: C208, Mabaleng Building, Bloemfontein Campus

Human Rights film festival: Selection of short films
Date: Wednesday 18 March 2020
Time: 14:00-16:00
Venue: C12, Mabaleng Building, Bloemfontein Campus

‘Poppie Nongena’ – screening and discussion
Date: Wednesday 18 March 2020
Time: 16:00-18:00
Venue: C12, Mabaleng Building, Bloemfontein Campus

Public lecture – ‘African cultures and human rights’ with Prof T Falola
Date: Friday 20 March 2020
Time: 12:00

News Archive

Kotaro Fukuma - awe inspiring

2008-03-10

On Thursday, 28 February 2008, the Japanese pianist, Kotaro Fukuma, gave a piano recital in the Odeion.

Kotaro provided the audience with a rendition that showed complete technical and interpretative mastery, which Elretha Britz described as a “flawless performance” in the Volksblad.

The performance began with Haydn’s Piano Sonata, Op. 9. It was followed by Schumann’s “Carnival” and three compositions by Kotaro’s fellow countryman, Toru Takemitsu, who passed away in 1996. After a tour though an imaginative landscape of sound in Takemitsu’s compositions, he rounded off his programme with Scriabin’s Piano Sonata No. 3.

The audience not having had enough, were then treated to a Liszt transcription of Schumann’s Lied, Widmung, as an encore.

The concert was well supported by the people of Bloemfontein who went home more than satisfied. In fact, there were standing ovations at the end of almost every work.

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