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25 May 2020 | Story Prof Danie Brand | Photo iStock

We are indeed privileged to have this paper from Prof Toyin Falola to include in our celebrations of Africa Day. Toyin Falola is a world-renowned African. A scholar of African history and African studies, he holds the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas, Austin. He has published, as author or editor, more than 100 scholarly books on topics ranging from diaspora, migration, empire and globalization to intellectual history, international relations, religion and culture. He has been awarded seven honorary doctorates and has received, among many other awards, the Distinguished Africanist Award from the African Studies Association, the Ibadan Foundation Award for Professional Excellence in Scholarship and the Cheikh Anta Diop Award for Excellence in African Studies. He served as Vice President of UNESCO’s International Scientific Committee, Slave Route Project from 2011 – 2015 and currently is a member of the Carnegie African Diaspora Fellows Programme and the International Committee of the Thabo Mbeki African Leadership Institute at UNISA.

In this wide-ranging paper, originally presented as keynote address at the Visions of African Unity (1930s – 2018) conference at the University of the Free State, Prof Falola begins with a tour of the intellectual history of ideas of African Continentalism (Pan-Africanism / African Unity), from Henry Sylvester Williams, through WEB du Bois, Marcus Garvey, George Padmore and Julius Nyerere, to Kwame Nkrumah. He then describes the current institutional landscape of African unity and present-day intellectual versions of African Continentalism. Asking, and answering the question ‘Why must Africa unite?’, he then proceeds, on the basis of a consideration of more contemporary intellectual versions of African continentalism such as Black Consciousness, Black Nationalism, Afropolitanism, and now Afrofuturism (which he depicts as ‘ideological dispensations of true African cultural recovery and re-orientation’), to propose a disaggregated approach to contemporary African unity that is not fixated on global-Northern models. This means that unity should (re)start small, working territorially from regional units toward a continental unit, on the one hand; and on the other, seeking unity and cooperation around discrete substantive themes, from the more obvious and traditional, such as economic policy, global politics and a reformed unified political and military system, to the less, such as common educational policy, synergizing science and technology with African culture(s) and language, culture and literary exchange.

We thank him for the gift.

News Archive

Scaena Theatre: Steel Magnolias
2007-08-22

Steel Magnolias

By: Robert Harling
Director: Elizna Pieters

With: Eileen van der Merwe, Nicole Smit, Nastacia de Klerk, Jenette Vivier, Isabel Mostert, Ilse Hancke

Steel Magnolias is a must-see production soon to be performed by drama students in their second year at the University of the Free State. It is directed by Elizna Pieters, currently doing her B.A. Drama and Theatre Arts (Hons) in directing.

The action is set in Truvy's beauty salon in Chinquapin, Louisiana, where all the ladies who are "anybody" come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town's rich curmudgeon: Ouiser ("I'm not crazy, I've just been in a bad mood for forty years"), an eccentric millionaire; Miss Clairee, who has a raging sweet tooth; and the local social leader, M'Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a "good ole boy”.

Although filled with hilarious repartee and verbal collisions, the play moves toward tragedy when the spunky Shelby, a diabetic, risks pregnancy. Soon the women realize that they share everything, from the shampoo and gossip right down to love, loss and an underlying strength. This gives the play and its characters, the special quality to make them truly touching, funny and marvelously amiable company in good times and bad.

Steel Magnolias can be seen at the Scaena Theatre on the UFS campus, on 11 and 13 September 2007 (English Production).

Ysterasters is te sien in die Sceana Teater (UV-kampus) op 12 en 14 September.  (Afrikaanse Produksie)

Reservations / Tickets: Department Drama and Theatre Arts

Emmie van Wyk - +27 51 401 2160

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