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27 August 2021 | Story Angela de Jesus and Rulanzen Martin | Photo Artwork courtesy of UNISA Art Collection

Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture, and Heritage. 

Arts copy
   (Gwenneth Miller, Folds, Assumed abundance, 2019, Oil on canvas, 91,5 x 183 cm.)

The Johannes Stegmann gallery at the University of the Free State (UFS), in collaboration with Curate.A.Space, is proud to present Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture, and Heritage. The exhibition is a tribute to courageous women through the works of an all-female artist group. 

Carol Brown, Zinhle Khumalo from Curate.A.Space, and Angela de Jesus curated the exhibition, which will run virtually as well as at the Stegmann Gallery in the Sasol Library on the UFS Bloemfontein Campus.

Details:
18 August 2021-17 September 2021
Johannes Stegmann Art Gallery, Sasol Library,  University of the Free State. 

“The theme of folds has many layers – as a fold itself implies. Fabric is what immediately comes to mind, but the action of folding can take too many levels. This exhibition explores these complexities.” 

Background: 
The exhibition features artworks by women artists in particular – a second generation of female artists whose mothers were part of the era when the historic 1956 Women’s March in Pretoria chanted the song, Wathint’ Abafazi, Wathint’ Imbokodo (You strike a woman, you strike a rock).

Looking back on those dark years of apartheid, we remember how women were disenfranchised and disempowered. There were only a few black female artists, and the protest art made at the time was mostly by men. The women were the caregivers who took care of domestic issues and were the nurturers of the future generations whose work is now featured in this exhibition. 

SELLOANE MOETI, Bayeza, 2019, Oil and clay on canvas, 140 x 90cm
SELLOANE MOETI, Bayeza, 2019, Oil and clay on canvas, 140 x 90cm
ALKA DASS, Buttery spring flowers wither with time, 2020, Digital print on Hahnemühle paper, 14 x 14cm
ALKA DASS, Buttery spring flowers wither with time, 2020, Digital print on Hahnemühle paper, 14 x 14cm
GWENNETH MILLER, Folds, Assumed abundance, 2019, Oil on canvas, 91.5 x 183cm, Artwork courtesy of UNISA Art Collection
GWENNETH MILLER, Folds, Assumed abundance, 2019, Oil on canvas, 91.5 x 183cm, Artwork courtesy of UNISA Art Collection
WILMA CRUISE, Monument to the Women of South Africa, Malibongwe Embokodweni, Amphitheatre at Union Buildings, Pretoria, South Africa, Architect: Marcus Holmes, Photographed by Adam Cruise
WILMA CRUISE, Monument to the Women of South Africa, Malibongwe Embokodweni, Amphitheatre at Union Buildings, Pretoria, South Africa, Architect: Marcus Holmes, Photographed by Adam Cruise
SANELISIWE NKONYANE, Kuhlonipha I AM Woman, 2019, Digital print on archival paper, 84.1 x 59.4cm, Artwork courtesy of Guns & Rain Art
SANELISIWE NKONYANE, Kuhlonipha I AM Woman, 2019, Digital print on archival paper, 84.1 x 59.4cm, Artwork courtesy of Guns & Rain Art
MARY SIBANDE, I have not, I have, 2010, Digital print, 110 x 80 cm, University of the Free State Art Collection
MARY SIBANDE, I have not, I have, 2010, Digital print, 110 x 80 cm, University of the Free State Art Collection

News Archive

New Genetics building on Bloemfontein Campus spirals into new frontiers
2015-09-11

On Thursday 3 September 2015, the Department of Genetics hosted the official opening of its new offices on the Bloemfontein Campus of the University of the Free State (UFS).

Prof Jonathan Jansen, Vice-Chancellor and Rector of the UFS, Prof Neil Heideman, Dean of the Faculty of Natural and Agricultural Sciences, and Prof Paul Grobler, Head of the Department of Genetics cut the ribbon, symbolising the opening of this building with its state-of-the-art facilities.

The new genetics building boasts a new administration block with a reception area, seven offices, a small committee room, and a seminar room for 50 people. Furthermore, the undergraduate laboratory block provides a laboratory for 150 students. The research block has facilities for 30 researchers.

This building also hosts a chemical waste sorting and storage facility. This is a first for the university.

Several sites were investigated for the new building, but due to its size and envisaged second phase, a “green fields” site was found on the western side of the campus. The main entrance caters for visitors from the north, students on foot, and those using the parking area in front of the library. The secondary south entrance is for those who use the dedicated parking area south of the building. The link between these two entrances is the spine of the building, a helix with services/buildings spaced on either side. The helix will be extended in the second phase to keep the circulation and linkage of buildings as simple as possible.

In his opening speech, Prof Grobler gave a breakdown of the history of the Department of Genetics. Today, this department, which opened its doors at the UFS in 1960, is proud of its 131 students and 46 honours students.

According to Major-General Edward Ngokha, Head of the Forensic Science Laboratory, students who graduate from the UFS in the field of genetics make excellent employees. The Forensic Science Laboratory has employed 25 honours students since the BSc Honours degree in Genetics was implemented in 2010.

“The UFS delivers education of high quality and high standards. Thank you for your contribution toward fighting crime by delivering well-prepared, committed employees,” said Major-General Ngokha.

The department presents programmes on population conservation genetics, plant molecular genetics, cytogenetics, forensic genetics, forensic science, human genetics, and behavioural genetics.

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