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27 August 2021 | Story Angela de Jesus and Rulanzen Martin | Photo Artwork courtesy of UNISA Art Collection


Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture, and Heritage. 

Arts copy
   (Gwenneth Miller, Folds, Assumed abundance, 2019, Oil on canvas, 91,5 x 183 cm.)

The Johannes Stegmann gallery at the University of the Free State (UFS), in collaboration with Curate.A.Space, is proud to present Folds and Faults: An Exhibition of African Women Artists Examining Identity, Culture, and Heritage. The exhibition is a tribute to courageous women through the works of an all-female artist group. 

Carol Brown, Zinhle Khumalo from Curate.A.Space, and Angela de Jesus curated the exhibition, which will run virtually as well as at the Stegmann Gallery in the Sasol Library on the UFS Bloemfontein Campus.

Details:
18 August 2021-17 September 2021
Johannes Stegmann Art Gallery, Sasol Library,  University of the Free State. 

“The theme of folds has many layers – as a fold itself implies. Fabric is what immediately comes to mind, but the action of folding can take too many levels. This exhibition explores these complexities.” 

Background: 
The exhibition features artworks by women artists in particular – a second generation of female artists whose mothers were part of the era when the historic 1956 Women’s March in Pretoria chanted the song, Wathint’ Abafazi, Wathint’ Imbokodo (You strike a woman, you strike a rock).

Looking back on those dark years of apartheid, we remember how women were disenfranchised and disempowered. There were only a few black female artists, and the protest art made at the time was mostly by men. The women were the caregivers who took care of domestic issues and were the nurturers of the future generations whose work is now featured in this exhibition. 

News Archive

Odeion School of Music presents Melodies From Paris on 6 May 2016
2016-05-03

Description: Melodies From Paris  Tags: Melodies From Paris

On 6 May 2016, the French soprano Laetitia Grimaldi and pianist Ammiel Bushakevitz offer a programme of Romantic French songs, presented in the style of a Parisian salon concert from the belle époque, at the Bloemfontein Campus. From the heights of Marcel Proust to the decadence of the Moulin Rouge, the belle époque (circa 1871-1914) was a time when culture flourished more than ever in Paris. The salons of Paris became places where poets, painters, and composers would meet to share their art.

Items on the performance list include: Henri Duparc:  L'Invitation au voyage; Soupir, Chanson triste,  Franz Liszt:  Jeux d'eaux à la villa d'Este,  Gabriel Fauré:  Le secret; Clair de lune; Romance sans paroles, Op. 17 No. 3, Jean-Philippe Rameau:  Rigaudon, from Dardanus (trans. Godowsky), Reynaldo Hahn:  À Chloris; Quand je fut pris au pavillon, Charles Gounod:  Le premier jour de mai; Venise; Viens! Les gazons sont verts,  Georges Bizet:  Chansons-mélodies: Extase, Joseph Cantaloube:  Baïlèro, from Chants d'Auvergne, Charles-Valentin Alkan:  Recueil de chants, Op. 38 No. 1, Léo Delibes: Chant de l'almée; Les filles de Cadix.

Details of event:

Date: 6 May 2016
Time: 19:30
Venue: Odeion, Bloemfontein Campus
 
Tickets are available from Computicket at R130 (adults), R90 (pensioners, students and learners), R70 (UFS staff), and R50 (group bookings of 10+). For more information, contact Ninette Pretorius on +27(0)51 401 2504.

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