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19 January 2021 | Story Rulanzen Martin | Photo UFS Art Collection
Lucas Sithole, I won’t stop crying (detail), 1987, Iron wood, 70 x 58 x 33cm.

 

Click here to view the online exhibition 

Recent times have brought much uncertainty but one aspect of our modern life which remains a constant is our art. For the past 80 years the art collection at the University of the Free State (UFS) has been a significant aspect for research, teaching and cultural heritage. The current online exhibition called Something Contemporary is testament to that endurance and is open until the end of January 2021.


The exhibition is curated by Angela de Jesus, Assistant Director of the Johannes Stegmann Gallery at the UFS, and artist Teboho Mokhothu, and includes prominent artworks by renowned South African artists. “Noteworthy are the artworks Terra Incognita (1990) by Penny Siopis and I won’t stop crying (1987) by Lucas Sithole,” says De Jesus.  The curated exhibition features a selection of contemporary artworks from the UFS art collection. “The artworks on exhibition are works that were created after the mid-1970s,” says De Jesus. 

Making art collection more accessible 

This virtual exhibition and online tour of the Centenary Art Gallery on the Bloemfontein Campus was put together due to the current restrictions imposed by COVID-19. It also utilises the digital platform for audiences across all the campuses to engage with the collection. “In line with the transformation objectives of the Integrated Transformation Plan (ITP), several projects are currently underway to display artworks in various UFS buildings,” says De Jesus.  


UFS art collection of great significance 

The UFS art collection boasts more than 1 200 art pieces and is a valuable source for research, scholarship, exhibition and education. “The art collection also greatly enhances the cultural life and aesthetic niveau (level) of the UFS and the surrounding region. Cultural collections are an integral part of the societies in which they exist and serve as foundations for collective memory, learning, debate, research and critical thinking.” says De Jesus. 

The gallery also had re-imagined several of its 2020 projects into the digital space. “New exciting projects were also initiated which responded to the pandemic and feelings of isolation, uncertainty, gender-based violence and the digital overload,” says De Jesus. Some of these projects are part of the Programme for Innovation in Artform Development (PIAD), which was sponsored by the Andrew W Mellon Foundation

View some of the projects here: 

Stories in die Wind a short film animation web series about a young girl finding her purpose, based on the Nama story |!hûni //gāres |(The Rain Flower) Die reën blom: /Nanub !Khas. 
WATCH THE ANIMATED SERIES HERE: https://www.storiesindiewind.co.za/

Digi-Cleanse a satirical artwork disguised as e-commerce website that mimics and critiques the contemporary wellness industry and its reliance on marketing and advertising. 
SEE DIGI-CLEANSE HERE: https://digicleanse.co.za/

My Internal Oppression a musical theatrical performance of emotional content dedicated to women who have toiled with internal oppression as a result of the psychological and emotional trauma of gender-based violence caused by intimate partners. 

Sonic Re-Dress a collaborative meeting point between music, visual art, science and art therapy, the project specifically acknowledges the insecurity, fragility and discord within our current global pandemic context, by working with ‘universal’ human emotions.

Imaginary Futures an experimental project of live and participatory experiences with over more than 40 creative practitioners, consisting of sound and film mixing, drawing, animation, puppetry and performance. 

News Archive

Badminton players show their class
2007-06-04

Kovsie badminton players showed their class at the 2007 All African Championships held in Rose Hills, Mauritius during May, just as they did last year in Algeria.

In the individual championships in the men's double event Chris and Roelof Dednam again successfully combined for gold with a victory in the final over Steve Malcouzane and Georgie Cupidon of the Seychelles. Chris Dednam and Michelle Edwards also made the final
round in the mixed double event, but were beaten by Georgie Cupidon and Julliette Ahwan (Seychelles) to settle for a silver medal.

In the men's singles event Chris Dednam equalled last year's performance and was awarded with bronze, having lost 24-22 in the third set in the semi-finals in a marathon match against Eli Mambwe (Zambia). It was therefore once again in the men's singles where South Africa could not vest their supremacy in Africa. But, Chris improved his tally of medals to gold, silver and bronze. Roelof also showed good form by making the quarter-finals in the singles as well as the mixed doubles.

Fellow Kovsie, Wiaan Viljoen, joined the Dednam brothers and the rest of the South African team for silver in the team competition.

A week earlier, in the Mauritius International tournament, Chris won gold by winning the mixed doubles event with Michelle Edwards (against the same Georgie Cupidon and Julliette Ahwan), while the Dednam brothers had to settle for silver in the men's double event losing to Germany's Thomas Tesche and Jochen Cassel.

Chris and Roelof Dednam have qualified, because of their current position on the world ranking table, for the men's doubles in the World Badminton Championships to be played in Kuala Lumpur, Malaysia, in August this year.
 

Roelof and Chris Dednam

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