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19 January 2021 | Story Rulanzen Martin | Photo UFS Art Collection
Lucas Sithole, I won’t stop crying (detail), 1987, Iron wood, 70 x 58 x 33cm.

 

Click here to view the online exhibition 

Recent times have brought much uncertainty but one aspect of our modern life which remains a constant is our art. For the past 80 years the art collection at the University of the Free State (UFS) has been a significant aspect for research, teaching and cultural heritage. The current online exhibition called Something Contemporary is testament to that endurance and is open until the end of January 2021.


The exhibition is curated by Angela de Jesus, Assistant Director of the Johannes Stegmann Gallery at the UFS, and artist Teboho Mokhothu, and includes prominent artworks by renowned South African artists. “Noteworthy are the artworks Terra Incognita (1990) by Penny Siopis and I won’t stop crying (1987) by Lucas Sithole,” says De Jesus.  The curated exhibition features a selection of contemporary artworks from the UFS art collection. “The artworks on exhibition are works that were created after the mid-1970s,” says De Jesus. 

Making art collection more accessible 

This virtual exhibition and online tour of the Centenary Art Gallery on the Bloemfontein Campus was put together due to the current restrictions imposed by COVID-19. It also utilises the digital platform for audiences across all the campuses to engage with the collection. “In line with the transformation objectives of the Integrated Transformation Plan (ITP), several projects are currently underway to display artworks in various UFS buildings,” says De Jesus.  


UFS art collection of great significance 

The UFS art collection boasts more than 1 200 art pieces and is a valuable source for research, scholarship, exhibition and education. “The art collection also greatly enhances the cultural life and aesthetic niveau (level) of the UFS and the surrounding region. Cultural collections are an integral part of the societies in which they exist and serve as foundations for collective memory, learning, debate, research and critical thinking.” says De Jesus. 

The gallery also had re-imagined several of its 2020 projects into the digital space. “New exciting projects were also initiated which responded to the pandemic and feelings of isolation, uncertainty, gender-based violence and the digital overload,” says De Jesus. Some of these projects are part of the Programme for Innovation in Artform Development (PIAD), which was sponsored by the Andrew W Mellon Foundation

View some of the projects here: 

Stories in die Wind a short film animation web series about a young girl finding her purpose, based on the Nama story |!hûni //gāres |(The Rain Flower) Die reën blom: /Nanub !Khas. 
WATCH THE ANIMATED SERIES HERE: https://www.storiesindiewind.co.za/

Digi-Cleanse a satirical artwork disguised as e-commerce website that mimics and critiques the contemporary wellness industry and its reliance on marketing and advertising. 
SEE DIGI-CLEANSE HERE: https://digicleanse.co.za/

My Internal Oppression a musical theatrical performance of emotional content dedicated to women who have toiled with internal oppression as a result of the psychological and emotional trauma of gender-based violence caused by intimate partners. 

Sonic Re-Dress a collaborative meeting point between music, visual art, science and art therapy, the project specifically acknowledges the insecurity, fragility and discord within our current global pandemic context, by working with ‘universal’ human emotions.

Imaginary Futures an experimental project of live and participatory experiences with over more than 40 creative practitioners, consisting of sound and film mixing, drawing, animation, puppetry and performance. 

News Archive

Venue change for important Odeion School of Music event
2016-09-21

Due to the unforeseen closing of the campuses of the University of the Free State from 20 to 23 September 2016, substantial changes had to be made to the venues and schedules of The Liesbeth Schlumberger Organ Chair (presented by the Odeion School of Music at the UFS) and the Annual Southern African Church Organists Society (SAKOV) Meeting and Bursary Competition.

The event, scheduled for 22-29 September 2016, will now take place at the following venues:

Wednesday 21 September 2016
15:00-18:00 DRC Onze Rust Rehearsals SAKOV Bursary Candidates

Thursday 22 September 2016
08:00-21:00 DRC Onze Rust, Rehearsals SAKOV Bursary Candidates
14:00-16:30 DRC Langenhoven Park, Organ Marathon
17:30-18:30 Lutheran Church St Paulus, Liesbeth Schlumberger Concert
18:00-21:00 DRC Universitas SAKOV EXCOM Meeting
22:00 Sacred Heart Catholic Cathedral, Late Night Concert with works by Olivier Messiaen

Friday 23 September 2016
08:00-10:15 DRC Onze Rust, Bursary Candidates Competition
12:00-15:00 DRC Onze Rust, Bursary Candidates Competition
15:00-16:30 DRC Langenhoven Park Masterclass: Church music (Dr Jan Beukes)
17:00-19:00 DRC Universtas, SAKOV Regional Representatives Meeting
19:30 DRC Universtas, Liesbeth Schlumberger Gala Concert

Saturday 24 September 2016
DRC Langenhoven Park
08:00-08:30 Registration
08:30-09:00 Opening and singing, Rev Jaques Louw and Margaret van der Vegt
09:00-09:15 SAKOV Honorary membership award
09:15-10:00 General Assembly
10:00-11:00 G Cillié Memorial Lecture, Prof Elsabé Kloppers

Klinkende ruimte: Reformasie deur die kerklied

11:00-12:00 Lecture (Liesbeth Schlumberger): L'Art de Toucher / Die kuns van musikale aanslag/The Art of Touch
12:00-13:00 Lunch
14:30-17:00 Organ Safari, DRC Langenhoven Park starting point
19:30 DRC Onze Rust, SAKOV Bursary Gala Concert

Sunday 25 September 2016
Lutheran Church St Paulus 10:00
Morning Service accompanied by Liesbeth Schlumberger

Monday 26 to Thursday 29 September 2016
Masterclass series Liesbeth Schlumberger - Kurpershoek, Odeion School of Music

For any inquiries please contact Marius Coetzee on +27 51 401 3152, +27 72 338 2240 or CoetzeeML@ufs.ac.za.

 

 

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