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14 March 2021 | Story Lacea Loader

The management of the University of the Free State (UFS) is aware of the call for a national shutdown of universities, as was reported in the national media over the weekend. Although not much information is currently available about the call and how it will impact university operations, members of management are in contact with the national authorities in this regard. 

The Institutional Student Representative Council (ISRC) has informed the university that there will be a picket outside the main gate of the Bloemfontein Campus tomorrow at 10:00.

All academic and administrative activities on the campuses will, however, continue as normal tomorrow. Protection Services, with the support of private security, are on high alert and the necessary contingency plans are in place. 

Staff and students are encouraged to regularly monitor the communication platforms for important/critical information, as updates on the situation on the campuses will be shared as regularly as possible. 

It is important to ensure that your cellphone number is updated in order to receive communication via the KovsieApp and SMS:

SMS: www.ufs.ac.za/sms

Released by:
Lacea Loader (Director: Communication and Marketing)
Telephone: +27 51 401 2584 | +27 83 645 2454
Email: news@ufs.ac.za | loaderl@ufs.ac.za
Fax: +27 51 444 6393

News Archive

Kotaro Fukuma - awe inspiring
2008-03-10

On Thursday, 28 February 2008, the Japanese pianist, Kotaro Fukuma, gave a piano recital in the Odeion.

Kotaro provided the audience with a rendition that showed complete technical and interpretative mastery, which Elretha Britz described as a “flawless performance” in the Volksblad.

The performance began with Haydn’s Piano Sonata, Op. 9. It was followed by Schumann’s “Carnival” and three compositions by Kotaro’s fellow countryman, Toru Takemitsu, who passed away in 1996. After a tour though an imaginative landscape of sound in Takemitsu’s compositions, he rounded off his programme with Scriabin’s Piano Sonata No. 3.

The audience not having had enough, were then treated to a Liszt transcription of Schumann’s Lied, Widmung, as an encore.

The concert was well supported by the people of Bloemfontein who went home more than satisfied. In fact, there were standing ovations at the end of almost every work.
 

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