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10 August 2022 | Story Edzani Nephalela | Photo iStock
Several presenters presented their themes during the translanguaging virtual session. The seminar sought to improve participants' awareness of using more than one language in lecture rooms across the institution, particularly for tutoring and academics.

Language continues to be a barrier to access and success for many students at South African higher education institutions. Despite their status as official languages, indigenous languages have in the past and at present, structurally not been afforded the official space to function as academic and scientific languages.

Language policy for higher education seeks to address the challenge of the underdevelopment and underutilisation of official African languages at higher education institutions whilst simultaneously sustaining the standard and utilisation of languages that are already developed. 

The University of the Free State (UFS) Centre for Teaching and Learning hosted a multilingualism virtual seminar on 20 July 2022 that aimed to broaden an understanding of utilising more than one language within lecture rooms across the university, specifically for tutoring and academics. The following speakers presented various topics at the seminar:

Prof Makalela stated that the foundation of sustainable growth is excellent education, but the issue is, are we any closer to what one considers quality education? “You can’t, in my opinion. How can we know if you don’t examine epistemic difficulties at this level?” he further enlightened. 

Linguists believe that the practice of “translanguaging” can aid in learning, and the word has recently gained popularity in literature on bilingual and multilingual education with various universities incorporating these changes in their policies and to ensure that it’s all-inclusive as indicated by Dr Tolani Hlongwa. She further explained that languages are tools to navigate better understanding, whilst English should be used as a tool to communicate, not to measure intelligence.

What is the UFS’ role in addressing this?

The university’s language policy expresses its commitment to multilingualism, with particular emphasis on Sesotho, Afrikaans, and isiZulu. This policy ensures that language is not a barrier to equity of access, opportunity, and success in academic programmes or to access to the UFS administration. 

The UFS also developed an Academy for Multilingualism. This academy hosts the Multilingual Mokete, a popular annual tradition celebrating different cultural expressions in visual art, poetry, storytelling, drama, music, and songs by different language groups and in the different languages that are dominant at the UFS (i.e. English, Afrikaans, Sesotho, isiZulu, and Sign Language. 

In partnership with the University of Cape Town (UCT) and UKZN, the UFS will also conduct a Multilingualism Education Project colloquium on the new language policy framework for South African public higher education institutions on 28-29 September 2022. This language policy used in the new policy framework for public higher education institutions as well as its impacts will be examined in this virtual seminar. This is also an opportunity for diverse stakeholders to contribute suggestions on how to improve the existing status of language policy.

News Archive

UFS Drama Department production exempted at ABSA KKNK
2006-04-19

 Lecturers and students of the Department Drama & Theatre Arts have taken five productions to the ABSA KKNK 2005. The productions were well received by audiences.

 

The daily newspaper, Die Burger, exempted the classic Molière drama, Ipekonders, which was translated and directed by Nico Luwes. According to the newspaper Gerben Kamper as the hipochonder Argon receives full marks for his performance. “Dis heerlik om te sien en ontdek dat goeie humor ná drie eeue steeds snaaks bly. En dat ’n toeganklike klug ook skerp sosiale kommentaar kan lewer...Volpunte vir Gerben Kamper (as die hipochonder Argon) en sy medespelers. Ons leef vandag nie in ’n minder hipochondriese kultuur nie, en die ‘dr.-God-sindroom’ is nog met ons. Gaan van ons diagnoses en behandelings straks eendag net so lagwekkend wees soos destyds se purgasies, klismas en bloedlatings?”

 

Michelle Luwes’s Daars Vis Innie Punch was well received by audiences. The festival paper, Krit, reported that she tried her best to adapt the book by Jacky Nagtegaal  to a cabaret.

 

The three children’s productions, Hansie en Grietjie, Rooikappie en die Wolf and Cleopatra in Egypt were popular amongst young audiences.

 

 

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