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UFS extends its condolences on the passing of Theological giant, Prof Jaap Durand

26 January 2022 | Story Rulanzen Martin | Photo University of the Western Cape

The management of the University of the Free State (UFS) is saddened to learn of the passing of Prof Jaap Durand, revered theological academic and author. Prof Durand obtained his master’s degree from the UFS and received an honorary doctorate in Philosophy from the UFS in 2004.

Prof Durand has had a colourful career as academic, writer, and struggle activist: from Professor of Systematic Theology and Dean of the Faculty of Theology at the University of the Western Cape to Deputy Vice-Chancellor of the same university. He also served as the ombudsman of Stellenbosch University from 2002 to 2003.

During his life, Prof Durand was a unifier and a critical voice, speaking out against injustice. He has also authored several books, including Dit is amper dag; Evolusie, wetenskap en geloof, and Protesstem.

The UFS joins the higher education community in mourning and is deeply saddened by the loss of such a great theologian and academic. We wish to convey our deepest condolences to Prof Durand’s family, friends, and loved ones during this time.

News Archive

UFS Drama Department production exempted at ABSA KKNK

2006-04-19

Lecturers and students of the Department Drama & Theatre Arts have taken five productions to the ABSA KKNK 2005. The productions were well received by audiences.

The daily newspaper, Die Burger, exempted the classic Molière drama, Ipekonders, which was translated and directed by Nico Luwes. According to the newspaper Gerben Kamper as the hipochonder Argon receives full marks for his performance. “Dis heerlik om te sien en ontdek dat goeie humor ná drie eeue steeds snaaks bly. En dat ’n toeganklike klug ook skerp sosiale kommentaar kan lewer...Volpunte vir Gerben Kamper (as die hipochonder Argon) en sy medespelers. Ons leef vandag nie in ’n minder hipochondriese kultuur nie, en die ‘dr.-God-sindroom’ is nog met ons. Gaan van ons diagnoses en behandelings straks eendag net so lagwekkend wees soos destyds se purgasies, klismas en bloedlatings?”

Michelle Luwes’s Daars Vis Innie Punch was well received by audiences. The festival paper, Krit, reported that she tried her best to adapt the book by Jacky Nagtegaal to a cabaret.

The three children’s productions, Hansie en Grietjie, Rooikappie en die Wolf and Cleopatra in Egypt were popular amongst young audiences.

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