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01 July 2022 | Story Dr Nitha Ramnath | Photo Supplied
Leah Molatseli.


Leah Molatseli– alumna and Council member of the University of the Free State (UFS) – is the first African woman to be recognised by the American Bar Association in its list of Women of Legal Tech for her contribution and influence in the legal tech industry. A commitment to diversity is one of the core values of the American Bar Association, which the Law Practice Division aims to reinforce in the legal tech sector. Annually, talented women in the legal tech space are recognised for making an impact on legal tech.

A lawyer by profession, published legal tech author and speaker, as well as legal tech and innovation specialist, Molatseli uses technology and innovative means to empower and educate law professionals.  She is currently head of business development at Legal Interact, a South African law firm that provides technology solutions for the legal industry. 

Prof Francis Petersen, Rector and Vice-Chancellor of the UFS, congratulated Molatseli on her achievement. “On behalf of the executive committee of the University of the Free State (UFS) and the university community, I would like to extend my warmest congratulations on being recognised by the American Bar Association for your contribution to the legal tech industry. Being the first African woman to be honoured in this way makes this accomplishment even more extraordinary. You are a trailblazer in your field in so many ways,” said Prof Petersen. 

Prof Petersen said, “The university, and the Faculty of Law in particular, is proud to be associated with you. We also appreciate your continued support to the institution. Your dedication and expertise inspire us all – I will continue to follow your professional journey, because I know there is much more in store”. Prof Petersen continued to thank Molatseli for contributing to the legal field in an innovative and contemporary manner. 

Molatseli is host of and guest speaker for various legal tech talks globally, as well as a guest lecturer at the University of Cape Town, where she develops and teaches legal tech innovation-related courses to the legal industry. A Mandela Washington fellow, as well as a Notre Dame alumna, she is a member of the Women in Tech South African Chapter, a country member for the Global Legal Tech Consortium, and is one of 2022’s ILTA’s Most Influential Women in Legal Tech honourees.  


News Archive

Odeion: Organ recital - Jaroslav Tÿma
2006-10-10

Saturday, 14 October 2006
Odeion
19:30
Admission: R60, R40
Enquiries / Bookings
Ninette Pretorius (051 - 401 2504)

Jaroslav Tÿma was born and educated in Prague.  He graduated from the Prague Conservatory and the Academy of the Performing Arts, where he now teaches organ performance and improvisation.  While still a student, he won prizes at several international competitions, including Linz, Prague and Leipzig.  In addition to being a concert organist, he also performs on harpsichord, clavichord and forte piano.  He is known throughout the world for his improvisations, which earned him first prizes at both the Haarlem and Nuremberg competitions.  He has been guest performer at the Prague Spring Festival, Musikfestspiele in Dresden and the Flanders Festival and he continues to concertize in prestigious concert venues in Europe, the United States, South Africa and Japan.  As an advocate of new music, Jaroslav Tÿma performs works by his contemporaries and is also a composer of note.  Through 1990-1993 he performed the complete organ works of J.S. Bach in Prague.  He records for radio, television, and numerous recording companies.  His discography includes over twenty solo recordings, most recently a recording of the Bach Goldberg Variations on both the harpsichord and clavichord.

 Programme

J.S. Bach
Preludium and Fugue in C minor (BWV 546)
Ich ruf zu Dir (from the Orgelbüchlein)

W.A. Mozart
Andante (KV 616)

B. Martinÿ
Vigilie (1959) - completed by Bedrich Janaÿek

J. Tÿma
Improvisasie op gegewe temas

C. Widor
Organ Symphony No. 5 in F Minor
Allegro vivace
Allegro cantabile
Andantino quasi allegretto
Adagio
Toccata

 

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