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25 March 2024 | Story Anthony Mthembu | Photo Lutendo Mabata
Prof Nompumelelo Zondi
Prof Nompumelelo Zondi, the newly appointed Vice-Dean: Research and Postgraduate Studies in the Faculty of The Humanities at the University of the Free State (UFS).

Prof Nompumelelo Zondi has been appointed as Vice-Dean: Research and Postgraduate Studies in the Faculty of The Humanities at the University of the Free State (UFS). Prof Zondi assumed this new role on 1 March 2024 after serving as the Head of Department for African Languages at the University of Pretoria for seven years. “I consider this appointment as an opportunity of growth and learning more about higher education and the Faculty of The Humanities at large,” she said.

Prof Zondi indicates that part of her role is to spearhead the UFS Vision130 within the Faculty of The Humanities, and to ensure that the faculty assists the institution in becoming research-led, student-centred, and globally impactful. 

Motivation for assuming this role

One of the primary reasons that led her to consider this role is sharing the knowledge she acquired as part of the Fulbright South African Research Scholar Programme. As a result of that experience and exposure, which went beyond the Ohio State University, she felt it befitting to implement some of the insights she acquired on a bigger scale. Therefore, even though she was impactful in her previous role, Prof Zondi believes that this is an exceptional and more desirable platform to do so. “I feel that I will have easier access to departments within the faculty, while also encouraging and supporting interdepartmental and faculty collaborations,” she explained.

A significant component of Vision 130

He believes that the elements that make up Vision 130 are interrelated. While she considers research central to Vision 130 – as she begins her journey at the UFS, she feels students deserve to be nurtured to further contribute to the university’s impactful research. Thus, student-centredness is the way to go. “I believe that students must be major role players in this Vision130; we must include them in the interactions and discussions that are part of the university’s strategic plan as well as in decision-making processes,” she said. As such, according to Prof Zondi, the more the faculty and the institution care for the students and involve them in Vision130 and in collaborations, the more research outputs the university will achieve. 

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Odeion: Organ recital - Jaroslav Tÿma
2006-10-10

Saturday, 14 October 2006
Odeion
19:30
Admission: R60, R40
Enquiries / Bookings
Ninette Pretorius (051 - 401 2504)

Jaroslav Tÿma was born and educated in Prague.  He graduated from the Prague Conservatory and the Academy of the Performing Arts, where he now teaches organ performance and improvisation.  While still a student, he won prizes at several international competitions, including Linz, Prague and Leipzig.  In addition to being a concert organist, he also performs on harpsichord, clavichord and forte piano.  He is known throughout the world for his improvisations, which earned him first prizes at both the Haarlem and Nuremberg competitions.  He has been guest performer at the Prague Spring Festival, Musikfestspiele in Dresden and the Flanders Festival and he continues to concertize in prestigious concert venues in Europe, the United States, South Africa and Japan.  As an advocate of new music, Jaroslav Tÿma performs works by his contemporaries and is also a composer of note.  Through 1990-1993 he performed the complete organ works of J.S. Bach in Prague.  He records for radio, television, and numerous recording companies.  His discography includes over twenty solo recordings, most recently a recording of the Bach Goldberg Variations on both the harpsichord and clavichord.

 Programme

J.S. Bach
Preludium and Fugue in C minor (BWV 546)
Ich ruf zu Dir (from the Orgelbüchlein)

W.A. Mozart
Andante (KV 616)

B. Martinÿ
Vigilie (1959) - completed by Bedrich Janaÿek

J. Tÿma
Improvisasie op gegewe temas

C. Widor
Organ Symphony No. 5 in F Minor
Allegro vivace
Allegro cantabile
Andantino quasi allegretto
Adagio
Toccata

 

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