Years
2019 2018
The Princess and the Three Princes
2018-06-02

The Princess and the Three PrincesScript by: Annebelle Smit

Directed by: Annebelle Smit

Venue:  Scaena Rehearsal Room Theatre, UFS-Main Campus

Language: English

Genre: Children's Theatre

 

Date and times:

30 May @ 11:00

31 May @ 11:00 & 15:00

1 June @ 11:00 & 18:00

2 June @ 11:00

 

Price:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.

Bookings:  Computicket (0861 915 8000)

Group bookings: Karen Combrinck ((051) 401 2160)

A long time ago, in Arcadia, a land covered with golden sand, lived a Sultan and his beautiful daughter, Princess Shumaila. On the Princess’s eighteen birthday, her father arranged for her to meet three possible suitors. The Princess was unsure of these plans but with the help of her camel friend, Jamaila and the all-knowing Genie Alim, they will help her to devise a plan to make her decision easier.

Everything doesn’t go according to plan, though, because of the jealous sorceress Mara who will do everything in her power to become queen of Arcadia. Come and join the princess and her friends to see what plan they will devise to help Princess Shumaila and save the kingdom from the evil sorceress.


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The Mesh

By Keith Armstrong

Johannes Stegmann Art Gallery, Sasol Library

Exhibition closes:  Friday 11 August 2017

Gallery hours: Monday to Friday 08:30 – 16:30.

The Mesh is an interactive, experiential solo exhibition by Australian artist Keith Armstrong. The five artworks on exhibition each investigate how the ‘mesh' of environmental, social and cultural ecologies form our worlds, asking how might we re-imagine our place and actions within those networks as ‘refuturing’ (i.e. concerted actions that help increase time left in the future). 

Retrospective works are shown together with international premieres. These include a sculptural text-based work O Tswellang, arising from collaborations with 'change agents' in the informal townships around Bloemfontein. Another of the five works, the international premiere of Eremocene (Era of Loneliness), allows the viewer to interact with faintly glowing fibre optic forms that travel ethereally through a darkened tank accompanied by dynamic sounds, suggesting an naturalised/artificially intelligent form, ambiguously isolated at the edges of fluid consciousness. The exhibition also sees the re-development of innovative video installations such as Shifting Dusts, originally commissioned for the Institute for Contemporary Arts (ICA) London in 2006 and Seasonal

Audiences navigate these works non-linearly, encountering kinetic light works, telescopic tunnels of ethereal imagery and sound and gently pulsing, ambiguous surfaces. Overall The Mesh seeks to shine a light upon the silent, shadowy barriers of cultural misunderstanding that prevent us from re-inventing ourselves as a future-sustaining species.

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