Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


Back
Yerma

Production: Yerma
Text: Fredrico Garcia Lorca
Directed by: Stephanie Brink
Venue: Wynand Mouton Theater
Date: 26 - 29 May 2009
Time: 19h30
Bookings: Computicket (Mimosa Mall en Checkers Money Markets)
Tickets:
R 30.00 Adults
R 25.00 Pensioners, scholars & students
R 25.00 Blockbooking 10+
R 15.00 Club Theatron members


Yerma embodies every woman’s desire to have a child of her own. As a wife in a conservative society with strict traditions and values, gossiping townswomen who loves to talk about others pain and a man who puts all his effort into his lands and do not recognize the urge of his wife for a child. Fredrico Garcia Lorca’s Yerma, has all the elements of a Greek tragedy. Yerma, a young wife filled with expectations, wants above all else a child. To such an extent that she only sees her husband as a fertility instrument. The husband, Juan, believes that he provides in everything that Yerma needs. His views are based on the moral standards and suffocating aspirations towards honour and pride in a society that lives from the earth. Yerma’s encompassing urge to be fertile becomes madness, her only motivation, and this is laid bare like a naked nerve ending. Stephanie Brink, known for her colourful and risky productions, (The Maids; Deathwatch, Die Van Aardes van Grootoor; Bloodwedding), takes this play and its many facets of poetic language, dream scenes and barren surrealism on. Original choreography by Godfrey Manenye and newly composed music by Erika Ludic en Angelo Mockie. Song and dance, ritual depictions and passionate scenes together with the talents of Ilne Fourie (Impi, Die Begrafnis), DeBeer Cloete (Zollie; Deathwatch) and a group of second year Drama students will leave you an unforgettable theatre experience.


- 26, 27, 28, and 29 May at 19h30 in the Wynand Mouton theatre. The duration of the show is 90 min. and age restriction of 13. Bookings at Computicket.
 

Economic and Management Sciences

Education

Health Sciences

The Humanities

Law

Natural and Agricultural Sciences

Theology and Religion

Open Distance Learning

Business School

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept