Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Jean-Pierre Calitz: Former Kovsie music student gives piano recital

23 Junie 2011
Odeion
19:30

Jean-Pierre Calitz was the first prizewinner of the MUSICON National Piano competition (Now Arts Trust Competition) in 2001 and 2002 as well as the MUSICON Soloists Competition in 2003. He was a member of the winning ensemble at the Stellenbosch Chamber Music Competition in 2002 where he was the only pianist to receive a prize for outstanding ensemble playing.

During his undergraduate university career Jean-Pierre was awarded merit scholarships by the University of the Free State and Music study scholarships by the South African Music Rights Organization. He was a participant in master classes with Niel Immelman (Royal College of Music - London), Andrea Bonnata (Italy), Petronel Malan (USA), Dana Cilliers and Nina Schumann. In 2006, Jean-Pierre was invited to perform the Mozart Quintet for Winds and Piano with the University Wind Quintet for the Stellenbosch University’s annual International Chamber Music Festival. In the same year, as a member of the South African National Youth Orchestra, he toured to Germany to perform at the well-known Beethovenfest.

His main teachers in South Africa were Nettie Immelman, Ella Fourie and Albie van Schalkwyk. He furthered his studies at the Western Michigan University in the United States where he studied with Silvia Roederer. He was named a Gilmore International Keyboard Festival Fellow - which included a master class performance for André Watts.

He recently graduated with a Masters degree in Piano performance. In the summer of 2009/10 he studied with Bachauer Gold Medalist, Lori Sims, at the Bayview Music festival. Jean-Pierre is a candidate for the Doctorate in Music (piano performance) at the Université de Montréal under Paul Stewart. His research is focused on the "Fairytales" by Nikolai Medtner.

Jean-Pierre was selected as a competitor of the UNISA National Piano Competition in Pretoria from 9 – 16 July 2011.

Programme:
Messiaen: Vingt Regards sur l'enfant Jésus: XI Première communion de la Vierge "The Virgin's first communion"
Bach: Partita in C minor, BWV 826
Medtner: Fairytales, Op. 20
Prokofiev: Sonata in A major, Op 82.

Admission:
Free

Enquiries:
Odeion School of Music (051 – 401 2810).

 

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