Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


Back
Tchaikovsky with the FSSO

Tchaikovsky with the FSSO
conducted by Conrad van Alphen
Thursday 4 August 2011
Odeion
19:30

Programme:
ARENSKY Variations on a Theme by Tchaikovsky
TCHAIKOVSKY Suite No. 4 Op. 64 “Mozartiana”
TCHAIKOVSKY Violin Concerto in D-major, Op. 35

Popular South African born conductor Conrad van Alphen is back to conduct the FSSO in a programme consisting mostly of music by Tchaikovsky. Russian violinist Maria Solozobova is the soloist in the composer’s Violin Concerto in D-major, Op. 35, considered by many as one of the most beautiful concertos ever written.

As artistic director and chief conductor of Sinfonia Rotterdam Conrad van Alphen has moulded this orchestra into one of the best in the Netherlands who host their own concert series in Rotterdam. Conrad also conducts Sinfonia Rotterdam in the concert series of leading Dutch halls such as the Concertgebauw in Amsterdam and De Doelen in Rotterdam, and regularly takes the orchestra on international tours.
Conrad has received excellent reviews internationally for his many recordings. To name a few labels: Telarc (works by Grieg, Dvorak and Elgar), Channel Classics (Rodrigo’s Concierto Madrigal for two guitars and orchestra  -  Editor’s choice in Gramophone Magazine), Raptus (reconstructions of recent Beethoven finds), Talent Records (Shostakovich Chamber Symphonies), Cybele (works by Karl Amadeus Hartmann) and Brilliant Classics (Bassoon concerto’s by Dupuy, Villa Lobos, Vivaldi and Othuis).

Conrad van Alphen is a popular guest conductor of various orchestras nationally and internationally.  He regularly conducts orchestras in The Netherlands, England, Germany, Bulgaria, Russia, Slovenia, Poland, South Africa, China and Mexico.

Maria Solozobova was born in Moscow. Maria Solozobova belongs to the most promising violinists of the new generation.  Maria graduated at the Moscow  Gnessin School of music for gifted children and the famous Moscow Tchaikovsky Conservatory (concert diploma with honours); she further studied at the Music Academy in Zürich and Basel, where she got her diploma as a soloist in 2008. She studied violin with Prof. Irina Bochkova, Prof. Evgenia Tchugaeva, Prof. Zakhar Bron und Prof. Raphael Oleg.

Maria Solozobova has worked with many leading orchestras: Basel Symphonic Orchestra, Zurich Chamber Orchestra, Symphonisches Orchester Zurich, Genève Chamber Orchestra, Camerata Zürich Chamber Orchestra, Moskau Chamber Orchestra, Ljubljana Philharmonic Orchestra, Roumanian Philharmonic Orchestra, and Taipei Philharmonic Orchestra.
 
She played as a soloist in many international concert halls in cities like Moscow, Vienna, Zurich and Taipei with several famous conductors. In 2009 Maria Solozobova gave a remarkable debut at the Tonhalle Zürich with Haydn, Paganini and Tchaikovsky violin concertos, together with the Zürich Chamber Orchestra directed by Maestro Muhai Tang. The applause of the audience was enthusiastic. In 2009/2010, Maria Solozobova has successfully performed as a soloist at numerous important concert halls, including the Tonhalle Zürich, Victoria Hall Geneva, Stadt Casino Basel. She further performed as a chamber musician and soloist with the Ensemble "Camerata Musica Barocca ", in the “Auditorium Wolfsberg”, in the Grand Resort Bad-Ragaz Music Festival and in the famous church of St. Peters in Zürich.
 

Admission
R120 (adults) per concert
R80 (pensioners, students and learners) per concert

Tickets @ Computicket (Shoprite / Checkers, Mimosa Mall)
Book online at www.computicket.com

Enquiries:
Ella Kotze (FSSO), tel. 051 – 401 2342 (8:00 – 13:00)
www.fsso.org.za

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