Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


Back
Evensong: 21 August 2011

Evensong: 21 August 2011
Anglican Cathedral
16:00

The Odeion Choir, the vocal ensemble of the Odeion Music School (University of the Free State), invites you to Choral Evensong every Sunday during term, at 16:00. The Cathedral of St Andrew & St Michael (the corner of St George's & Saltzmann St, Bloemfontein city center) hosts the choir. Choral Evensong is a traditional service, and is sung by many student choirs all over the world. In this service, you can hear some of the world's great choral music, in its intended setting. The music of many eras is represented, from Gregorian chant (circa 900AD) to 21st century settings written for the choir. Elizabethan, Victorian and Edwardian composers feature prominently in the repertoire.

Sunday, 21 August Trinity IX

The anthem at Evensong, O God, thou art my God, is by England's greatest baroque-era composer, Henry Purcell, who was organist of Westminster Abbey. Fittingly, John Blow, the man who recognised Purcell's genius and stepped aside so he could take up the Abbey post, is the composer of the introit, Let my prayer. The canticles will be sung to a rousing 1927 setting by Sir Herbert Brewer, in D major, for choir and organ. By contrast, Thomas Tallis' responses, from the turbulent years of the English Reformation, are about 450 years old. The choir is conducted by Lance Phillip, a junior lecturer at the School, and the organist is Eljee du Plooy, a leading student of Jan Beukes, who will also play Marcel Dupre's Prelude & Fugue in G minor.

The service lasts around an hour. All are welcome.
 

Economic and Management Sciences

Education

Health Sciences

The Humanities

Law

Natural and Agricultural Sciences

Theology and Religion

Open Distance Learning

Business School

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept