Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Tribute to Kloppers

PROF JACOBUS KLOPPERS RESIDENT AT THE OSM

22 August - 5 September 2017

(with concert “Tribute to Kloppers” on 31 August, 19:30, Dutch Reformed Church Universitas)

Jacobus (Kobie) Kloppers (born 1937 in Krugersdorp) is a Canadian composer, musicologist and organist. He has composed many notable pieces, especially for organ, and has been the subject of substantial scholarship.

This includes a Masters dissertation by Eljee du Plooy, titled “Jacobus Kloppers: A Life of Service in Music” (2013).

Born in South Africa, Kloppers completed his Doctorate in Frankfur (Germany). In 1966, Kloppers returned to South Africa to teach, compose and perform. He immigrated to Canada with his family in the mid-1970s in protest to the Apartheid policy. 

Kloppers settled in Edmonton (Canada), and worked as a private instructor and church musician. In 1978, he was interviewed for a part-time position at a small Christian college, the King's University College (Edmonton), that was to open the next year. The college hired him full-time to develop a music program. He taught organ, music history, and musicology and was chair of the music program until his retirement in 2008. Kloppers is also an Adjunct Professor of Organ at the University of Alberta, an Honorary Fellow of the RCCO, the Canadian Music Centre and a member of the Canadian League of Composers.

Kloppers was important in Edmonton's Winspear Centre acquiring the Davis Concert Organ, a world-renowned instrument. In 2009, Kloppers was inducted into Edmonton's Cultural Hall of Fame. In 2011, the University of the Free State began a project to collect and house a complete collection of Kloppers' work.

Prof Kloppers will be resident in the Odeion School of Music for the period 22 August - 5 September 2017. The main purpose of his visit is for him to be available for a number of in-depth conversations concerning a book publication on his life and work, which will be edited by Prof Martina Viljoen. Both local and international scholars have been invited to contribute to the planned publication. The preliminary lay-out includes a number of chapters on topics that will illuminate both Prof Kloppers’s life history, as well as important aspects of his professional contribution, and his creative output: Introductory chapter – Profs Marnie Giesbrecht-Segger and Joachim Segger (University of Alberta and King’s University, Edmonton, respectively).

Biographical background – Eljee du Plooy and Prof Martina Viljoen (University of the Free State) A stylistic comparison between Kloppers and Stefans Grové – Prof Izak Grove (Stellenbosch University)

Stylistic influences in Kloppers’s organ oeuvre – Prof Nicol Viljoen, Dr Jan Beukes, Prof Martina Viljoen (University of the Free State)

An analytical study of the Dialectic Fantasy – Luzanne Eigelaar and Dr Matildie Thom Wium (University of the Free State)

Triptych for alto saxophone and organ – Dr Charles Stolte (King’s University, Edmonton)

Reflections: Prologue, Variations and Epilogue on an Afrikaans Folk Song – Profs Nicol and Martina Viljoen (University of the Free State)

Perspectives on Kloppers’s teaching of musicology at the King’s University – Dr Charles Stolte (King’s University, Edmonton)

“TRIBUTE TO KLOPPERS”

The OSM will present a concert entitled “Tribute to Kloppers” of compositions by Jacobus Kloppers on the 31st of August at 19:30 in the Dutch Reformed Church Universitas.

The following works will be performed:

PROGRAMME:

Chorale Preludes on Ps 23

Ps 128

Jesu meine zuversicht

Ek weet aan wie ek my toevertrou het

Partita on In Dulci Jubilo

Three Plainsong Settings
Hosanna (for chorus)
How lovely are your dwellings (for choir, organ and flute)
Give thanks to God, the Father (for choir and trumpet)
Verdwyn is nou die Daglig (Art song for lyrical tenor and organ) based on the Lutheran chorale, Der Mond ist aufgegangen.

ADMISSION: Free

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