Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Christmas Concert

Sunday 1 December 2019

Odeion ~ 16:00

Admission: FREE

Josef Rheinberger (1839 – 1901)
Suite for Organ Trio and Strings, Op. 149

Camille Saint-Saëns (1835 – 1921)
Oratorio de Noël, Op. 12

In the light of this year’s advent time, the Odeion School of Music in collaboration with the Free State Symphony Orchestra, will present a Christmas Concert with various soloists and mainly string orchestra. The centre piece will be the Oratorio de Noël Op. 12 (Christmas Oratorio) from Camille Saint-Saëns, composed for five vocal soloists, mixed choir, strings, organ and harp. It was first performed at the Madeleine church on 25 December 1858 in Paris. This early work of the composer resembles a distinct lyricism of 19th-century French church music. It is sung in Latin, based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. The chamber music-like instrumentation with the exclusion of wind instruments, lyrical solo parts, and a modest choral part combine to create a general pastoral mood. The Suite for Organ Trio and String Orchestra fits into this programme with its pastoral character and chamber music setting.

The initiative for this concert is not only to offer the community of Bloemfontein a classical Christmas Concert, but it also serves as an educational project in which vocal students will form the choir of the oratorio, and string students will be part of the orchestra. These students share the stage with professional singers and instrumentalist and therefore gain first-hand experience of their profession. The Odeion String Quartet will lead the string sections. The soloists of the Rheinberger Suite are Jan Beukes (organ), Anmarie van der Westhuizen (Cello) and Samson Diamond (violin). A unique combination of vocal soloists sing in the Saint-Saëns Oratorio with Kimmy Skota (soprano), Teresa de Wit (mezzo-soprano), Mariëtte Pitout (contralto), Albertus Engelbrecht (tenor) and Thesele Kemane (baritone). Both these works will be performed under the baton of Alexander Fokkens.

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+27 51 401 2504
pretoriusn@ufs.ac.za

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