Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Viva Vivaldi

presented by the

ODEION BAROQUE ENSEMBLE

28 November 2019

Odeion

19:30

The final concert by the Odeion Baroque Ensemble is titled Viva Vivaldi. As the name indicates, the concert will celebrate some of Vivaldi’s greatest works for solo instruments, choir and orchestra (conducted by Lance Phillip). The programme contains solo concertos, concertos for more than one instrument and works for choir and chamber orchestra. The solo concertos for violin (Francois Henkins), recorder (Petrus Krige) and oboe (Johan Ferreira) reflect the typical beauty of Vivaldi’s music. The double concerto in G minor for violoncello and bassoon will be performed by Tilla Henkins and Brahm Henkins. An exquisite work on the programme is the sparkling concerto in D major for four solo instruments: violin, recorder, oboe and bassoon. The Four Seasons (Le Quattro Stagioni) has been arranged by Petrus Krige in a very attractive way. The programme will conclude with four works for choir and chamber orchestra. The Cathedral Singers, lead by Lance Phillip, will then join the chamber orchestra with the work Domine - a set for double choir and double orchestra, and the evergreen Gloria will conclude the programme. This concert is dedicated to Kobus Malan who for decades, played a prominent role in Bloemfontein performing Baroque music, not as oboist only, but as recorder player as well.

The Odeion Baroque Ensemble consists of strings, recorders and double reeds, accompanied by harpsichord and organ. According to Baroque practice, the players are seated in a circle around the harpsichord. All of the works on the programme has been arranged by Petrus Krige in such a way that all ensemble members participate in all of the items. This correlates with customs during the Baroque era, when works were performed on the instruments that were available. The part that was scored for Kobus Malan will be substituted by the oboist Johan Ferreira and recorder player Renée Ferreira. It is also the last performance of Petrus Krige in Bloemfontein.

This Vivaldi programme is the fourth concert in which the Odeion Baroque Ensemble features a specific composer. In 2016 Bach featured, followed by Telemann and Handel.

ADMISSION

  • R130 (adults)
  • *R70 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

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