Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Stefans Grové 90 years - A Festival & Symposium

10 - 12 August 2012
Odeion School of Music

Internationally acclaimed South African composer, Stefans Grové, celebrates his 90th birthday this year. In honour of his long and distinguished career, the Odeion School of Music (University of the Free State), in collaboration with the Documentation Centre for Music (DOMUS) at the University of Stellenbosch, is proud to present a weekend-long festival in Bloemfontein from 10 to 12 August, which will include concerts of his music, a symposium of musicological reflection, as well as commentaries on his work by the composer himself.

The programme starts off on Friday 10 August with a talk given by Prof Grové (18:00) to introduce the evening’s concert. The concert at 19:30 will include Grové’s “Tweespalt” and “Sanguinies” from Piano Pieces (1975) Nonyana, the ceremonial dancer (1994), Afrika Beelde (1999) and Dance Song for the Nyau Dance (2003). Pianist Ben Schoeman is the soloist for this part of the programme. After the interval the set of Five Ingrid Jonker songs, Pan and the Nightingale and Sielvoël will be performed. The artists are Helen Vosloo (flute), Anmari van der Westhuizen (cello), Lesley-Ann Mathews (piano) and Matildie Thom Wium (mezzo soprano).

On Saturday 11 August the Documentation Centre for Music will present a symposium (9:00 – 13:00) on Grové’s music, including papers by such distinguished scholars as Gregory Barz (via video), Hannes Taljaard and Izak Grové, and a lecture demonstration by Ben Schoeman.
With the concert (19:30) Grové’s Afrika Hymnus II, the première of My Jaargetye (commissioned by the Odeion School of Music for Schoeman), Conversations for organ and piano as well as the première of Grové’s recently composed Piano Quintet – “A Venda Legend”. During this concert the FAK will present an award for exceptional cultural achievement to Stefans Grové and the Suid-Afrikaanse Akademie vir Wetenskap en Kuns will present a citation to the composer. This concert will be preceded by an interview with Grové conducted by Ben Schoeman on the subject of Grové’s piano music (18:00).

The concluding concert of the festival will take place on Sunday 12 August and will feature the ensemble work Musa, for flute (Helen Vosloo), viola (Jeanne-Louise Moolman), violoncello (Anmari van der Westhuizen), piano (Piet Moolman) and a narrator (Marli van der Bijl). Other works on Sunday afternoon’s programme include Grové’s Sonata for Viola and Piano and the Elegy for String Orchestra which will be performed by the OSM Camerata.

We sincerely thank the following OSM partners who have contributed to make these special events possible: DOMUS, Die Suid-Afrikaanse Akademie vir Wetenskap en Kuns, the FAK, ATKV & ATKV-Muziq and Xerox (UFS Campus).

ADMISSION:
R70 (adults), R50 (pensioners, students and learners)
Special Package: R120 for the three concerts (i.e. R40 per concert!)
Tickets available at Computicket

Admission to the seminar and pre-concert talks are free of charge.

ENQUIRIES:
Ninette Pretorius (tel. 051 401 2504)
 

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