Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Nettie Immelman Memorial Concert

with Jeanne-Minette Cilliers (piano)
Wednesday, 8 August 2012
Odeion
19:30

Legendary piano teacher, Nettie Immelman, passed away in 2011. The Odeion School of Music decided to arrange an annual concert in her memory and Jeanne-Minette Cilliers was the obvious choice of a celebrated pianist to invite to perform in this first concert.
Jeanne-Minette Cilliers received lessons in her native country (South Africa) from amongst others, Nettie Immelman and Japie Human. Among the most versatile musicians of her generation she has been called “a pianistic poet”, garnering rave reviews for her color-rich and imaginative performances.

She made her orchestra debut at the age of 12 in South Africa playing Joaquín Turina's Rapsodia sinfónica. From a young age she won top prizes in national competitions including the coveted UNISA Overseas Music Scholarship and two special prizes at the UNISA International Piano Competition in 2000. International highlights include top prizes at the Indianapolis Matinee Musicale, the Kalamazoo Young Artists Bach Competition and the Nena Wideman Concerto Competition.

Increasingly in demand as a collaborator, Jeanne-Minette has performed in Austria, Germany, Italy, Portugal, Israel, Japan, Sweden, South Africa, Barbados, and across North America - including festivals and venues such as the Irving S. Gilmore Keyboard Festival, the Ravinia Festival, Lincoln Center and Carnegie Hall in New York City. She has collaborated with artists such as Frans Helmerson, Janos Starker, Roger Vignoles, Martina Arroyo, Håkan Hagegård, David Daniels, Joyce Castle, Lise Lindstrom, Lester Lynch, actor Zoe Caldwell, and director Peter Sellars.

Currently she is on the faculty at the Manhattan School of Music, while also a music director for the Martina Arroyo Opera Foundation in New York City. Jeanne-Minette has recorded regularly for the SABC, and has featured on various SABC television and radio programmes.

She holds two performance licentiates in chamber music and vocal accompanying (equal to an arts diploma), both cum laude, from UNISA - received at the early age of eighteen. She earned her B.Mus. and M.Mus. degrees (with distinction) from the University of Michigan. As a student of Menahem Pressler, she earned an Artist Diploma from Indiana University. Jeanne-Minette is based in New York City.

Programme:
Prokofiev – Sonata, Nr. 4
Debussy - Estampes
Berg – Sonata, Op. 1
Schubert - Drei Klavierstücke, D 946

Admission:
R120 (adults), R80 (pensioners, students and learners)
R50 (group bookings of 10+)
Tickets available at Computicket.

Admission to the seminar and pre-concert talks are free.

Enquiries:
Ninette Pretorius (tel. 051 401 2504)
 

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