Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Stefan Temmingh (recorder) and Axel Wolf (lute) in “The Brocken Melody”

Thursday, 28 February 2013 

Odeion

19:30

Stefan Temmingh is part of the young generation of world-class recorder players. About his debut CD “Corelli à la mode” an Italian reviewer wrote: “Never before did recorder playing sound so effortless and so differentiated in terms of timbre and dynamics.”  - Corriere della Sera (Milano).   Published by the German label Oehms Classics, the recording was celebrated by the international music press in 2009.  His second CD “The Gentleman’s Flute” was immediately nominated for the International Classical Music Awards 2011 (formerly MIDEM Awards).  Since then Stefan is regularly compared to the legendary Frans Brüggen.  Stefan comes from a Dutch-South-African family of musicians. He was born in 1978 (Cape Town) and now lives in Munich.  There he studied with Markus Zahnhausen as well as with Prof. Michael Schneider (Frankfurt). As a specialist in Early Music performance, his repertoire comprises the complete Baroque literature for recorder.  As a soloist he regularly performs with orchestras such as the Folkwang Chamber Orchestra Essen, the Hofkapelle Muenchen, the Stuttgart Chamber Orchestra and at the Ludwigsburg Festival. He has participated in recordings for Harmonia Mundi, Oehms Classics, Christophorus Records, the Southwest German and the Bavarian Broadcasting Corporations.  His commitment ranges from Baroque to Modern music. One of his strongest desires is to extend the boundaries of the recorder repertoire and he succeeds to surpass the usual stereotypes concerning his instrument.   In 2008 he was awarded the Contemporary Music Scholarship of the City of Munich.  Since 2010 he has a lectureship at the Munich College of Music.

Axel Wolf is a freelance musician who lives in Bavaria (Germany). He travels to international festivals in Bruges, Utrecht, Edinburgh, Tokyo and New York, both as a soloist or member of ensembles including Musica Fiata (Cologne), the Freiburger Barockorchester, Orchestra of the Age of Enlightenment and The English Concert.  He has been a regular guest at the Bavarian State Opera in Munich, performing under the direction of Ivor Bolton, Harry Bicket and Christopher Moulds.  He completed his guitar and lute studies with Hans Michael Koch and continued it with Rolf Lislevand.  He has worked with conductors such as Peter Schreier, Enoch zu Guttenberg, Alan Curtis, Paul McCreesh and Joshua Rifkin in opera, concert and CD productions.  He was a lecturer at the Academy of Music and Theater Hanover (1986 - 2003).  In addition to numerous CD productions as a continuo player and accompanist, he has released solo recordings of the lute works of Johann Sebastian Bach, “Opera for Lute”.

PROGRAMME:

(The Brocken Melody - The fascinating art of Renaissance and Baroque variation): Works by Corelli, Ortiz, De Rippe, Dowland, Schop, Van Eyck as well as the ever popular Greensleeves.

ADMISSION:

R130 (adults), R90 (pensioners, students and learners)

Tickets available at Computicket.

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

OSM MASTER CLASS SERIES 2013:

Stefan Temmingh will present master classes to three candidates on the day of the concert (Thursday, 28 February 2013) from 11:00 – 13:00 on the Odeion stage.  Come and see the master at work!

Admission: R50 per person

 

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