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2019 2018
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Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Helen van Bethesda

Director: Gerben Kamper

Writer:  Naòmi Morgan
Venue: Wynand Mouton Theatre

Dates & times:

26 March at 19:30

27 March at 19:30

28 March at 19:30

R 30.00 per person & R 20.00 per person (students, scholars & pensioners)

Bookings:   Computicket (Mimosa Mall en Checkers)

Helen Martins (1897 – 1976) is the well known and eccentric artist who created the “Owl House” at Nieu Bethesda, a small Karoo village, as an escape from mundane matters, from the outside world. The “Owl House” was Helen Martins’ home for most of her 78 years. During the last 30 or so years of her life she devoted all her  energy in creating a house full of glistening fantasy in light and colour, and a garden with over 500, almost grotesque cement statues.

This is the given in the play, “Helen van Bethesda” loosely referring to “Helen of Troy”; to towns and cities who’s destiny was sealed by a woman; to sacrifice that leads to salvation (in this case, the town of Nieu Bethesda).

Helen Martins’, the “owl woman’s” life and work gets to life in this unique production, written by Naòmi Morgan and directed by Gerben Kamper. The run is from 26 – 28 March 2013 at 19h30 in the Wynand Mouton Theatre.    

Economic and Management Sciences

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Business School

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