Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Vassily Primakov piano recital

Thursday, 6 June 2013
Odeion
19:30

Since the release of his recording of the Chopin Piano Concertos, Vassily Primakov has been hailed as a pianist of world class importance.  Deseret News (Salt Lake City) wrote: “…a pianist's pianist.  He is a giant of the keyboard.”  Gramophone wrote: “Primakov's empathy with Chopin's spirit could hardly be more complete”, and the American Record Guide stated: “This is a great Chopin pianist.  Primakov's timing is perfect.”  MusicWeb-International called the CD “one of the great Chopin recordings of recent times.  These are performances of extraordinary power and beauty”.  In 1999, as teenaged prizewinner of the Cleveland International Piano Competition, Primakov was praised by Donald Rosenberg of the Cleveland Plain Dealer: “How many pianists can make a line sing as the 19-year-old Moscow native did on this occasion?”

Vassily entered Moscow's Central Special Music School at the age of eleven as a pupil of Vera Gornostaeva.  He won first prize in the Rachmaninoff International Young Artist Competition.  At seventeen he pursued his studies at the Juilliard School with the noted pianist, Jerome Lowenthal.  At Juilliard he won the William Petschek Piano Recital Award, which presented his debut recital at Alice Trully Hall.  While he was a student there, Primakov was placed among the top two laureates of the Cleveland International Piano Competition, and won both the silver medal and the Audience Prize in the 2002 Gina Bachauer International Artists Piano Competition.  He won first prize in the 2002 Young Concert Artists (YCA) International Auditions.   In 2007 he was named the Classical Recording Foundation's Young Artist of the Year.  In 2009, Primakov’s Chopin Mazurkas recording was named “Best of the Year” by National Public Radio and that same year he began recording Mozart’s 27 piano concertos in Denmark.  BBC Music Magazine (November 2010) praised the first volume of Primakov’s Mozart Concertos: “The piano playing is of exceptional quality: refined, multi-coloured, elegant of phrase and immaculately balanced, both in itself and in relation to the effortlessly stylish orchestra…By almost every objective criterion, Vassily Primakov is a Mozartian to the manner born, fit to stand as a role model to a new generation.”

Vassily has released numerous recordings for Bridge Records which include works by Bach, Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Brahms, Chopin, Dvorak, Debussy, Tchaikovsky, Scriabin, Rachmaninoff, Phillip Glass, Arlene Sierra and Roul Ruders.

In 2011, Vassily, along with his duo partner, Natalia Lavrova, established a new and vibrant record company, L.P. Classics, Inc.  Their first release was Anton Arensky: Four Suites for Two Pianos. Most recently they released Primakov's Live in Concert Album that includes works by Medtner, Schumann, Brahms' Handel Variations and Ravel's La Valse.  

Programme:

Chopin: Polonaise in C-sharp minor, Op. 26, sNo.1
Chopin: 12 Selected Mazurkas 
Chopin: Polonaise in A-flat major, Op. 53 "Heroic"
Van Eeden: Sonata No. 5 in B-flat minor, BVE 74 (2013) 
Scriabin: Prelude for the left hand in C-sharp minor, Op. 9, No.1
Scriabin: Sonata No. 4 in F-sharp major, Op. 30
Rachmaninoff: Sonata No. 2 in B-flat minor, Op. 36 (revised version)

Admission:

R130 (adults), R90 (pensioners), R50 (students and learners), R50 (group booking of 10+)
Tickets available at Computicket.

Enquiries:       

Ninette Pretorius (tel. 051 401 2504)

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