Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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OSM Dean’s Concert

Wednesday, 18 September 2013
Odeion
19:30

The OSM annually hosts a special Dean’s Concert where top students of the OSM perform.

The first half of the programme will include performances by OSM students, the Odeion String Quartet together with the Junior Odeion String Quartet as well as the Odeion Choir.  The second half of the programme will consist of the OSM Camerata performing under the baton of conductor Jan Moritz Onken.  Jan Moritz Onken, has been appointed as chief conductor of the OSMC for the second season of 2013 and will  prepare the OSMC for their participation at the 13th International Conservatory Festival in St Petersburg in November this year.

ADMISSION:

R110 (adults)

R70 (pensioners)

R40 (students and learners

 R40 (group booking of 10+)

Tickets available at Computicket. 

All concert proceeds go towards the St Petersburg fund for the OSM Camerata’s visit to Russia.

ENQUIRIES:    

Ninette Pretorius (tel. 051 401 2504)

13th International Conservatory Festival

After  a  successful  audition  the  OSMC  received an  invitation  to  participate  in  the  13th International Conservatory Festival which  will  take place in St Petersburg Russia from the 1st to the 9th of November 2013. The festival is a yearly highlight on the concert calendar of the prestigious Rimsky Korsakov Conservatoire.  It is the first time in history that an orchestra from Africa is invited to partake in this festival.            

The artistic panel of the festival under the auspices of Prof Lydia Volchek annually selects ten  conservatories  internationally  (in  the  likes of the Tchaikovsky Conservatoire (Moscow), Conservatoire de Paris, Eastman School of Music NY and the Sibelius Academy in Helsinki Finland  to  name  but  a  few)  to  gather  in  St  Petersburg  for  the  festival.  The rector of the Rimsky Korsakov Conservatoire, Prof Mikhail Gantvarg stated that it will be the first school of music hailing from Africa to participate in the festival ever.  The OSMC was requested to give two recitals of 40 minutes each during the festival. Maestro Jan Moritz Onken will lead the ensemble to St Petersburg; OSMC members will have the opportunity to attend all concerts presented by fellow participants and master classes presented by the masters of St Petersburg Conservatoire.

The festival is usually opened and closed with a grand concert presented by the St. Petersburg Conservatoire Symphony Orchestra (70 plus members). Last year the opening concert was conducted by the celebrated master, Valery Gergiev (artistic director of the Mariinsky Opera and Symphony Orchestra) while the closing ceremony was conducted by Semyon Bychkov. Both Gergiev and Bychkov are alumni of the St Petersburg Conservatoire.

The OSMC will recite a programme of mainly South African composers, with two new works commissioned by the OSM New Music Initiative from the prolific South African composer, Hendrik Hofmeyr, entitled Notturno Elegiaco and Phantom Waltz.  Phantom Waltz is a challenging work where musicians simultaneously play, sing and speak. A reworked edition for chamber orchestra of the original string quartet for piano and soprano, Lieder op Boesmanverse, by revered South African composer, Stefans Grové will also be performed. To commemorate the centenary of composer Benjamin Britten this year, Cantus in Memoriam of Benjamin Britten by Arvo Pärt is also included in the programme.

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