Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Die Seemeeu

Produksie: Die Seemeeu
Dramaturg: Anton Tsjechow
Vertaler: Andre P Brink
Regisseur: Gerben Kamper
Venue: Wynand Moutonteater
Datum: 17-20 Maart 2009
Tyd: 19:30
Besprekings: Computicket (Mimosa Mall en Checkers)

 

“Laat alles op die verhoog net so ingewikkeld wees, en tegelyk net so eenvoudig as in die lewe. Mense is besig om te eet, bloot te eet, maar op daardie oomblik word hulle geluk gevorm, of hul lewens word verpletter” (Anton Tsjechow).

Die Universiteit van die Vrystaat se tweede jaars by die Drama departement bring ‘n besondere produksie op die planke onder leiding van Gerben Kamper. Die Seemeeu deur Anton Tsjechow word beskou as een van sy beste toneelstukke en word vanaf die 17de tot die 20ste Maart 2009 in die Wynand Mouton Teater opgevoer. Hierdie is een van die drie realisme toneelstukke wat deel vorm van die module produksies wat die departement terug gebring het.

Anton Tsjechow, 1860 – 1904, het, volgens André P. Brink wat die Afrikaanse vertaling van Die Seemeeu behartig het, vier van die teaterwêreld se grootste stukke geskryf: Die Seemeeu, Oom Wanja, Die drie susters en Die kersieboord. Tsjechow het met hierdie stukke die hoogtepunt in die Naturalistiese - en Impressionistieseteater bereik. Alhoewel Die Seemeeu met die openingsaand in Sint Petersburg in 1896 hopeloos misluk het, was dit wel ‘n reuse sukses twee jaar later toe die Moskouse Kunsteater dit op die planke gebring het. Die mislukking van die eerste opvoering van die stuk het ‘n knou toegedien aan Tsjechow se skrywersdrif en hy het maar min geskryf hierna.

In Die Seemeeu, ‘n komedie, is daar skrywers, aktrises, die dood en hope onbeantwoorde liefde. Om ‘n rowwe idee te gee: Nina, ‘n jong aspirerende aktrise, is verlief op Trigorin, ‘n bekende skrywer, terwyl Trepliow, die seun van die groot aktrise Madame Arkadina, verlief is op Nina. Trigorin, op sy beurt het ‘n verhouding met Arkadina. Tussendeur is daar dan ook Sorin, broer van Arkadina en ook die eienaar van die landgoed waar die handeling plaasvind. Sy voorman, Sjamrajew, se vrou, Polina, het ‘n buite-egtelike verhouding.

Een van die ander, sal ons sê temas, wat in die stuk voorkom is die vernuwing in teater. Waar Arkadina se generasie net gefokus het net op die voorkoms van die opvoering en die oor wat gesê word nie, wil Trepliow dit so verander dat daar gefokus word op die betekenis van dit wat oorgedra word. As gevolg hiervan kry Arkadina en Trepliow stry.

Die rolverdeling vir Die Seemeeu is as volg:

Irina Nikolajewna Arkadina - Edelweiss Bester
Konstantin Gawrilowitsj Treplew - Drikus Saayman
Pjotr Nikolajewitsj Sorin - Quintus Aslett
Nina Mikhailowna Zaretsjnaja - Sanli Jooste
Ilja Afanasjewitsj Sjamrajew - Brandon Hewetson
Paulina Andrejewna - Corma Steyn
Masja - Mieke du Plessis
Boris Alexejewitsj Trigorin - Caval Goodyear
Jewgeni Sergejewitsj Dorn - Frantz Birkholtz
Semjon Semjonowitsj Medwedenko - Frans Fourie
Jakow - Makara Makara
Kok - Kgomotso Lebakeng
Huisbediende - Lerato Chipfupa

Kaartjies vir Die Seemeeu is beskikbaar by Computicket en is R25 – R30.
 

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