Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Redfern & Pauna piano duo

with James Redfern and Laura Pauna

Thursday, 13 March 2014

ODEION

19:30

Press:

“The whole country deserves to hear the Redfern-Pauna duo.”

  Paul Boekkooi, Beeld newspaper, South Africa, 2013

“Probably the best duet I have yet been fortunate to hear”

J Holloway, Durban Friends of Music review, South Africa, 2011

The Redfern & Pauna Piano Duo has been described by Paul Badura-Skoda as “a piano duo of first class”. Their performances during 2013 of Stravinsky’s The Rite of Spring - to mark the work’s centenary - have been met with great critical acclaim.  Their performances of original masterworks for four hands have taken them across the globe.  They have appeared at festivals such as the 50th Anniversary Liszt Festival (Weimar), Piano Fortissimo Festival (Croatia), the Manchester Keyboard Festival and the UNISA Concert Series.

LAURA PAUNA

“… lavishly performed… frenziedly and brilliantly… Bravo” was written in a Carnegie Hall review in 2007

Laura Pauna was born in Bucharest (Romania), starting her studies at the Dinu Lipatti- and George Enescu music schools. She completed her KA degree at the Hochschule für Musik und Theater (Hannover) with the highest distinction.

Laura performed with orchestras including the Deutsche Kammerakademie Neuss am Rhein; Cape Town Philharmonic Orchestra, KwaZulu-Natal Philharmonic Orchestra, Pro Musica, the International Mahler Orchestra and more.  Opening the 2008 Mozarteum International Summer Academy, Laura’s performance was described as “inspired… perfectly synchronised brilliance” (Horst Reischenbroek, Drehpunkt Kultur, Salzburg).  During her time in Germany, Laura was the recipient of many scholarships and awards, including the Ottilie-Selbach award and the Ritter Foundation, in addition to winning internal scholarships.

Her numerous competition prizes include being the overall winner in 2006 of the IBLA Grand Prize,  winning the Valentino Bucchi competition (Rome, 2006), the Mozarteum Prize (Salzburg, 2009) and 1st prize at the Grieg International Piano Competition (2009).

As a soloist and chamber musician, Laura has performed all over the world, including tours of the United States, Europe and Africa.  She has performed at such prestigious venues as Carnegie Hall, Salzburg Grosse Saal, Concertgebouw (Amsterdam), Jerusalem Theatre (Israel), George Enescu Piazza (Bucharest) and St Martin-in-the-Field (London).

JAMES REDFERN

“A solo pianist of the highest calibre” – Paul Badura-Skoda (2013)

James Redfern is a leading young English pianist. He began his studies in the UK at Chetham’s School of Music and the Purcell School, with Tessa Nicholson at the Royal Academy of Music. James continued his study under the tutorship of Paul Badura-Skoda.

James performed Mozart’s Jeunhomme concerto at St John’s Smith Square (London) at the inaugural concert of the International Mahler Orchestra, under the baton of Yoel Gamzou. He subsequently toured the Ukraine performing Brahms Concerto no. 1. Other prestigious appearances include the Purcell Room, South Bank Centre, St. Martin-in-the-Fields (London), the Bucharest Festival (Romania), the Deutsche National Theater and Stadskapelle Weimar (Germany), ZK Matthews Hall (Pretoria) and more.

In 2005 he won the first prize and chamber music prize at the Franz Liszt Competition (Weimar) and in 2010 he was the overall winner of the EPTA Competition (London). In 2011 James won fourth prize at the Dudley International Piano Competition.

ADMISSION:

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students & learners)

R50 (block booking of 10+)

PROGRAMME:

Mendelssohn: A Midsummer Night’s Dream

Beethoven: Grosse Fugue, Op. 134

Ravel: Spanish Rhapsody (1. Prelude a la nuit; 2. Malaguena; 3. Habanera & 4. Feria)

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